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British Library MS Additional 31042 (the London Thornton manuscript) is one of two miscellaneous collections copied in the middle years of the fifteenth century by Robert Thornton of East Newton in North Yorkshire. It has secured its place in the history of late medieval book production as "Thornton's other book, since it is always seen as smaller, less varied in content, less well organised, and therefore less important than its sister volume at Lincoln. This study re-examines these assumptions and draws attention to the many bibligraphical problems presented by the manuscript in order to assess the evidence the book can provide concerning Thornton's general book-producing effects. JOHN J. THOMPSON is Lecturer in English at The Queen's University of Belfast.
Essays examining the compiler and contents of two of the most important and significant extant late medieval manuscript collections.
The public and political lives of the fifteenth- and early sixteenth-century gentry have been extensively studied, but comparatively little is known of their private lives and beliefs. Humphrey Newton of Pownall, Cheshire, offers a rare and fascinating opportunity to redress the balance, thanks to the fortunate survival of a commonplace book he compiled c.1498-1524. Drawing upon this unique manuscript, this interdisciplinary and multi-dimensional study of Newton explores his family life, landed estate, legal work, piety, and his literary skills [he composed nearly twenty courtly love lyrics]. It charts his social advancement and the self-fashioning of his gentle image, while placing him in the context of current discussions of gentry culture. What makes Newton even more noteworthy is that he was among the unsung and little known stratum of English society historians have labelled the 'lesser' gentry. As such, this book provides the first comprehensive biography of an early Tudor gentleman. Dr DEBORAH YOUNGS is lecturer in medieval history at Swansea University.
Barnes contends that `rule by counsel' is central to the ethos of Middle English romance.
Essays examining a variety of aspects of important Arthurian poem. The present volume grew from a nucleus of four papers given at the Twelfth International Arthurian Conference at Regensburg in 1971 on the alliterative Morte Arthure, increasingly recognised as one of the great masterpiecesof medieval English literature. These lectures sought to reappraise the poem and its somewhat enigmatic historical and cultural context, and are presented here in a much revised and expanded form. Unlike most volumes of theiskind, the contributions form an integrated whole, the result of lengthy discussions among the collaborating scholars over the past year. The topics range from the poem's place among chronicles and Arthurian romances to the date, audience and attitude to contempary problems, notably that of war. pecific fields such as heraldry and laments for the dead are examined in detail, while the linguistic structure of the poem is the subject of two essays.
The fourteenth-century Siege of Jerusalem has been called by Ralph Hanna the chocolate-covered tarantula of the alliterative movement for its apparent anti-Semitism and is, as Livingston notes in his introduction, simply difficult for twenty-first-century readers to like. The poem, which describes the destruction of the Second Temple by Roman forces in AD 70, is graphic in detail and unpleasant in its relish of the suffering of the Jews. But as Livingston points out, Like the gritty violence of Alliterative Morte Arthure, the gore in Siege is perhaps best read as a grim awareness of the terrible realities of war, not as a bloodthirsty and berserk cry for further bloodshed. The poem chronicles a historical war, and it is this historical quality that must stand out: the poem not only has resonances of the bloodshed that battle inevitably brings, but it also is, in a very literal sense, history. This is to say, the war is over. The vengeance of Jesus has been accomplished. The Siege-poet's answer to the social-political-religious question of whether there is such a thing as a just war is that there was one: Titus and Vespasian's vengeance for the death of Christ. . . . Further efforts to avenge Christ were unnecessary. . . . That the poem is a call to action and to crusade, then, seems to be a claim that is far less sustainable than its opposite: a call to peace and to remembrance.
King Arthur’s Death (commonly referred to as the Alliterative Morte Arthure) is a Middle English poem that was written in Lincolnshire at the end of the fourteenth century. A source work for Malory’s later Morte d’Arthur, it is an epic tale which documents the horrors of war, the loneliness of kingship and the terrible price paid for arrogance. This magnificent poem tells of the arrival of emissaries from Imperial Rome demanding that Arthur pays his dues as a subject. It is Arthur’s refusal to accept these demands, and the premise of foreign domination, which leads him on a quest to confront his foes and challenge them for command of his lands. Yet his venture is not without cost. His decision to leave Mordred at home to watch over his realm and guard Guinevere, his queen, proves to be a costly one. Though Arthur defeats the Romans, events in Britain draw him back where he must now face Mordred for control of his kingdom – a conflict ultimately fatal to the pair of them. Combining heroic action, probing insight into human frailty and a great attention to contemporary detail, King Arthur’s Death is not only a lesson in effective kingship, it is also an astonishing mirror on our own times, highlighting the folly of letting stubborn dogma drive political decisions.