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This book explores rock art localities all across Saudi Arabia, describing them in detail and providing a chronology for them. The text is written for a broad audience and the book contains a large quantity of high quality photographs. Author: Sandra L. Olsen, Photographs by Richard T. Bryant.
Special lectures delivered at the International Conference on Rock Art, held at New Delhi during 6th December 2012 to 23rd January 2013.
Angelo E. Fossati takes the reader on an in-depth journey into the various themes present in the rock art of Oman, offering theories on the chronology and interpretation, while exploring the landscape setting of the decorated panels. Highly illustrated throughout, beautiful photographs and scientific tracings of the rock art accompany the text.
Encompassing a landmass greater than the rest of the Near East and Eastern Mediterranean combined, the Arabian peninsula remains one of the last great unexplored regions of the ancient world. This book provides the first extensive coverage of the archaeology of this region from c.9000 to 800 BC. Peter Magee argues that a unique social system, which relied on social cohesion and actively resisted the hierarchical structures of adjacent states, emerged during the Neolithic and continued to contour society for millennia later. The book also focuses on how the historical context in which Near Eastern archaeology was codified has led to a skewed understanding of the multiplicity of lifeways pursued by ancient peoples living throughout the Middle East.
The comprehensive book on Indian petroglyphs in the Southwest.
Documenting the recent studies conducted on a highly original, beautiful, and long-neglected site by excavation teams, this exploration reveals the hidden treasures of a near-eastern civilization. More than 350 art masterpieces, mostly unknown to a foreign public and dating from prehistoric times to modern days, introduce the life and culture of a land of exchanges located at the crossroad of major civilizations--including the Mediterraneans, Mesopotamians, and Indians--which today constitutes Saudi Arabia. The numerous testimonies include the necropolis of Hegra, a smaller version of Petra inscribed on the UNESCO World heritage list; Mecqua, the fortress of Teima, which shows strong Mesopotamian and Egyptian influence; and the Dedan site, which is characterized by monumental sculpture of Ptolemaic inspiration. Precious dishes and jewelry, monumental sculptures, temples, and palaces ornate with frescoes fill the pages of this sumptuous examination.
San rock paintings, scattered over the range of southern Africa, are considered by many to be the very earliest examples of representational art. There are as many as 15,000 known rock art sites, created over the course of thousands of years up until the nineteenth century. There are possibly just as many still awaiting discovery. Taking as his starting point the magnificent Linton panel in the Iziko-South African Museum in Cape Town, J. D. Lewis-Williams examines the artistic and cultural significance of rock art and how this art sheds light on how San image-makers conceived their world. It also details the European encounter with rock art as well as the contentious European interaction with the artists’ descendants, the contemporary San people.
Rock art is one of the most visible and geographically widespread of cultural expressions, and it spans much of the period of our species' existence. Rock art also provides rare and often unique insights into the minds and visually creative capacities of our ancestors and how selected rock outcrops with distinctive images were used to construct symbolic landscapes and shape worldviews. Equally important, rock art is often central to the expression of and engagement with spiritual entities and forces, and in all these dimensions it signals the diversity of cultural practices, across place and through time. Over the past 150 years, archaeologists have studied ancient arts on rock surfaces, both out in the open and within caves and rock shelters, and social anthropologists have revealed how people today use art in their daily lives. The Oxford Handbook of the Archaeology and Anthropology of Rock Art showcases examples of such research from around the world and across a broad range of cultural contexts, giving a sense of the art's regional variability, its antiquity, and how it is meaningful to people in the recent past and today - including how we have ourselves tended to make sense of the art of others, replete with our own preconceptions. It reviews past, present, and emerging theoretical approaches to rock art investigation and presents new, cutting-edge methods of rock art analysis for the student and professional researcher alike.
Contains more than two hundred photographs of Africa's rock art, coupled with historical and interpretive analyses, compiled to raise public awareness of the variety, importance, and frailty of these works.