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The Roman Catholic order of Sisters of the Presentation of the Blessed Virgin Mary, founded in Ireland in 1776 by Nano Nagle as the Society of Charitable Instruction of the Sacred Heart of Jesus, and migrating to North America in the mid 1850s, remains commited to tutoring, healing, and nuturing.
A fundamental and well-illustrated reference collection for anyone interested in the role of women in North American religious life.
In the nineteenth century, more than a third of American hospitals were established and run by women with religious vocations. In Say Little, Do Much, Sioban Nelson casts light on the work of these women's religious communities. According to Nelson, the popular view that nursing invented itself in the second half of the nineteenth century is historically inaccurate and dismissive of the major advances in the care of the sick as a serious and skilled activity, an activity that originated in seventeenth-century France with Vincent de Paul's Daughters of Charity. In this comparative, contextual, and critical work, Nelson demonstrates how modern nursing developed from the complex interplay of the Catholic emancipation in Britain and Ireland, the resurgence of the Irish Church, the Irish diaspora, and the mass migrations of the German, Italian, and Polish Catholic communities to the previously Protestant strongholds of North America and mainland Britain. In particular, Nelson follows the nursing Daughters of Charity through the French Revolution and the Second Empire, documenting the relationship that developed between the French nursing orders and the Irish Catholic Church during this period. This relationship, she argues, was to have major significance for the development of nursing in the English-speaking world.
Mary Peckham Magray argues that the Irish Catholic cultural revolution in the nineteenth century was effected not only by male elites, as previous scholarship has claimed, but also by the most overlooked and underestimated women in Ireland: the nuns. Once thought to be merely passive servants of the male clerical hierarchy, women's religious orders were in fact at the very center of the creation of a devout Catholic culture in Ireland. Often well-educated, articulate, and evangelical, nuns were much more social and ambitious than traditional stereotypical views have held. They used their wealth and their authority to effect changes in both the religious practices and daily activity of the larger Irish Catholic population, and by doing so, Magray argues, deserve a far larger place in the Irish historical record than they have previously been accorded. Magray's innovative work challenges some of the most widely held assumptions of social history in nineteenth-century Ireland. It will be of interest to scholars and students of Irish history, religious history, women's studies, and sociology.
Nineteenth-century American women’s culture was immersed in religious experience and female authors of the era employed representations of faith to various cultural ends. Focusing primarily on non-canonical texts, this collection explores the diversity of religious discourse in nineteenth-century women’s literature. The contributors examine fiction, political writings, poetry, and memoirs by professional authors, social activists, and women of faith, including Elizabeth Stuart Phelps, Angelina and Sarah Grimké, Louisa May Alcott, Rebecca Harding Davis, Harriet E. Wilson, Sarah Piatt, Julia Ward Howe, Julia A. J. Foote, Lucy Mack Smith, Rebecca Cox Jackson, and Fanny Newell. Embracing the complexities of lived religion in women’s culture-both its repressive and its revolutionary potential-Nineteenth-Century American Women Write Religion articulates how American women writers adopted the language of religious sentiment for their own cultural, political, or spiritual ends.
Just five weeks after its publication in January 1836, Awful Disclosures of the Hotel Dieu Nunnery, billed as an escaped nun's shocking exposé of convent life, had already sold more than 20,000 copies. The book detailed gothic-style horror stories of licentious priests and abusive mothers superior, tortured nuns and novices, and infanticide. By the time the book was revealed to be a fiction and the author, Maria Monk, an imposter, it had already become one of the nineteenth century's best-selling books. In antebellum America only one book, Uncle Tom's Cabin, outsold it. The success of Monk's book was no fluke, but rather a part of a larger phenomenon of anti-Catholic propaganda, riots, and nativist politics. The secrecy of convents stood as an oblique justification for suspicion of Catholics and the campaigns against them, which were intimately connected with cultural concerns regarding reform, religion, immigration, and, in particular, the role of women in the Republic. At a time when the term "female virtue" pervaded popular rhetoric, the image of the veiled nun represented a threat to the established American ideal of womanhood. Unable to marry, she was instead a captive of a foreign foe, a fallen woman, a white slave, and a foolish virgin. In the first half of the nineteenth century, ministers, vigilantes, politicians, and writers--male and female--forged this image of the nun, locking arms against convents. The result was a far-reaching antebellum movement that would shape perceptions of nuns, and women more broadly, in America.
From witch trials to pickaxe murderers, from brothels to convents, and from slavery to Toni Morrison's Paradise, these essays provide fascinating and provocative insights into our sexual and religious conventions and beliefs.