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DIONYSIUS OF HALICARNASSUS migrated to Rome in 300 B.C., where he lived until his death some time after 8 B.C., writing his Roman Antiquities in twenty books and teaching the art of rhetoric and literary composition to a small group of upper-class Romans. His purpose, both in his own work and in his teaching, was to re-establish the classical Attic standards of purity, invention and taste in order to reassert the primacy of Greek as the literary language of the Mediterranean world. The essays in the present volume display the full range of Dionysius' critical expertise. In the treatise On Literary Composition, his finest and most original work, discussion of the effects produced by the arrangement of words involves minute analysis of phonetics and metre in addition to more general aspects of literary aesthetics such as the difference between poetry and prose, and the tripartite classification of the types of arrangement. The other four essays are on a less ambitious scale. The Dinarchus is primarily a study of authenticity in which Dionysius attempts to identify the genuine speeches of the latest Attic orator from the list of those ascribed to him by the librarians. The three literary letters are all concerned with possible models. In the Letter to Pompeius, Dionysius gives his reasons for criticizing Plato on stylistic and also moral grounds, and appends critiques of Herodotus, whom he greatly admired, and three other historians -- Xenophon, Philistus and Theopompus. Of the two Letters to Ammaeus, the second may be read as an appendix to the Thucydides, but the first concerns literary history, and investigates the question of whether Demosthenes could have learnt his oratorical skills from Aristotle's Rhetoric. Volume I contains the essays On the Ancient Orators, Lysias, Isocrates, Isaeus, Demosthenes, and Thucydides.
Originally published in 1879, this book offers a comprehensive look at the Roman antiquities as described by Dionysius of Halicarnassus. With an English translation by Edward Spelman and Ernest Cary, this book is essential reading for anyone interested in the history of ancient Rome. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Interprets the works of Dionysius of Halicarnassus, an important critic and historian in Rome, in a range of contexts.
Reconstructs the origins of the idea that social conflict, and not concord, makes political communities powerful.
Dionysius of Halicarnassus, born ca. 60 BC, aimed in his critical essays to reassert the primacy of Greek as the literary language of the Mediterranean world. They constitute an important development from the somewhat mechanical techniques of rhetorical handbooks to more sensitive criticism of individual authors.
So far, the critical writings of Dionysius of Halicarnassus have mainly attracted interest from historians of ancient linguistics. The Ideology of Classicism proposes a novel approach to Dionysius’ œuvre as a whole by providing the first systematic study of Greek classicism from the perspective of cultural identity. Drawing on cultural anthropology and Social Identity Theory, Wiater explores the world-view bound up with classicist criticism. Only from within this ideological framework can we understand why Greek and Roman intellectuals in Augustan Rome strove to speak and write like Demosthenes, Lysias, and Isocrates. Topics addressed by this study include Dionysius’ view of the classical past; mimesis and the aesthetics of reading; language and identity; Dionysius’ view of the Romans, their power and the role of Greek culture within it; Greek classicism and the contemporary controversy about Roman identity among Roman intellectuals; the self-image as Greek intellectuals in the Roman empire of Dionysius and his addressees; the dialogic design of Dionysius’ essays and how it implements a sense of elitism and distinction; Dionysius’ attitudes towards communities competing with him for leadership in rhetorical education and criticism, such as the Peripatetics and Stoics.
An insightful and original exploration of Roman Republic politics In A Companion to the Political Culture of the Roman Republic, editors Valentina Arena and Jonathan Prag deliver an incisive and original collection of forty contributions from leading academics representing various intellectual and academic traditions. The collected works represent some of the best scholarship in recent decades and adopt a variety of approaches, each of which confronts major problems in the field and contributes to ongoing research. The book represents a new, updated, and comprehensive view of the political world of Republican Rome and some of the included essays are available in English for the first time. Divided into six parts, the discussions consider the institutionalized loci, political actors, and values, rituals, and discourse that characterized Republican Rome. The Companion also offers several case studies and sections on the history of the interpretation of political life in the Roman Republic. Key features include: A thorough introduction to the Roman political world as seen through the wider lenses of Roman political culture Comprehensive explorations of the fundamental components of Roman political culture, including ideas and values, civic and religious rituals, myths, and communicative strategies Practical discussions of Roman Republic institutions, both with reference to their formal rules and prescriptions, and as patterns of social organization In depth examinations of the 'afterlife' of the Roman Republic, both in ancient authors and in early modern and modern times Perfect for students of all levels of the ancient world, A Companion to the Political Culture of the Roman Republic will also earn a place in the libraries of scholars and students of politics, political history, and the history of ideas.
A radical reexamination of the textual and archaeological evidence about Augustus and the Palatine Caesar Augustus (63 BC–AD 14), who is usually thought of as the first Roman emperor, lived on the Palatine Hill, the place from which the word “palace” originates. A startling reassessment of textual and archaeological evidence, The House of Augustus demonstrates that Augustus was never an emperor in any meaningful sense of the word, that he never had a palace, and that the so-called "Casa di Augusto" excavated on the Palatine was a lavish aristocratic house destroyed by the young Caesar in order to build the temple of Apollo. Exploring the Palatine from its first occupation to the present, T. P. Wiseman proposes a reexamination of the "Augustan Age," including much of its literature. Wiseman shows how the political and ideological background of Augustus' rise to power offers a radically different interpretation of the ancient evidence about the Augustan Palatine. Taking a long historical perspective in order to better understand the topography, Wiseman considers the legendary stories of Rome’s origins—in particular Romulus' foundation and inauguration of the city on the summit of the Palatine. He examines the new temple of Apollo and the piazza it overlooked, as well as the portico around it with its library used as a hall for Senate meetings, and he illustrates how Commander Caesar, who became Caesar Augustus, was the champion of the Roman people against an oppressive oligarchy corrupting the Republic. A decisive intervention in a critical debate among ancient historians and archaeologists, The House of Augustus recalibrates our views of a crucially important period and a revered public space.