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The Rob Roy Kelly Wood Type Collection is a comprehensive collection of wood type manufactured and used for printing in nineteenth-century America. Comprising nearly 150 typefaces of various sizes and styles, it was amassed by noted design educator and historian Rob Roy Kelly starting in 1957 and is now held by the University of Texas. Although Kelly himself published a 1969 book on wood type and nineteenth-century typographic history, there has been little written about the creation of the wood type forms, the collection, or Kelly. In this book, David Shields rigorously updates and expands upon Kelly’s historical information about the types, clarifying the collection’s exact composition and providing a better understanding of the stylistic development of wood type forms during the nineteenth century. Using rich materials from the period, Shields provides a stunning visual context that complements the textual history of each typeface. He also highlights the non-typographic material in the collection—such as borders, rules, ornaments, and image cuts—that have not been previously examined. Featuring over 300 color illustrations, this written history and catalog is bound to spark renewed interest in the collection and its broader typographic period.
Beautiful selection of 100 19th-century American wood type fonts, many reproduced at actual size. Each font features a complete alphabet of capitals; many include lowercase letters, numerals, and punctuation marks.
The Rob Roy Kelly Wood Type Collection is a comprehensive collection of wood type manufactured and used for printing in nineteenth-century America. Comprising nearly 150 typefaces of various sizes and styles, it was amassed by noted design educator and historian Rob Roy Kelly starting in 1957 and is now held by the University of Texas. Although Kelly himself published a 1969 book on wood type and nineteenth-century typographic history, there has been little written about the creation of the wood type forms, the collection, or Kelly. In this book, David Shields rigorously updates and expands upon Kelly’s historical information about the types, clarifying the collection’s exact composition and providing a better understanding of the stylistic development of wood type forms during the nineteenth century. Using rich materials from the period, Shields provides a stunning visual context that complements the textual history of each typeface. He also highlights the non-typographic material in the collection—such as borders, rules, ornaments, and image cuts—that have not been previously examined. Featuring over 300 color illustrations, this written history and catalog is bound to spark renewed interest in the collection and its broader typographic period.
The Rob Roy Kelly Wood Type Collection is a comprehensive collection of wood type manufactured and used for printing in nineteenth-century America. Comprising nearly 150 typefaces of various sizes and styles, it was amassed by noted design educator and historian Rob Roy Kelly starting in 1957 and is now held by the University of Texas. Although Kelly himself published a 1969 book on wood type and nineteenth-century typographic history, there has been little written about the creation of the wood type forms, the collection, or Kelly. In this book, David Shields rigorously updates and expands upon Kelly’s historical information about the types, clarifying the collection’s exact composition and providing a better understanding of the stylistic development of wood type forms during the nineteenth century. Using rich materials from the period, Shields provides a stunning visual context that complements the textual history of each typeface. He also highlights the non-typographic material in the collection—such as borders, rules, ornaments, and image cuts—that have not been previously examined. Featuring over 300 color illustrations, this written history and catalog is bound to spark renewed interest in the collection and its broader typographic period.
The authors painstakingly unearthed examples of this once-ubiquitous if short-lived design culture, and present a treasure trove of visual material, most never before seen by today's designers.
Best-selling author David Shields, and multi-talented writer, actor and director James Franco team up to transform a conversation into a highly original study of celebrity. Flip-Side is a work of dialogue that explores the relationship between performance and persona, on the one hand, and underlying pain and trauma, on the other. The text is complimented by dozens of selfies of James and Lana.
"Known as one of the most important public research institutions in the world, The University of Texas at Austin is widely celebrated for its collections of unparalleled quality, range, and distinctiveness. The Collections: The University of Texas at Austin offers the first sweeping guide to the university's vast object-based resources. It provides a brief history of each collection, a description of strengths, and highlights ways in which materials are used to further teaching and scholarship. Documenting more than eighty collections housed by some forty administrative units, this volume includes an historical introduction by Lewis Gould that traces the formation of the collections and acknowledges the patrons, university presidents, deans, faculty, scientists, librarians, and curators whose drive and vision we see manifested in these material holdings"--