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Mann examines how the financial patronage of newly empowered local rulers allowed Romanesque architecture and sculptural decoration to significantly redefine the cultural identities of those who lived in the frontier kingdoms of Christian Spain.
Architectural sculpture, virtually abandoned for five hundred years following the demise of the Roman Empire, was revivified on the portals of Romanesque churches in eleventh and twelfth-century France and Spain. Long overdue is a reappraisal of those images whose aesthetic of rendering the invisible visible establish them as valuable witnesses to the culture of Europe in the Middle Ages. Countless losses, mutilation through wilful destruction, centuries of accumulated grime, and a dearth of studies in English have impeded the deserved realization and appreciation of these magnificent works of art. Through illustration and illuminative interpretation, Romanesque Sculpture An Ecstatic Art fills the void by tracing the beginnings, maturation, and efflorescence of monumental sculptured facades in the short-lived Romanesque era. Depictions on them are mirrors of the age: sophisticated theological messages, monastic life, the cult of relics, pilgrimages, crusades and politics. The survey considers too the sculptors, mostly anonymous, who in adapting models from several media - both antique and current - created a unique visual vocabulary. The beauty of the sculptures comes to the fore. The stones live!
In art history, the term Romanesque distinguishes the period between the eleventh and the thirteenth
"This long-awaited volume, which includes much valuable material on Romanesque Art that has been unavailable for many years, will be of interest not only to students of the history of art or of medieval history and culture in general, but also to all readers concerned with the broadest problems of aesthetics, the history of ideas, and the sociology of art and religion. The first in a four-volume series of Meyer Schapiro's Selected Papers (future volumes will range from Modern Art to Early Christian and Byzantine art forms and will include papers on the Theory and Philosophy of Art), this publication embodies a number of Professor Schapiro's seminal studies of Romanesque sculptures, together with articles on manuscript art linked to those sculptures. Of particular relevance is the richly illustrated study of the sculptures of the cloister and portal in the French abbey of Moissac, which was one of the first approaches to those master works from an artistic point of view. This classic analysis is complemented by a consideration of Mozarabic and Romanesque styles in manuscript paintings and some sculptures from the Castilian abbey of Silos - a study of artistic innovation as an historical process in the context of changes in religious, social, and political life. Still another chapter treats the aesthetic response of individuals during the eleventh and twelfth centuries to Romanesque Art through a series of translated texts of that period which have an extraordinarily modern flavor. These papers are wide-ranging studies of many aspects of Romanesque Art: the forms, the expressive character, the content, the social roots, the historical moment and situation - all investigated in a searching but also imaginative way. Artistic structures are approached with the same objectivity as the documents and the archaeological data. With that graceful scholarship for which he is justly honored and admired, the author applies evidence from literature, religious texts, folklore, social and political history, epigraphy, and paleography in reconstructing and interpreting the contents of the works of art." --