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Excerpt from The Romance of Madame Tussaud's I made some researches in accordance with your request, and, while investigating the old parochial registers of Macon anterior to the Revolution, I found not only the baptismal registration of Francois Tussaud, husband of the foundress of the Exhibition, but also sufficient documents to enable me to establish his ancestry through four generations. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
This is a fascinating book and its fascination consists in two things attaching to its subject: first that the famous collection of modelled portraits which has become a sort of national institution in England under the name of “Madame Tussaud’s” has its roots in the greatest period of modern history, the French Revolution; second, in that the complete and growing record has passed through so many changes and has yet survived. Even though the famous collection had dealt with nothing more than the main figures of the Revolution and of the great wars that followed it, it would have been a possession of permanent and lasting historical value. I am not sure that if it had so remained, stopped short at the effigies of those now long dead, it would not now receive a greater respect. It might well in that case have become something recognised as a national possession, protected and preserved by the national government. For the prolongation of the record right on into our own time, while it very greatly increases the real value of the collection as a piece of historical evidence, yet deprives it of that illusion which men cannot avoid where history is concerned: the illusion that things thoroughly passed are in some way greater and of more consequence than contemporary things. This continuity of the great collection—so long as it is maintained with judgment in selection and without too much yielding to momentary fame is none the less a thing to be very thankful for. Already those of us who, like the present writer, are well on into middle age, can judge how the younger generation is beginning to regard as historical these simulacra, which, when they were first modelled, seemed in our own youth insignificant because they were contemporary. To our children (who are now grown and are young men and women), Disraeli, Gladstone, Bismarck—all the group that were old but living men in the eighties (Disraeli died at the beginning of them, Bismarck long after their close)—are what to us were Louis-Philippe, Garibaldi, Palmerston, and the process properly continued will be invaluable. We have already more than 130 years of record. There is no reason why it should not extend to the two centuries.
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In 1789, with the starving French people on the brink of revolution, orphaned Celie Rosseau, an amazing artist and a very clever thief, runs wild with her protector, Algernon, trying to join the idealistic freedom fighters of Paris. But when she is caught stealing from none other than the king's brother and the lady from the waxworks, Celie must use her drawing talent to buy her own freedom or die for her crimes. Forced to work for Madame Tussaud inside the opulent walls that surround Louis XVI and Marie Antoinette, Celie is shocked to find that the very people she imagined to be monsters actually treat her with kindness. But the thunder of revolution still rolls outside the gates, and Celie is torn between the cause of the poor and the safety of the rich. When the moment of truth arrives, will she turn on Madame Tussaud or betray the boy she loves? From the hidden garrets of the starving poor to the jeweled halls of Versailles, Madame Tussaud's Apprentice is a sweeping story of danger, intrigue, and young love, set against one of the most dramatic moments in history.
A photographic tour of the different sides of Hollywood by the the bestselling author of life.love.beauty. The actor, photographer, and bestselling author reveals the Hollywood we see--and the one we don't--with a photography narrative featuring more than 250 emotionally charged color and black and white photos. Keegan Allen is a Hollywood native, growing up in a world that millions visit and many more imagine. With an avid fan base that follows him on Facebook, Instagram, Twitter, Snapchat, and a busy career that includes seven years on the hit series Pretty Little Liars as well as films directed by James Franco and Gia Coppola, Allen also is a lifelong photographer whose first book, life.love.beauty, was a national bestseller. Now Keegan turns his eye and camera to the place he knows best. Hollywood captures the beauty and glamour of the place itself—with unusual angles of the famous sign, the glint of sidewalk stars stamped into the entrance of the Grauman’s TCL Chinese Theater in the rain, the Chateau Marmont at twilight, secret local hideaways, red carpets and more--but also the darker side of dreams unrealized in the faces, hands, eyes, and footsteps of those who live on the fringe of celebrity. His photos are enhanced by revealing, intimate captions, lyrics, and other writing, as well as hand-drawn illustrations, exciting parodies, and iconic emulations. A book that will engage and surprise Keegan's legions of fans and followers, Hollywood is an essential gift for anyone who has visited or imagined this storied place.
A high school warrior-in-training gets lessons in surviving a mysterious assassin in the New York Times bestselling author’s YA urban fantasy novel. I'm Gwen Frost, a second-year warrior-in-training at Mythos Academy, and I have no idea how I'm going to survive the rest of the semester. One day, I'm getting schooled in swordplay by the guy who broke my heart—the drop-dead gorgeous Spartan Logan Quinn who slays me every time. Then, an invisible archer in the Library of Antiquities decides to use me for target practice. And now, I find out that someone at the academy is really a Reaper bad guy who wants me dead. Now, with Logan’s help, I’ll have to learn to live by the sword—or die trying.
Detachable col. fold-out map attached to flap of p. [3] of cover.
Vampire Queen Betsy Taylor discovers that it is not all marital bliss in the suburbs as her husband, Sinclair, takes up reading "The Book of the Dead," and a pack of once-feral vampires decides to pay an unwelcome visit.