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Never before had Daniel Bergner seen a spectacle as bizarre as the one he had come to watch that Sunday in October. Murderers, rapists, and armed robbers were competing in the annual rodeo at Angola, the grim maximum-security penitentiary in Louisiana. The convicts, sentenced to life without parole, were thrown, trampled, and gored by bucking bulls and broncos before thousands of cheering spectators. But amid the brutality of this gladiatorial spectacle Bergner caught surprising glimpses of exaltation, hints of triumphant skill. The incongruity of seeing hope where one would expect only hopelessness, self-control in men who were there because they'd had none, sparked an urgent quest in him. Having gained unlimited and unmonitored access, Bergner spent an unflinching year inside the harsh world of Angola. He forged relationships with seven prisoners who left an indelible impression on him. There's Johnny Brooks, seemingly a latter-day Stepin Fetchit, who, while washing the warden's car, longs to be a cowboy and to marry a woman he meets on the rodeo grounds. Then there's Danny Fabre, locked up for viciously beating a woman to death, now struggling to bring his reading skills up to a sixth-grade level. And Terry Hawkins, haunted nightly by the ghost of his victim, a ghost he tries in vain to exorcise in a prison church that echoes with the cries of convicts talking in tongues. Looming front and center is Warden Burl Cain, the larger-than-life ruler of Angola who quotes both Jesus and Attila the Hun, declares himself a prophet, and declaims that redemption is possible for even the most depraved criminal. Cain welcomes Bergner in, and so begins a journey that takes the author deep into a forgotten world and forces him to question his most closely held beliefs. The climax of his story is as unexpected as it is wrenching. Rendered in luminous prose, God of the Rodeo is an exploration of the human spirit, yielding in the process a searing portrait of a place that will be impossible to forget and a group of men, guilty of unimaginable crimes, desperately seeking a moment of grace.
Yee–hah! It's rodeo time! Bareback bronc riding, barrel racing, calf roping, the livestock show, the fiddling contest, and don't forget lunch –– how are Katie and Cameron going to fit it all in and still have time to help their uncle, Cactus Joe, with chores? By making a schedule, of course. But making a schedule and sticking to it turn out to be two very different things!
The triumphant true story of the native Hawaiian cowboys who crossed the Pacific to shock America at the 1908 world rodeo championships Oregon Book Award winner * An NPR Best Book of the Year * Pacific Northwest Book Award finalist * A Reading the West Book Awards finalist "Groundbreaking. … A must-read. ... An essential addition." —True West In August 1908, three unknown riders arrived in Cheyenne, Wyoming, their hats adorned with wildflowers, to compete in the world’s greatest rodeo. Steer-roping virtuoso Ikua Purdy and his cousins Jack Low and Archie Ka’au’a had travelled 4,200 miles from Hawaii, of all places, to test themselves against the toughest riders in the West. Dismissed by whites, who considered themselves the only true cowboys, the native Hawaiians would astonish the country, returning home champions—and American legends. An unforgettable human drama set against the rough-knuckled frontier, David Wolman and Julian Smith’s Aloha Rodeo unspools the fascinating and little-known true story of the Hawaiian cowboys, or paniolo, whose 1908 adventure upended the conventional history of the American West. What few understood when the three paniolo rode into Cheyenne is that the Hawaiians were no underdogs. They were the product of a deeply engrained cattle culture that was twice as old as that of the Great Plains, for Hawaiians had been chasing cattle over the islands’ rugged volcanic slopes and through thick tropical forests since the late 1700s. Tracing the life story of Purdy and his cousins, Wolman and Smith delve into the dual histories of ranching and cowboys in the islands, and the meteoric rise and sudden fall of Cheyenne, “Holy City of the Cow.” At the turn of the twentieth century, larger-than-life personalities like “Buffalo Bill” Cody and Theodore Roosevelt capitalized on a national obsession with the Wild West and helped transform Cheyenne’s annual Frontier Days celebration into an unparalleled rodeo spectacle, the “Daddy of ‘em All.” The hopes of all Hawaii rode on the three riders’ shoulders during those dusty days in August 1908. The U.S. had forcibly annexed the islands just a decade earlier. The young Hawaiians brought the pride of a people struggling to preserve their cultural identity and anxious about their future under the rule of overlords an ocean away. In Cheyenne, they didn’t just astound the locals; they also overturned simplistic thinking about cattle country, the binary narrative of “cowboys versus Indians,” and the very concept of the Wild West. Blending sport and history, while exploring questions of identity, imperialism, and race, Aloha Rodeo spotlights an overlooked and riveting chapter in the saga of the American West.
