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This is a much-needed update on the latest theory and research on love supplied by leading scientific experts. It is suitable for psychologists, neuroscientists, anthropologists, sociologists, and anyone with an interest in love and what has been learned from scientific studies of it.
When an obstinate American teenager stumbles upon forbidding paranormal circumstances, a lot more can go wrong than the age-old cliché of a naïve human girl falling prey to a depraved, bad-boy werewolf-warlock. But that might happen too...Frantic to locate her missing half-brother, eighteen-year-old Milena Caro embarks on an impetuous journey to South America, only to be kidnapped and thrust into a frightening supernatural world when she is handed over to a powerful family of ancient werelocks. Determined to escape and rescue her brother, Milena never imagined she'd have to battle her own growing attraction to the spoiled, overbearing Alpha holding her hostage--her brother's sworn enemy. And if thwarting the advances of a formidable, drop-dead sexy werelock bent on seducing her weren't enough to contend with, those pesky lines between right and wrong, truth and fiction, persist in blurring and intersecting.
A high school girl must choose between her favorite teacher and her former fundamentalist church when the church launches a campaign to ban teaching evolution in her science class.
In The Evolution of Complex Spatial Expressions within the Romance Family, Thomas Hoelbeek offers a corpus-based historical study of a group of expressions in French and Italian. Applying a functional approach, he tackles adpositions containing the French noun travers or the Italian noun traverso, previously never analysed from a diachronic perspective. This study enriches our knowledge of the expressions analysed and their functioning in the past, but also in present-day French and Italian, providing diachronic observations regarding functional notions put to the test. Thomas Hoelbeek’s work also contributes to a better understanding of the grammaticalisation mechanisms of complex constructions, and shows that typologically related languages may evolve differently in their ways of representing space.
The first daytime dramas began as early as 1930, with Painted Dreams. Programmers soon discovered that housewives often controlled the purse strings, and soaps become an advertiser's gold mine. They now generate more than $900 million in network revenues annually. Around 50 million people (reportedly including congressmen and rock stars as well as two-thirds of all American television-watching women) tune in each weekday afternoon for a dosage of love, loss and libido via "the soaps." This scholarly study examines the soap phenomenon from a sociological point of view. Included in the analysis is classic research by Rudolf Arnheim, Herta Hartzog and Helen Kaufman as well as contemporary studies and previously unpublished research. The evolution of popular plotlines and characters, as assessment of reality in today's plots, which people watch soaps and why, specific plotlines for the 13 soaps presently aired, 40+ family trees illustrating program changes, the future of soaps--all are covered.
Drawing on a wide range of philological and linguistic materials, Rodney Sampson provides for the first time a detailed comparative study tracing the rise and pattern of the evolution of nasal vowels in Romance; a family of language in which vowel nasalization has been richly represented. Developments across all the standard varieties and some non-standard varieties are considered, enabling broad characteristics of vowel nasalization in Romance to be identified.