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Originally published in 1984, Reading the Romance challenges popular (and often demeaning) myths about why romantic fiction, one of publishing's most lucrative categories, captivates millions of women readers. Among those who have disparaged romance reading are feminists, literary critics, and theorists of mass culture. They claim that romances enforce the woman reader's dependence on men and acceptance of the repressive ideology purveyed by popular culture. Radway questions such claims, arguing that critical attention "must shift from the text itself, taken in isolation, to the complex social event of reading." She examines that event, from the complicated business of publishing and distribution to the individual reader's engagement with the text. Radway's provocative approach combines reader-response criticism with anthropology and feminist psychology. Asking readers themselves to explore their reading motives, habits, and rewards, she conducted interviews in a midwestern town with forty-two romance readers whom she met through Dorothy Evans, a chain bookstore employee who has earned a reputation as an expert on romantic fiction. Evans defends her customers' choice of entertainment; reading romances, she tells Radway, is no more harmful than watching sports on television. "We read books so we won't cry" is the poignant explanation one woman offers for her reading habit. Indeed, Radway found that while the women she studied devote themselves to nurturing their families, these wives and mothers receive insufficient devotion or nurturance in return. In romances the women find not only escape from the demanding and often tiresome routines of their lives but also a hero who supplies the tenderness and admiring attention that they have learned not to expect. The heroines admired by Radway's group defy the expected stereotypes; they are strong, independent, and intelligent. That such characters often find themselves to be victims of male aggression and almost always resign themselves to accepting conventional roles in life has less to do, Radway argues, with the women readers' fantasies and choices than with their need to deal with a fear of masculine dominance. These romance readers resent not only the limited choices in their own lives but the patronizing atitude that men especially express toward their reading tastes. In fact, women read romances both to protest and to escape temporarily the narrowly defined role prescribed for them by a patriarchal culture. Paradoxically, the books that they read make conventional roles for women seem desirable. It is this complex relationship between culture, text, and woman reader that Radway urges feminists to address. Romance readers, she argues, should be encouraged to deliver their protests in the arena of actual social relations rather than to act them out in the solitude of the imagination. In a new introduction, Janice Radway places the book within the context of current scholarship and offers both an explanation and critique of the study's limitations.
Book-loving, librarian Jessie has loved Gavin Williams for practically her whole life. So when a psychic predicts that Gavin is Jessie's one fated soul mate, she's ecstatic. There's just one itty bitty little problem. Gavin's engaged to marry another woman. What's a book lover to do? Easy. Check out dozens of romance books, study the (totally realistic) way characters fall in love, and make a foolproof plan on how to win her soul mate (in one week). Meet cute? Check. Dance under the stars? Check. Kiss in the rain? Check. Romance books don't lie - it'll all go perfectly. Except, there's another problem. Gavin's twin brother: William Williams IV. Jessie has hated William for as long as she's loved his brother. William is grump to Jessie's sunshine, stand-offish to her extrovert, cold to her warm. And when William learns of Jessie's plan to derail his brother's engagement he swears that he'll do anything to stop her. But after William and Jessie (unwillingly) share a dance...a romantic dinner...a kiss...Jessie starts to wonder, is William actually her soul mate? Or is this just another one of his games? She's can't tell, because this romance definitely isn't going by the book. Romance by the Book is Book 3 in Sarah Ready's Soul Mates in Romeo Romance Series.
A LAMBDA LITERARY AWARD FINALIST "The feelings in this one are dialed up so high you almost can’t look at them directly: It would be like staring into the sun... Like Rosie Danan or Kate Clayborn, Barrett has a way of making palpable the full journey of a relationship" –New York Times “Simply put, The Romance Recipe is a treat.” –USA TODAY Amy Chambers: restaurant owner, micromanager, control freak. Amy will do anything to revive her ailing restaurant, including hiring a former reality-show finalist with good connections and a lot to prove. But her hopes that Sophie’s skills and celebrity status would bring her restaurant back from the brink of failure are beginning to wane… Sophie Brunet: grump in the kitchen/sunshine in the streets, took thirty years to figure out she was queer. Sophie just wants to cook. She doesn’t want to constantly post on social media for her dead-in-the-water reality TV career, she doesn’t want to deal with Amy’s take-charge personality and she doesn’t want to think about what her attraction to her boss might mean… Then, an opportunity: a new foodie TV show might provide the exposure they need. An uneasy truce is fine for starters, but making their dreams come true means making some personal and painful sacrifices and soon, there’s more than just the restaurant at stake. Carina Adores is home to romantic love stories where LGBTQ+ characters find their happily-ever-afters. Book 1: Hot Copy Book 2: The Romance Recipe
The reconciliation of North and South following the Civil War depended as much on cultural imagination as on the politics of Reconstruction. Drawing on a wide range of sources, Nina Silber documents the transformation from hostile sectionalism to sentimental reunion rhetoric. Northern culture created a notion of reconciliation that romanticized and feminized southern society. In tourist accounts, novels, minstrel shows, and popular magazines, northerners contributed to a mythic and nostalgic picture of the South that served to counter their anxieties regarding the breakdown of class and gender roles in Gilded Age America. Indeed, for many Yankees, the ultimate symbol of the reunion process, and one that served to reinforce Victorian values as well as northern hegemony, was the marriage of a northern man and a southern woman. Southern men also were represented as affirming traditional gender roles. As northern men wrestled with their nation's increasingly global and aggressive foreign policy, the military virtues extolled in Confederate legend became more admired than reviled. By the 1890s, concludes Silber, northern whites had accepted not only a newly resplendent image of Dixie but also a sentimentalized view of postwar reunion.
