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Rune, Robin and Nightingale together they will save us all. (If we're very lucky) Rune: She ran away from an abusive home to become the greatest violinist her world had ever known¾and when The Ghost of Skull Hill tried to stop her, she played him to sleep! Robin: No mean musician herself, she must make her own visit to Skull Hill¾to recruit the dreadful ghost to their cause. Nightingale: Alone she could accomplish nothing. So she joined forces with T'fyrr, a strange nonhuman with the face of a raptor and the voice of an angelic choir. This unlikely set of heroes had the daunting task of saving the King¾and through him the Gypsies, Free Bards, and non-humans of the twenty kingdoms. Fortunately, their opponents had no idea how potent a weapon music could be . . . . At the publisher's request, this title is sold without DRM (Digital Rights Management). " . . . fast and furious. Romance, action, intrigue all blend in a believable fantastic setting. Fans of Lackey and fantasy will be delighted with this addition to her series." ¾Kliatt
For the first time in paperback, a new solo novel by a fantasy great. Set in the same world as Bardic Voices, Book I: The Lark and the Wren, this fantasy novel is "deft and readable . . . as lively as one might wish, and the reappearances of the Skull Hill Ghost from The Lark and the Wren are especially well-rendered" (Dragon).
A GHOST OF A CHANCE A voice, an icy, whispering voice, came out of the darkness from all around her; from everywhere, yet nowhere. It could have been born of her imagination, yet Rune knew the voice was the Ghost's, and that to run was to die. Instantly, but in terror that would make dying seem to last an eternity. "Why have you come here, stupid child " it murmured, as fear urged her to run away. "Why were you waiting here For me Foolish child, do you not know what I am What I could do to you " Rune had to swallow twice before she could speak, and even then her voice cracked and squeaked with fear. "I've come to fiddle for you-sir " she said, gasping for breath between each word, trying to keep her teeth from chattering. The Ghost laughed, a sound with no humor in it, the kind of laugh that called up empty wastelands and icy peaks. "Well, then, girl. Fiddle, then. And pray to that Sacrificed God of yours that you fiddle well, very well. If you please me, if you continue to entertain me until dawn, I shall let you live, a favor I have never granted any other. But I warn you-the moment my attention lags, little girl-you'll die like all the others and you will join all the others in my own private little Hell." At the publisher's request, this title is sold without DRM (Digital Rights Management).
A MAGICAL MANIAC IS LOOSE IN ALANDA! A magical murderer is loose in Alanda. The victims are always women, always lower-class, and the weapon is always a three-sided stiletto, most often found among Church regalia. But the killers are never churchmen, and they always commit suicide immediately after the bloody deed. Tal Rufen is just a simple constable. But he really cares about his job, and when one of these murder/suicides happens on his beat he becomes obsessed. His superiors don't care¾the victims will never be missed, and their murderers are already justly dead. But every instinct Tal Rufen has cries out that he has seen only one small piece of a bigger and much nastier puzzle.... At the publisher's request, this title is sold without DRM (Digital Rights Management).
"This new stage adaptation of Barry Hines' well-known film and novel once again proves its gritty charm and popular staying power..." --Back cover.
Nightingale, a gypsy Free Bard, is tasked with finding out why the High King of the human kingdoms is allowing the Church to become ever more overtly hostile to non-human sentients, as well as to anything that it does not at least indirectly control, such as gypsies and Free Bards.
Presents the songs and calls of fifty North American birds that are common to residential settings, city parks, and urban areas.
An only son, gifted with magic is challenged to free a people threatened by an ancient evil. Will he be forced to risk everything in a battle against the forces of darkness? Find out in Book 1 of the thrilling story of Thomas Kestrel.
Ten Thousand Birds provides a thoroughly engaging and authoritative history of modern ornithology, tracing how the study of birds has been shaped by a succession of visionary and often-controversial personalities, and by the unique social and scientific contexts in which these extraordinary individuals worked. This beautifully illustrated book opens in the middle of the nineteenth century when ornithology was a museum-based discipline focused almost exclusively on the anatomy, taxonomy, and classification of dead birds. It describes how in the early 1900s pioneering individuals such as Erwin Stresemann, Ernst Mayr, and Julian Huxley recognized the importance of studying live birds in the field, and how this shift thrust ornithology into the mainstream of the biological sciences. The book tells the stories of eccentrics like Colonel Richard Meinertzhagen, a pathological liar who stole specimens from museums and quite likely murdered his wife, and describes the breathtaking insights and discoveries of ambitious and influential figures such as David Lack, Niko Tinbergen, Robert MacArthur, and others who through their studies of birds transformed entire fields of biology. Ten Thousand Birds brings this history vividly to life through the work and achievements of those who advanced the field. Drawing on a wealth of archival material and in-depth interviews, this fascinating book reveals how research on birds has contributed more to our understanding of animal biology than the study of just about any other group of organisms.
“An enthralling conclusion to this superb trilogy, displaying an exceptional combination of originality, magic, adventure, character, and drama.”—Kirkus Reviews (starred review) King Shrewd is dead at the hands of his son Regal. As is Fitz—or so his enemies and friends believe. But with the help of his allies and his beast magic, he emerges from the grave, deeply scarred in body and soul. The kingdom also teeters toward ruin: Regal has plundered and abandoned the capital, while the rightful heir, Prince Verity, is lost to his mad quest—perhaps to death. Only Verity’s return—or the heir his princess carries—can save the Six Duchies. But Fitz will not wait. Driven by loss and bitter memories, he undertakes a quest: to kill Regal. The journey casts him into deep waters, as he discovers wild currents of magic within him—currents that will either drown him or make him something more than he was. Praise for Robin Hobb and Assassin’s Quest “Fantasy as it ought to be written . . . Robin Hobb’s books are diamonds in a sea of zircons.”—George R. R. Martin “Superbly written, wholly satisfying, unforgettable: better than any fantasy trilogy in print—including mine!”—Melanie Rawn