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“Before I knew that I was Jewish or a girl I knew that I was a member of the working class.” So begins Vivian Gornick’s exploration of how the world of socialists, communists, and progressives in the 1940s and 1950s created a rich, diverse world where ordinary men and women felt their lives connected to a larger human project. Now back in print after its initial publication in 1977 and with a new introduction by the author, The Romance of American Communism is a landmark work of new journalism, profiling American Communist Party members and fellow travelers as they joined the Party, lived within its orbit, and left in disillusionment and disappointment as Stalin’s crimes became public. From the immigrant Jewish enclaves of the Bronx and Brooklyn and the docks of Puget Sound to the mining towns of Kentucky and the suburbs of Cleveland, over a million Americans found a sense of belonging and an expanded sense of self through collective struggle. They also found social isolation, blacklisting, imprisonment, and shattered hopes. This is their story--an indisputably American story.
Writer and critic Vivian Gornick’s long-unavailable classic exploring how Left politics gave depth and meaning to American life “Before I knew that I was Jewish or a girl I knew that I was a member of the working class.” So begins Vivian Gornick’s exploration of how the world of socialists, communists, and progressives in the 1940s and 1950s created a rich, diverse world where ordinary men and women felt their lives connected to a larger human project. Now back in print after its initial publication in 1977 and with a new introduction by the author, The Romance of American Communism is a landmark work of new journalism, profiling American Communist Party members and fellow travelers as they joined the Party, lived within its orbit, and left in disillusionment and disappointment as Stalin’s crimes became public.
This pioneering study explores the surprising extent and limits of the GDR's forgotten sexual revolution.
The impact of Communism on the twentieth century was massive, equal to that of the two world wars. Until the fall of the Soviet Union in 1991, historians knew relatively little about the secretive world of communist states and parties. Since then, the opening of state, party, and diplomatic archives of the former Eastern Bloc has released a flood of new documentation. The thirty-five essays in this Handbook, written by an international team of scholars, draw on this new material to offer a global history of communism in the twentieth century. In contrast to many histories that concentrate on the Soviet Union, The Oxford Handbook of the History of Communism is genuinely global in its coverage, paying particular attention to the Chinese Revolution. It is 'global', too, in the sense that the essays seek to integrate history 'from above' and 'from below', to trace the complex mediations between state and society, and to explore the social and cultural as well as the political and economic realities that shaped the lives of citizens fated to live under communist rule. The essays reflect on the similarities and differences between communist states in order to situate them in their socio-political and cultural contexts and to capture their changing nature over time. Where appropriate, they also reflect on how the fortunes of international communism were shaped by the wider economic, political, and cultural forces of the capitalist world. The Handbook provides an informative introduction for those new to the field and a comprehensive overview of the current state of scholarship for those seeking to deepen their understanding.
This companion volume to The Roots of American Communism brings to completion what the author describes as the essence of the relationship of American Communism to Soviet Russia in the fi rst decade after the Bolsheviks seized power. The outpouring of new archive materials makes it plain that Draper's premise is direct and to the point: The communist movement "was transformed from a new expression of American radicalism to the American appendage of a Russian revolutionary power." Each generation must fi nd this out for itself, and no better guide exists than the work of master historian Theodore Draper. American Communism and Soviet Russia is acknowledged to be the classic, authoritative history of the critical formative period of the American Communist Party. Based on confi dential minutes of the top party committees, interviews with party leaders, and public records, this book carefully documents the infl uence of the Soviet Union on the fundamental nature of American Communism. Draper's refl ections on that period in this edition are a fi tting capstone to this pioneering effort. Daniel Bell, in Saturday Review, remarked about this work that "there are surprisingly few scholarly histories of individual Communist parties and even fewer which treat of this crucial decade in intimate detail. Draper's account is therefore of great importance." Arthur M. Schlesinger, in The New York Times Book Review, says that "in reading Draper's closely packed pages, one hardly knows whether to marvel more at the detachment with which he examines the Communist movement, the patience with which he unravels the dreary and intricate struggles for power among the top leaders, or the intelligence with which he analyzes the interplay of factors determining the development of American Communism." And Michael Harrington, in Commonweal, asserted that Draper's book "will long be a defi nitive source volume and analysis of the Stalinization of American Communism."
