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What was a Roman book? How did it differ from modern books? How were Roman books composed, published and distributed during the high period of Roman literature that encompassed, among others, Virgil, Horace, Ovid, Martial, Pliny and Tacitus? What was the ‘scribal art’ of the time? What was the role of bookshops and libraries? The publishing of Roman books has often been misrepresented by false analogies with contemporary publishing. This wide-ranging study re-examines, by appeal to what Roman authors themselves tell us, both the raw material and the aesthetic criteria of the Roman book, and shows how slavery was the ‘enabling infrastructure’ of literature. Roman publishing is placed firmly in the context of a society where the spoken still ranked above the written, helping to explain how some books and authors became politically dangerous and how the Roman book could be both an elite cultural icon and a contributor to Rome’s popular culture through the mass medium of the theatre.
In recent years, a long-established view of the Roman Empire during its great age of expansion has been called into question by scholars who contend that this model has made Rome appear too much like a modern state. This is especially true in terms of understanding how the Roman government ordered the city--and the world around it--geographically. In this innovative, systematic approach, Daniel J. Gargola demonstrates how important the concept of space was to the governance of Rome. He explains how Roman rulers, without the means for making detailed maps, conceptualized the territories under Rome's power as a set of concentric zones surrounding the city. In exploring these geographic zones and analyzing how their magistrates performed their duties, Gargola examines the idiosyncratic way the elite made sense of the world around them and how it fundamentally informed the way they ruled over their dominion. From what geometrical patterns Roman elites preferred to how they constructed their hierarchies in space, Gargola considers a wide body of disparate materials to demonstrate how spatial orientation dictated action, shedding new light on the complex peculiarities of Roman political organization.
This sweeping history of the Roman Empire from 44 BC to AD 235 has three purposes: to describe what was happening in the central administration and in the entourage of the emperor; to indicate how life went on in Italy and the provinces, in the towns, in the countryside, and in the army camps; and to show how these two different worlds impinged on each other. Colin Wells's vivid account is now available in an up-to-date second edition.
From Augustus to Constantine, the Roman Empire in the Near East expanded step by step, southward to the Red Sea and eastward across the Euphrates to the Tigris. In a remarkable work of interpretive history, Fergus Millar shows us this world as it was forged into the Roman provinces of Syria, Judaea, Arabia, and Mesopotamia. His book conveys the magnificent sweep of history as well as the rich diversity of peoples, religions, and languages that intermingle in the Roman Near East. Against this complex backdrop, Millar explores questions of cultural and religious identity and ethnicity--as aspects of daily life in the classical world and as part of the larger issues they raise. As Millar traces the advance of Roman control, he gives a lucid picture of Rome's policies and governance over its far-flung empire. He introduces us to major regions of the area and their contrasting communities, bringing out the different strands of culture, communal identity, language, and religious belief in each. The Roman Near East makes it possible to see rabbinic Judaism, early Christianity, and eventually the origins of Islam against the matrix of societies in which they were formed. Millar's evidence permits us to assess whether the Near East is best seen as a regional variant of Graeco-Roman culture or as in some true sense oriental. A masterful treatment of a complex period and world, distilling a vast amount of literary, documentary, artistic, and archaeological evidence--always reflecting new findings--this book is sure to become the standard source for anyone interested in the Roman Empire or the history of the Near East.
During the Principate (roughly 27 BCE to 235 CE), when the empire reached its maximum extent, Roman society and culture were radically transformed. But how was the vast territory of the empire controlled? Did the demands of central government stimulate economic growth or endanger survival? What forces of cohesion operated to balance the social and economic inequalities and high mortality rates? How did the official religion react in the face of the diffusion of alien cults and the emergence of Christianity? These are some of the many questions posed here, in the new, expanded edition of Garnsey and Saller's pathbreaking account of the economy, society, and culture of the Roman Empire. This second edition includes a new introduction that explores the consequences for government and the governing classes of the replacement of the Republic by the rule of emperors. Addenda to the original chapters offer up-to-date discussions of issues and point to new evidence and approaches that have enlivened the study of Roman history in recent decades. A completely new chapter assesses how far Rome’s subjects resisted her hegemony. The bibliography has also been thoroughly updated, and a new color plate section has been added.
The political transformation that took place at the end of the Roman Republic was a particularly rich area for analysis by the era's historians. Major narrators chronicled the crisis that saw the end of the Roman Republic and the changes that gave birth to a new political system. These writers drew significantly on the Roman idea of virtus as a way of interpreting and understanding their past. Tracing how virtus informed Roman thought over time, Catalina Balmaceda explores the concept and its manifestations in the narratives of four successive Latin historians who span the late Republic and early Principate: Sallust, Livy, Velleius, and Tacitus. Balmaceda demonstrates that virtus in these historical narratives served as a form of self-definition that fostered and propagated a new model of the ideal Roman more fitting to imperial times. As a crucial moral and political concept, virtus worked as a key idea in the complex system of Roman sociocultural values and norms that underpinned Roman attitudes about both present and past. This book offers a reappraisal of the historians as promoters of change and continuity in the political culture of both the Republic and the Empire.
Goodman presents a lucid and balanced picture of the Roman world examining the Roman empire from a variety of perspectives; cultural, political, civic, social and religious.
This compact book--which appeared earlier in the multivolume series A History of Private Life--is a history of the Roman Empire in pagan times. It is an interpretation setting forth in detail the universal civilization of the Romans--so much of it Hellenic--that later gave way to Christianity. The civilization, culture, literature, art, and even religion of Rome are discussed in this masterly work by a leading scholar.
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In The Wanderer, Michael of the charmed life continues his erratic career as an adventurer with an interlude which takes him through much of the 16th century Islamic empire. The holocaust in Rome singed his conscience a bit, and he decided - with his brother in arms, the bull-like Andy, to seek peace in a pilgrimage to the Holy Land. But Fate decreed otherwise. The pilgrim ship was seized by the infidels. Michael, chameleon like in his loyalties, became for all purposes an aspirant to Islam, and - though a slave - rose rapidly in the service of his masters, until he was confidante, adviser, military leader, political intriguer, whatever suited his mood, and landing - as one of his owners said - "always on his feet." Richly detailed with the lushness of a tawdry era in Europe and the Near East, the novel is more tightly plotted than was "The Adventurer," and Michael finds himself smitten by the strange woman of the evil eye who has captured his heart and imagination. A complex plot, with successive interlocking episodes, this adds up to another picaresque romantic adventure novel which those who enjoyed its predecessors will want to read for sure.