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This is a full-scale commentary devoted to the third book of Ovid's Ars Amatoria. It includes an Introduction, a revision of E. J. Kenney's Oxford text of the book, and detailed line-by-line and section-by-section commentary on the language and ideas of the text. Combining traditional philological scholarship with some of the concerns of more recent critics, both Introduction and commentary place particular emphasis on: the language of the text; the relationship of the book to the didactic, 'erotodidactic' and elegiac traditions; Ovid's usurpation of the lena's traditional role of erotic instructor of women; the poet's handling of the controversial subjects of cosmetics and personal adornment; and the literary and political significances of Ovid's unexpected emphasis in the text of Ars III on restraint and 'moderation'. The book will be of interest to all postgraduates and scholars working on Augustan poetry.
An ancient curse propels talented flutist Gigi Perrin back to A.D. 408, to the court of the depraved Roman Emperor Honorius and his admirable sister, Princess Galla Placidia. There, Gigi grapples with her disbelief about what has happened, and with the strange, new world of violent politics, social upheaval and barbarians straining at the very gates of an empire. Through it all, she must struggle with her powerful attraction to a pagan senator and military commander, Quintus Magnus, a man exotically different from anyone she has ever known. On the brink of a dark and war-torn age, Gigi joins forces with Magnus, battling to save a princess and her people, and ultimately finding love amid the chaos, before the fall of Rome.
Lovers' Legends is a collection of homoerotic Greek myths restored from their primary sources. The collection also includes a new rendition of Lucian's Erotes. The volume is illustrated with ancient art.
Tenderness is not a notion commonly associated with the Romans, whose mythical origin was attributed to brutal rape. Yet, as Hérica Valladares argues in this ground-breaking study, in the second half of the first century BCE Roman poets, artists, and their audience became increasingly interested in describing, depicting, and visualizing the more sentimental aspects of amatory experience. During this period, we see two important and simultaneous developments: Latin love elegy crystallizes as a poetic genre, while a new style in Roman wall painting emerges. Valladares' book is the first to correlate these two phenomena properly, showing that they are deeply intertwined. Rather than postulating a direct correspondence between images and texts, she offers a series of mutually reinforcing readings of painting and poetry that ultimately locate the invention of a new romantic ideal within early imperial debates about domesticity and the role of citizens in Roman society.
A celebration of the art, architecture, and timeless human passion of the Eternal City, Rome Is Love Spelled Backward explores Rome's best-known treasures, often revealing secrets overlooked in conventional guidebooks. With the ancient play on "Roma" and "Amor"—ROMAMOR—Testa invites readers to experience the world's long love affair with one of its most beautiful cities.
Painters have immortalized them; poets have rhapsodized over them; and composers have arranged them' - here, Pulvers is referring to the wonderful array of fountains found in Rome.
Master carpenter Blaze Carter has upheld her family legacy for honesty and excellence and honed a reputation to match. Her greatest desire is to pass her knowledge on to her children. All she has to do is find her perfect partner who wants the same things—a full life and a family of their own. Trinity Greene grew up poor and has risen above the stigma of believing she’ll never amount to anything. She’s worked hard and is well on her way to becoming a head nurse in the ED. Her dream is within reach and the last thing she needs is an oh-so-attractive distraction. When a devastating injury threatens to derail her future, Blaze struggles with the possibility of giving up on her dream. Trinity knows all too well the odds are against Blaze but isn’t willing to let her stop believing. Not when she’s beginning to care for Blaze’s heart as well as her recovery. Together, they must decide if love and a future is a possibility worth fighting for.
Raven and her sister, Cara, are at the mercy of a small detachment of Florentine vampyres, who are delivering them as a peace offering to the feared Curia in Rome. Though she’s unsure William survived the coup that toppled his principality, Raven is determined to protect her sister at all costs, even if it means challenging Borek, the commander of the detachment. In an effort to keep Raven from falling into the hands of his enemies, William puts himself at the mercy of the Roman, the dangerous and mysterious vampyre king of Italy. But the Roman is not what he expects ... Alliances and enmities will shift and merge as William struggles to save the woman he loves and his principality, without plunging the vampyre population into a world war. This stunning conclusion to the Florentine series will take readers across Italy and beyond as the lovers fight to remain together. Forever.