The extraordinary life of Jay Lovestone is one of the great untold stories of the twentieth century. A Lithuanian immigrant who came to the United States in 1897, Lovestone rose to leadership in the Communist Party of America, only to fall out with Moscow and join the anti-Communist establishment after the Second World War. He became one of the leading strategists of the Cold War, and was once described as "one of the five most important men in the hidden power structure of America." Lovestone was obsessively secretive, and it is only with the opening of his papers at the Hoover Institution, the freeing of access to Comintern files in Moscow, and the release of his 5,700-page FBI file that biographer and Pulitzer Prize-winning journalist Ted Morgan has been able to construct a full account of the remarkable events of Jay Lovestone's life. The life Morgan describes is full of drama and intrigue. He recounts Lovestone's career in the faction-riven world of American Communism until he was spirited out of Moscow in 1929 after Stalin publicly attacked him for doctrinal unorthodoxy. As Lovestone veered away from Moscow, he came to work for the American Federation of Labor, managing a separate union foreign policy as well as maintaining his own intelligence operations for the CIA, many under the command of the legendary counterintelligence chief James Angleton. Lovestone also associated with Louise Page Morris, a spy known as "the American Mata Hari," who helped him undermine Communist advances in the developing world and whose own significant espionage career is detailed here. Lovestone's influence, always exercised from behind the scenes, survived to the end of the Cold War and the demise of the Soviet Union. A Covert Life has all the elements of a classic spy thriller: surveillance operations and stings, love affairs and bungled acts of sabotage, many thoroughly illegal. It is written with the easy hand of a fine biographer (The Washington Post Book World called Ted Morgan "a master storyteller") and provides a history of the Cold War and a glimpse into the machinery of the CIA while also revealing many hitherto hidden details of the superpower confrontation that dominated postwar global politics.
The Director of the Federal Bureau of Investigation explains the startling facts about the major menace of our time, communism: what it is, how it works, what its aims are, the real dangers it poses, and what loyal American citizens must know to protect their freedom. MASTERS OF DECEIT is a powerful and informative book—a firsthand account of American communism from its beginnings to the present, written by a man more intimately familiar with the complete story than any other American. Mr. Hoover shows the day-to-day operations of the Communist Party, USA: who the communists are, what they claim, why people be-come communists and why some break away. He describes life within the Party, communist strategy and tactics, methods of mass agitation and underground infiltration, espionage, sabotage, and its treatment of minorities. The picture of what life in this country would be under communism (toward which thou-sands of misguided Americans actually are working now!) is vivid and shocking. The forceful, driving message of this book is clarified with many incidents and anecdotes, definitions of communist terms, key dates, and a list of international communist organizations and publications which illustrate the communist Trojan horse in action. And it concretely outlines just what you can do now to combat the evils of the “false religion” of communism, so that you can stay free. MASTERS OF DECEIT is one of the most important books of our time—a warning of the clear and present danger to our way of life.
In The American Communist Movement: Storming Heaven Itself, Harvey Klehr and John Earl Haynes trace the turbulent history of American communism as both political party and social movement. Drawing on a wealth of research, they follow the party's fortunes from its origin in the aftermath of the Russian Revolution, through its heyday during the Depression years, to the gradual decline in the post-World War II era. The authors examine the effect of the party's ideas on groups more in the mainstream of American politics, as well as the influence of communist "popular front" culture on American culture in general. While duly acknowledging the idealism of many American communists, the authors also take a clear-eyed look at the disturbing aspects of the American communist movement: its subservience to Moscow, its penchant for conspiratorial machinations, its bitter internal disputes and purges, its always latent and sometimes virulent totalitarianism.
If you were an independent, adventurous, liberated American woman in the 1920s or 1930s where might you have sought escape from the constraints and compromises of bourgeois living? Paris and the Left Bank quickly come to mind. But would you have ever thought of Russia and the wilds of Siberia? This choice was not as unusual as it seems now. As Julia L. Mickenberg uncovers in American Girls in Red Russia, there is a forgotten counterpoint to the story of the Lost Generation: beginning in the late nineteenth century, Russian revolutionary ideology attracted many women, including suffragists, reformers, educators, journalists, and artists, as well as curious travelers. Some were famous, like Isadora Duncan or Lillian Hellman; some were committed radicals, though more were just intrigued by the “Soviet experiment.” But all came to Russia in search of social arrangements that would be more equitable, just, and satisfying. And most in the end were disillusioned, some by the mundane realities, others by horrifying truths. Mickenberg reveals the complex motives that drew American women to Russia as they sought models for a revolutionary new era in which women would be not merely independent of men, but also equal builders of a new society. Soviet women, after all, earned the right to vote in 1917, and they also had abortion rights, property rights, the right to divorce, maternity benefits, and state-supported childcare. Even women from Soviet national minorities—many recently unveiled—became public figures, as African American and Jewish women noted. Yet as Mickenberg’s collective biography shows, Russia turned out to be as much a grim commune as a utopia of freedom, replete with economic, social, and sexual inequities. American Girls in Red Russia recounts the experiences of women who saved starving children from the Russian famine, worked on rural communes in Siberia, wrote for Moscow or New York newspapers, or performed on Soviet stages. Mickenberg finally tells these forgotten stories, full of hope and grave disappointments.