The Book of Ruth is venerated in college literature classes as one of the most elegant love stories of all time. What most people don’t realize, is that it is one of the most significant “New Testament” books located in the Old Testament—and it stands as a pivotal study in Bible Prophecy! It is an essential prerequisite to understanding the Book of Revelation! This tiny, 4-chapter book is one of the most inexhaustible sources of spiritual insight in the entire Bible. While it has been summarized in many of Chuck’s broader studies, Chuck explores the many surprises hidden in the text of this charming treasure (including some hidden secrets that will astonish most Biblical scholars!) Every detail of the text will evidence a skillful design beyond the skills of any human editor. Join Dr. Chuck Missler for another series of exciting teaching from the beautiful River Lodge, New Zealand as he explores this great little book.
CANNON/ROMANCE READERS BOOK CLUB
Why do we exist? For centuries, this question was the sole province of religion and philosophy. But now science is ready to take a seat at the table. According to the prevailing scientific paradigm, the universe tends toward randomness; it functions according to laws without purpose, and the emergence of life is an accident devoid of meaning. But this bleak interpretation of nature is currently being challenged by cutting-edge findings at the intersection of physics, biology, neuroscience, and information theory—generally referred to as “complexity science.” Thanks to a new understanding of evolution, as well as recent advances in our understanding of the phenomenon known as emergence, a new cosmic narrative is taking shape: Nature’s simplest “parts” come together to form ever-greater “wholes” in a process that has no end in sight. In The Romance of Reality, cognitive neuroscientist Bobby Azarian explains the science behind this new view of reality and explores what it means for all of us. In engaging, accessible prose, Azarian outlines the fundamental misunderstanding of thermodynamics at the heart of the old assumptions about the universe’s evolution, and shows us the evidence that suggests that the universe is a “self-organizing” system, one that is moving toward increasing complexity and awareness. Cosmologist and science communicator Carl Sagan once said of humanity that “we are a way for the cosmos to know itself.” The Romance of Reality shows that this poetic statement in fact rests on a scientific foundation and gives us a new way to know the cosmos, along with a riveting vision of life that imbues existence with meaning—nothing supernatural required.
In this smart, playful, and provocative book, one of today’s most original business thinkers argues that we underestimate the importance of romance in our lives and that we can find it in and through business—by designing products, services, and experiences that connect us with something greater than ourselves. Against the backdrop of eroding trust in capitalism, pervasive technology, big data, and the desire to quantify all of our behaviors, The Business Romantic makes a compelling case that we must meld the pursuit of success and achievement with romance if we want to create an economy that serves our entire selves. A rising star in data analytics who is in love with the intrinsic beauty of spreadsheets; the mastermind behind a brand built on absence; an Argentinian couple who revolutionize shoelaces; the founder of a foodie-oriented start-up that creates intimate conversation spaces; a performance artist who offers fake corporate seminars for real professionals—these are some of the innovators readers will meet in this witty, deeply personal, and rousing ramble through the world of Business Romanticism. The Business Romantic not only provides surprising insights into the emotional and social aspects of business but also presents “Rules of Enchantment” that will help both individuals and organizations construct more meaningful experiences for themselves and others. The Business Romantic offers a radically different view of the good life and outlines how to better meet one’s own desires as well as those of customers, employees, and society. It encourages readers to expect more from companies, to give more of themselves, and to fall back in love with their work and their lives.
First published in 1970, this work provides an overview of the Romance from the medieval period to the 20th century and tracks how the genre has changed with time, including its interaction with other forms of literature such as gothic novels, realism and science fiction. It explores a myriad of writers including Chaucer, Sidney, Tennyson, Shelley, Meredith and Keats and analyses key texts such as Don Quixote by Cervantes and Kubla Khan by Coleridge. This book will be of interest to those studying Romantic literature.
Widely applauded when it was published last year, Pearl Abraham's debut novel The Romance Reader possesses that quality that distinguishes all great fiction—a fresh look at the universal truths that bind us together. Like Chaim Potok, who revealed the Orthodox Jewish world from a young man's perspective in The Chosen, Abraham explores new ground, offering readers a tender story of a young Hasidic woman facing the challenges of growing up and the demands of her religion. Rachel Benjamin is the daughter of a quixotic rabbi who dreams of building a synagogue in the secluded upstate New York bungalow colony where his family now lives. As the rabbi's eldest daughter, Rachel is expected to set an example for her five siblings and for the other girls in the community: she must wear thick opaque tights with seams; she is forbidden to wear a bathing suit in public; and she can never read books in English. But like all young adults, Rachel bristles at the stringent rules set by her family and her religion, rebelling in ways that become increasingly apparent. Whether sneaking sheer nylons in and out of the house or applying for an illicit library card that will allow her access to the romance novels that she loves, Rachel is determined to do things her way. Dreaming of a life that mirrors that of the heroines in her favorite novels, Rachel craves the independence she will never have as a Hasidic woman in an arranged marriage. And yet, as her impending marriage draws inevitably nearer, the pulls of family and faith weigh against the frightening and unknown world beyond her own. This coming-of-age tale is both unusual and familiar—an intriguing, heartfelt look at the power of family and religion in the Hasidic community and the universal desire to leave the nest.