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"The Princess Diaries meets Meghan and Harry in this swoony rom-com!" -- In Touch Magazine Zora Emerson is not here to play. She's enrolled in a prestigious summer program, and is ready to use what she's learning to change the world (or at least her corner of New Jersey, for now).Zora's not expecting to vibe with any of her super-privileged classmates. So she's shocked to find she's got chemistry with Owen Whittelsey, who is charming, funny, undeniably cute...and turns out to literally be a prince. As in, his parents are the king and queen of a small European country. What?Suddenly, Zora's summer is looking a lot more complicated -- especially when Owen asks her to be his date at his older brother's wedding. Can her feelings for Owen, not to mention her sense of self, survive the royal chaos?Debbie Rigaud brings sparkling humor and insight to this empowering romantic comedy that's all about ruling your own destiny.
Katie Nicholl, Royal Correspondent for the Mail on Sunday, has been at the centre of royal reporting since she joined the newspaper in 2001. There is no one who is more intimately acquainted with the lives and loves of Princes William and Harry. Katie has spoken to a wealth of contacts close to William and Catherine Middleton and reveals how their love affair really started at St Andrews, the hurdles the pair overcame and the challenges they still face. Originally published to great acclaim in 2010 as William and Harry, Katie Nicholl has updated and added to her original account of the princes' lives and recounts the definitive story of William's royal romance with the young woman destined to become Queen Catherine.
PRINCESS DIARIES MEETS MADE IN CHELSEA Daisy Winters, average sixteen-year-old, has no desire to live in the spotlight - but it's not up to you when your perfect older sister is engaged to the Crown Prince of Scotland. The crown - and the intriguing Miles - might be trying to make Daisy into a lady, but she may have to rewrite the royal rulebook.
In this dangerously sexy rom-com that evokes the real-life romance between Prince Harry and Duchess Meghan Markle, a prince who wants to live out of the spotlight falls for a daring American rapper who turns his life, and the palace, upside down. Sexy, driven rapper Danielle “Duchess” Nelson is on the verge of signing a deal that’ll make her one of the richest women in hip hop. More importantly, it’ll grant her control over her life, something she’s craved for years. But an incident with a rising pop star has gone viral, unfairly putting her deal in jeopardy. Concerned about her image, she’s instructed to work on generating some positive publicity… or else. A brilliant professor and reclusive royal, Prince Jameson prefers life out of the spotlight, only leaving his ivory tower to attend weddings or funerals. But with the Queen’s children involved in one scandal after another, and Parliament questioning the viability of the monarchy, the Queen is desperate. In a quest for good press, she puts Jameson in charge of a tribute concert in her late husband’s honor. Out of his depth, and resentful of being called to service, he takes the advice of a student. After all, what’s more appropriate for a royal concert than a performer named “Duchess”? Too late, Jameson discovers the American rapper is popular, sexy, raunchy and not what the Queen wanted, although he’s having an entirely different reaction. Dani knows this is the good exposure she needs to cement her deal and it doesn't hurt that the royal running things is fine as hell. Thrown together, they give in to the explosive attraction flaring between them. But as the glare of the limelight intensifies and outside forces try to interfere, will the Prince and Duchess be a fairy tale romance for the ages or a disaster of palatial proportions?
When Richard Halliburton graduated from college, he chose adventure over a career, traveling the world with almost no money. The Royal Road to Romance chronicles what happened as a result, from a breakthrough Matterhorn ascent to being jailed for taking forbidden pictures on Gibraltar. Halliburton's literary career developed out of his meticulous logging of events that occurred on his own adventures. This book, his first, an account of his travels in 1921-23, was a best-seller for three years and was translated into 15 languages.
"The Royal Rogue is undeniably a scorching-hot romance, but it's so much more -- an absolutely swoon-worthy love story that packs an emotional punch. Don't miss this delicious, satisfying royal romance." Frolic Media Every family has a black sheep - even the royal ones. In the royal family of Denmark, that black sheep is me. Princess Stella, the scandalous divorcee, the only single mom in the family. It doesn't bother me what people say. It's always been me and my daughter against the world. Then that world of mine gets turned upside down. Prince Orlando of Monaco, whom the media has dubbed "The Royal Rogue" for many good reasons, comes to stay. The lewd words that leave his lips are inappropriate in any company. He seems to enjoy getting under my skin- and pretty soon, under my royal bedclothes as well. It's just a brief but torrid affair. Full of hot, dirty sex and nothing else. Until that nothing else turns into something more, in the form of a big surprise. I thought I got that wicked royal rogue out of my system but there's a link between us now that neither of us can ignore. A baby.
DigiCat Publishing presents to you this special edition of "The Royal Road to Romance" by Richard Halliburton. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
This book details the life and love story of King Alfonzo XIII and Queen Ena of Spain, Nicholas and Alexandra of Russia, and Queen Elena of Italy. Initially published in 1911, it aims to examine contemporary monarchies across Europe. In hindsight, the book offers an interesting glimpse into the thoughts and feelings of ordinary people towards the monarchy. Alfonzo and Ena are portrayed as being in love when they, in fact, become estranged. The book also provides a detailed look at Nicholas and Alexandra and the Russian aristocracy and correctly predicts their fall.
The #1 New York Times bestselling, controversial portrait of the British royal family -- as told from behind the palace walls -- for fans of Netflix's The Crown and all royal watchers They are the most chronicled family on the face of the globe. Their every move attracts headlines. Now Kitty Kelley has gone behind the scenes at Buckingham Palace, Windsor Castle and Kensington Palace to raise the curtain on the men and women who make up the British royal family. Queen Elizabeth, Prince Charles, Princess Diana...here are the scandals of the last decades: the doomed marriages and the husbands, wives, lovers and children caught in their wake and damaged beyond repair. No one is spared.
Since the early days of cinema, filmmakers have been intrigued by the lives and loves of British monarchs. The most recent productions by ITV and Netflix show that the fascination with British royalty continues unabated both in Britain and around the world. This book examines strategies of representing power and the staging of myths of power in seven popular films about British monarchs that were made after the mid-1990s revival of the “royal biopic” genre. By combining approaches from cultural studies with concepts and theories from the humanities, such as film studies and art history, it offers a comprehensive understanding of the cinematic portraits of royalty. In addition, the volume opens up new perspectives on how meaning is generated in films about the monarchy and on the connections between the biographical narratives. The introductory chapter to the case studies reviews the different academic positions on representations of royalty, provides a toolkit for studying the subject and demonstrates ways to approach the films. The book addresses questions of historical context and goes beyond a mere exploration of historical accuracy to reveal the films’ underlying ideological aims. As such, it makes a distinctive new contribution to the growing body of interdisciplinary work on the British monarchy in general and its cinematic representations in particular. It is the first monograph about representational mechanisms of royal identities and British past(s) in royal films such as Elizabeth, The Queen and The King’s Speech.