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While there has always been a large public interest in ancient pictures painted or carved on stone, the archaeological study of rock art is in its infancy. But intensive amounts of research has revolutionized this field in the past decade. New methods of dating and analysis help to pinpoint the makers of these beautiful images, new interpretive models help us understand this art in relation to culture. Identification, conservation and management of rock art sites have become major issues in historical preservation worldwide. And the number of archaeologically attested sites has mushroomed. In this handbook, the leading researchers in the rock art area provide cogent, state-of-the-art summaries of the technical, interpretive, and regional advances in rock art research. The book offers a comprehensive, basic reference of current information on key topics over six continents for archaeologists, anthropologists, art historians, and rock art enthusiasts.
Developing Rock Art Tourism in the Negev desert of southern Israel presents the findings of an interdisciplinary project aimed at safeguarding the future of cultural heritage in the Negev Desert region of Israel, which is under threat from environmental change, militarisation, settlement and tourism.
Rocks of Ages: Developing Rock Art Tourism in Israel presents the findings of an interdisciplinary project aimed at safeguarding the future of this unique resource. Cultural heritage in the Negev desert region of Israel is potentially under threat from a number of social, political and economic activities such as militarization, settlement and tourism, resulting in significant environmental change. The cultural heritage and archaeology extend back at least a quarter of a million years but also include a unique engraved rock art assemblage that dates to at least 3000 BCE. These engravings form a clear association with other relic monuments including prehistoric and protohistoric settlements, agricultural and irrigation regimes, and the remnants of a nomadic way of life. But how can this unique cultural heritage survive in the long-term? In December 2017, an international conference was held at Mitzpe Ramon attended by academics, heritage professionals and individuals from the tourism industry. The meeting centered on the dissemination of the findings from the Integrative Multilateral Planning to Advance Rock Art Tourism (IMPART) research project. Formed from an interdisciplinary team of Israeli-Italian scholars, the IMPART researchers collaborated to conduct archaeo-ecological and socio-touristic research with the goal of establishing an authoritative set of sustainable best practices for effectively valorizing Negev rock art. Based on the successful outcome of this research dynamic, the book is organized into 12 thought-provoking chapters that identify and analyze the cultural heritage, archaeology and tourism geographies that fill the multilayered Negev landscape. The focus throughout is to find ways to preserve this unique heritage for future generations while striking a balance between these fragile resources and the pressures for development of the desert.
Angelo E. Fossati takes the reader on an in-depth journey into the various themes present in the rock art of Oman, offering theories on the chronology and interpretation, while exploring the landscape setting of the decorated panels. Highly illustrated throughout, beautiful photographs and scientific tracings of the rock art accompany the text.
"This volume comprises all but one of the papers presented at the workshop Unearthing the Wilderness : Workshop on the History and Archaeology of the Negev and Edom in the Iron Age, held at the W.F. Albright Institute of Archaeological Research, Jerusalem, on 12 December 2010. It is supplemented with studies from scholars who were unable to attend the conference but were eager to contribute to this book."--Preface.
It has long been known that all forms of art – rock paintings, carvings and scribings, and also portable sculpture – are present at various locations throughout Africa. This book was the first inclusive survey and brings together in one volume accounts of African rock art which were previously scattered in scholarly monographs, journals and travellers’ tales. The range of the coverage is geophysically comprehensive, from the Atlas Mountains to the Cape of Good Hope. The art styles are set into a firm chronological framework, and are displayed against a background of human, physical and cultural evolution. Considerable discussion is also devoted to the varied purposes which the paintings and carvings served in the communities which produced them, looking at the differing interpretations fully and fairly. A fascinating collection of illustrations, some in colour, truly reflects the variety of forms in which African rock art is manifested. Originally published 1984.
This is the fifth volume in the series Rock Art Studies: News of the World. Like the previous editions, it covers rock art research and management across the globe over a five-year period, in this case the years 2010 to 2014 inclusive.