Most armadillos are happy scratching sand and eating, but Bo longs for adventure. And adventure Bo gets, the day Harmony Jean breaks in her brand-new chili-pepper-red cowboy boots by the banks of Can Creek. Peering out across the creek bed, Bo is sure he's spotted a rip-roarin', rootin'-tootin', shiny red armadillo! Bo's off and running after his new friend--right down to the Curly H Rodeo. There Bo gets to do all the things he's dreamed of doing: he rides a bronc, eats red-hot chili peppers, and even tries the two-step. Bo is ready to follow his pal off into the sunset, but he is about to discover his new friend is no ordinary armadillo. Jan Brett turns her considerable storytelling talents toward the Texas countryside in this warm and funny story of an armadillo on his own. Luckily, Ma Armadillo and her boys are searching for Bo in the borders to bring him back home.
A memoir about fatherhood, family, and what it means to be a man in America. Winner of Pushcart’s 2019 Editor’s Book Award Five years into fatherhood, Calvin Hennick is plagued by self-doubt and full of questions. How can he teach his son to be a man, when his own father figures abandoned him? As a white man, what can he possibly teach his biracial son about how to live as a black man in America? And what does it even mean to be a man today, when society’s expectations of men seem to change from moment to moment? In search of answers, Calvin takes his young son on the road, traveling across the country to the annual rodeo in his small Iowa hometown. Along the way, a stop at the Baseball Hall of Fame turns into an impromptu lesson about racism and segregation. In Niagara Falls, a day of arcade games and go-karts unexpectedly morphs into a titanic struggle between father and son. A stop in Chicago rips the scars off of old wounds. And back in Iowa, Calvin is forced to confront the most difficult question of all: What if his flaws and family history doom him to repeat the mistakes of the past? In this unforgettable debut memoir, Calvin Hennick holds a mirror up to both himself and modern America, in an urgent and timely story that all parents, and indeed all Americans, need to read.
W.K. Stratton chronicles one season of the pro rodeo and bull-riding tours, tracing the history of the rodeo and profiling some of its greatest riders and ropers.
"Rodeos" presents a fascinating history of this Western American institution,rom its rugged beginnings on the ranch to today's very lucrativerofessional circuits. This book captures the mystique of the cowboy and hislace in Western folklore, from the early days when groups of cowboys fromeighboring ranches met to settle arguments over who was the best aterforming ranching tasks to the multi-million dollar prizes and endorsementswarded to professionals today. Experience first-hand the energy, electricity,nd exhilaration of the rodeo through stunning colour photography andintage illustrations that tell the stories of these courageous and athleticodeo characters, and highlights of important moments throughout rodeoistory.
In this first substantial study of rodeo women, Mary Lou Lecompte surveys the early rodeo cowgirls' achievements as professional athletes, the near demise of women's rodeo events during World War II, and the phenomenal success of the Women's Professional Rodeo Association in regaining lost ground for rodeo cowgirls. Recalling an extraordinary chapter in women's history as well as the history of American sport, Cowgirls of the Rodeo contributes to a deeper understanding of the challenges facing women in the American West and in American sport.
Introduction: "The Young and The Rodeo" is the tale of a journey that took me into the world of rodeo through the eyes and experience of the next generation of rodeo superstars, cowboys and cowgirls. It contains personal highlights and individual stories that help explain why rodeo continues to thrive in a modern, high-tech world of video games and smart phones. It is not a detailed examination of results, instead this is a view of the sport from the eyes of those that compete in it. It is also not a hard-news analysis, rather it is a look at what makes rodeo so special and why regional and community rodeo competitions designed for young people is a flourishing segment of the sporting world in the tri-state region of Arkansas, Louisiana and Mississippi. I will also introduce the reader to several amazing young people who love the sport and want to share that love so that others can understand why they feel the way they feel. Hopefully, you as a reader will discover what I discovered and understand why I have fallen in love with the sport - and those young people that keep it alive.
Sonja Getz of Dorfburg, Texas, who upon reaching her 30th birthday decides to go in search of her long-lost father. She shares this odyssey with reluctant partner Prairie James, a professional rope-twirler doing the second-rate rodeo circuit.