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The Romantic Movement in Europe was both a revolt and a revival, a philosophy of life as well as of art. In the earliest expressions of romantic theory by Rousseau and Diderot, it is seen as a revolt against rationalism. In Great Britain and Italy it appears as a revolt against classicism, in Spain as a revival of the tradition of the Moorish courts, and in Germany, where it excited the greatest enthusiasm, as both a revolt against rationalism and a revival of the Gothic and Germanic. Despite the differences of aim and emphasis across Europe, Professor Cranston argues that romaticism was a European phenomenon, as universal as the Renaissance. He isolates its common features - liberty, introspection, and the importance of love; truth in the expression of feeling as much as of thought; nature seen as an object of devotion rather than scientific study; a tolerance of the grotesque coupled with an interest in the exotic, the primitive and the medieval; a concern for the value of intuition over ratiocination; and a preference for audacity over prudence. The Romantic Movement is part of the common European heritage, and its influence is by no means at an end. The book is the first to describe its philosophy, history, and cultural and artistic manifestations, and the ways these varied across the countries of Europe.
Menhennet traces the main strands of thought and interest that preoccupy the Romantic writers: the revolutionary attitude that is differentiated from that of writers like Byron by the lack of emphasis on individualism; the dualism of the bourgeois world and the "inner self;" the interest in language as an agency for the regeneration of the German spirit; and the concentration on folk themes and the idea of Wanderung.
The Romantic Period was one of the most exciting periods in English literary history. This book provides a comprehensive and up-to-date account of the intellectual and cultural background to Romantic literature. It is accessibly written and avoids theoretical jargon, providing a solid foundation for students to make their own sense of the poetry, fiction and other creative writing that emerged as part of the Romantic literary tradition.
A novel on two young people in love who are trying to make a science of it. The protagonists are Eric and Alice, both in their twenties. He is in banking, she is in advertising. With graphs and charts.
The Romanticism that emerged after the American and French revolutions of 1776 and 1789 represented a new flowering of the imagination and the spirit, and a celebration of the soul of humanity with its capacity for love. This extraordinary collection sets the acknowledged genius of poems such as Blake's 'Tyger', Coleridge's 'Khubla Khan' and Shelley's 'Ozymandias' alongside verse from less familiar figures and women poets such as Charlotte Smith and Mary Robinson. We also see familiar poets in an unaccustomed light, as Blake, Wordsworth and Shelley demonstrate their comic skills, while Coleridge, Keats and Clare explore the Gothic and surreal.
The Romantic period coincided with revolutionary transformations of traditional political and human rights discourses, as well as witnessing rapid advances in technology and a primitivist return to nature. As a broad global movement, Romanticism strongly impacted on the literature and arts of the late eighteenth and early nineteenth centuries in ways that are still being debated and negotiated today. Examining the poetry, fiction, non-fiction, drama, and the arts of the period, this book considers: Important propositions and landmark ideas in the Romantic period; Key debates and critical approaches to Romantic studies; New and revisionary approaches to Romantic literature and art; The ways in which Romantic writing interacts with broader trends in history, politics, and aesthetics; European and Global Romanticism; The legacies of Romanticism in the twentieth and twenty-first centuries. Containing useful, reader-friendly features such as explanatory case studies, chapter summaries, and suggestions for further reading, this clear and engaging book is an invaluable resource for anyone who intends to study and research the complexity and diversity of the Romantic period, as well as the historical conditions which produced it.
In 850 analytical articles, this two-volume set explores the developments that influenced the profound changes in thought and sensibility during the second half of the eighteenth century and the first half of the nineteenth century. The Encyclopedia provides readers with a clear, detailed, and accurate reference source on the literature, thought, music, and art of the period, demonstrating the rich interplay of international influences and cross-currents at work; and to explore the many issues raised by the very concepts of Romantic and Romanticism.
In this beautifully written and brilliantly reasoned book, Ayn Rand throws a new light on the nature of art and its purpose in human life. Once again Miss Rand eloquently demonstrates her refusal to let popular catchwords and conventional ideas stand between her and the truth as she has discovered it. The Romantic Manifesto takes its place beside The Fountainhead as one of the most important achievements of our time.