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The Rolling Stones Volume 1 concert and tour posters from 1962 to 1999
The writings in this book are extracted from volumes 1 through 20 of our 33 1/3 series - short books about individual albums. In here you'll find a wide variety of authors, albums, and approaches to writing about those albums. So sit back, put on your headphones, cue up your favourite songs, and let our writers transport you to a time when: Dusty Springfield headed south to Memphis to record a pop/soul classic; The Kinks almost fell to pieces, and managed to make their best album while doing so; Joy Division and their mad, brilliant producer created a debut record that still sounds painfully hip today; James Brown mesmerized a sell-out crowd at the Apollo, in the midst of the Cuban Missile Crisis; The Rolling Stones shacked up in the South of France and emerged with one of the best double-albums ever; The Ramones distilled punk rock into its purest, most enduring essence... 33 1/3 Greatest Hits, Volume 1: it's like a compilation album, without the filler.
BLAB!—the Harvey Award-winning anthology of cutting-edge comics, art, and culture—has returned to its comics roots with a stellar lineup of contributors. Noah Van Sciver depicts the tragic demise of Crime Does Not Pay editor Robert Wood. Ryan Heshka recounts the rise and fall of Superman creators Siegel and Shuster. Sasha Velour portrays the making of film director F.W. Murnau’s Nosferatu. Children’s book illustrator Giselle Potter examines Peter Rabbit author Beatrix Potter’s passion as a naturalist. Illustrated articles include the history of the gorilla and a report on UFOs. All this and much more in Comics and Stories That Will Make You BLAB!
An intimate day-by-day history of all four Beatles from childhood to the break-up of the group. All the concerts...film, TV and radio appearances...interviews, hushed-up scandals, the sex and the drugs...the triumphs and quarrels...and all the Beatles-related births, marriages and deaths. Essential reading for anyone interested in rock's most influential phenomenon of all time.
The first book in a multi-volume set on American fads. Gives data on the entertainers, art, movies, literature, television programs, and music that have captured national attention and followers in the past 200 years. Each of the 120 entries examines the nature of the fad and its importance to the American scene, influencing our vocabularies, fashions, leisure time pursuits, expectations about life, marketing strategies, and spending habits. Annotation copyrighted by Book News, Inc., Portland, OR
"Published by the Fine Arts Museums of San Francisco and University of California Press on the occasion of the exhibition The Summer of Love Experience: Art, Fashion, and Rock and Roll at the de Young, San Francisco, April 8 through August 20, 2017"--Colophon.
CMJ New Music Report is the primary source for exclusive charts of non-commercial and college radio airplay and independent and trend-forward retail sales. CMJ's trade publication, compiles playlists for college and non-commercial stations; often a prelude to larger success.
The acclaimed, bestselling rock-and-roll biographer delivers the first complete, unexpurgated history of the world’s greatest band. The saga of the Rolling Stones is the central epic in rock mythology. From their debut as the intermission band at London’s Marquee Club in 1962 through their latest record—setting Bridges to Babylon world tour, the Rolling Stones have defined a musical genre and experienced godlike adulation, quarrels, addiction, legal traumas, and descents into madness and death_while steadfastly refusing to fade away. Now Stephen Davis, the New York Times bestselling author of Hammer of the Gods and Walk This Way, who has followed the Stones for three decades, presents their whole story, replete with vivid details of the Stones’ musical successes_and personal excesses. Born into the wartime England of air-raid sirens, bombing raids, and strict rationing, the Rolling Stones came of age in the 1950s, as American blues and pop arrived in Europe. Among London’s most ardent blues fans in the early 1960s was a short blond teenage guitar player named Brian Jones, who hooked up with a lorry driver’s only son, Charlie Watts, a jazz drummer. At the same time, popular and studious Michael Philip Jagger–who, as a boy, bawled out a phonetic version of “La Bamba” with an eye-popping intensity that scared his parents–began sharing blues records with a primary school classmate, Keith “Ricky” Richards, a shy underachiever, whose idol was Chuck Berry. In 1962 the four young men, joined by Bill Perks (later Wyman) on bass, formed a band rhythm and blues band, which Brian Jones named the “the Rollin’ Stones” in honor of the Muddy Waters blues classic. Using the biography of the Rolling Stones as a narrative spine, Old God Almost Dead builds a new, multilayered version of the Stones’ story, locating the band beyond the musical world they dominated and showing how they influenced, and were influenced by, the other artistic movements of their era: the blues revival, Swinging London, the Beats, Bob Dylan’s Stones-inspired shift from protest to pop, Pop Art and Andy Warhol’s New York, the “Underground” politics of the 1960s, Moroccan energy and European orientalism, Jamaican reggae, the Glam and Punk subcultures, and the technologic advances of the video and digital revolution. At the same time, Old Gods Almost Dead documents the intense backstage lives of the Stones: the feuds, the drugs, the marriages, and the affairs that inspired and informed their songs; and the business of making records and putting on shows. The first new biography of the Rolling Stones since the early 1980s, Old Gods Almost Dead is the most comprehensive book to date, and one of the few to cover all the band’s members. Illustrated throughout with photos of pivotal moments, it is a celebration of the Rolling Stones as an often courageous, often foolish gang of artists who not only showed us new worlds, but new ways of living in them. It is a saga as raunchily, vibrantly entertaining as the Stones themselves.