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Wace's Roman de Rou is both a valuable historical document and an important work of French literature. Composed during the 1160s and 1170s, it relates the origins of Normandy from the time of Hasting and Rollo (Rou) and continues as far as the battle of Tinchebray in 1106.
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This book is an anthology with a difference. It presents a distinctive variety of Anglo-Norman works, beginning in the twelfth century and ending in the nineteenth, covering a broad range of genres and writers, introduced in a lively and thought-provoking way. Facing-page translations, into accessible and engaging modern English, are provided throughout, bringing these texts to life for a contemporary audience. The collection offers a selection of fascinating passages, and whole texts, many of which are not anthologised or translated anywhere else. It explores little-known byways of Arthurian legend and stories of real-life crime and punishment; women’s voices tell history, write letters, berate pagans; advice is offered on how to win friends and influence people, how to cure people’s ailments and how to keep clear of the law; and stories from the Bible are retold with commentary, together with guidance on prayer and confession. Each text is introduced and elucidated with notes and full references, and the material is divided into three main sections: Story (a variety of narrative forms), Miscellany (including letters, law and medicine, and other non-fiction), and Religious (saints' lives, sermons, Bible commentary, and prayers). Passages in one genre have been chosen so as to reflect themes or stories that appear in another, so that the book can be enjoyed as a collection or used as a resource to dip into for selected texts. This anthology is essential reading for students and scholars of Anglo-Norman and medieval literature and culture. Wide-ranging and fully referenced, it can be used as a springboard for further study or relished in its own right by readers interested to discover Anglo-Norman literature that was written to amuse, instruct, entertain, or admonish medieval audiences.
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“Ironically first edited from an Anglo-Norman copy, then, definitively, from a manuscript from the author’s native Touraine, the Histoire des ducs de Normandie after many years of neglect has received in the last twenty years significant attention, culminating in this authoritative translation with notes by the foremost Anglo-Normanist Ian Short. Benoît de Sainte-Maure’s massive enterprise (it numbers 44,544 lines, of which the last quarter are translated here) was started soon after his celebrated Roman de Troie and at the request of Henry II takes up the task relinquished by Wace in the Roman de Rou. Writing in French in rhyming octosyllabic couplets Benoît provides a monastic, providentialist view of his subject, seeking to reconnect Henry’s French-speaking aristocracy to their Continental heritage and to give a wider secular audience access to the Latin sources. Short’s translation brings to a wider readership a work that fills a significant gap in the development and character of vernacular historiography.” — Anthony Hunt, University of Oxford (Back cover)
Alongside annals, chronicles were the main genre of historical writing in the Middle Ages. Their significance as sources for the study of medieval history and culture is today widely recognised not only by historians, but also by students of medieval literature and linguistics and by art historians. The series The Medieval Chronicle aims to provide a representative survey of the on-going research in the field of chronicle studies, illustrated by examples from specific chronicles from a wide variety of countries, periods and cultural backgrounds.