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Hook stumbles upon the Team Treasure Chest filled with Gold Doubloons. He drags it to Never Land where he tries to stay one step ahead of Jake's crew. Will Hook get the Treasure Chest open before Jake and the crew hunt him down?
One summer morning while Aidan and Sarah are visiting their grandfather, they discover a secret compartment in his battered wooden desk. Inside is a yellowed envelope that contains a piece of very thin, almost translucent, white paper, on which, handwritten in black ink, are a series of seemingly random lines; among them are what appear to be fragments of letters, but not enough to make sense. At the bottom of the page is a verse about Peter Peter and a reference to a real hotel in London. As it happens, the family is about to embark on a trip to Europe, so the children decide that while in London, they will try to locate the hotel.
In this magical re-imagining of J. M. Barrie’s classic tale, Michael Darling—the youngest of the Darling siblings and former Lost Boy, now all grown up—must return to the life he left behind to save Neverland from the brink of collapse and keep humanity safe from magical and mythological threats, as well as answer the ultimate question: Where is Peter Pan? Peter Pan is missing; Neverland is in trouble. For adults, that might not matter all that much, but for children—whose dreams and imagination draw strength from the wild god’s power—the magic we take for granted in the real world is in danger of being lost forever. Such is the life of a now grown-up Michael Darling. Michael returned from Neverland with the dream of continuing his adventuring ways by joining the Knights of the Round, an organization built to keep humanity safe from magical and mythological threats. But after a mission gone terribly wrong, he vowed to leave the Knights behind and finally live as a “civilian,” finding order and simplicity as a train engineer, the tracks and schedule tables a far cry from the chaos of his youth. He hasn’t entered the narrative in years. So what could the Knights need from him now? Maponos—or how he’s better known, Peter Pan—has gone missing, and Neverland is now on the edge of oblivion. Michael realizes he has no choice and agrees to one last mission. Alongside the young Knight Vanessa and some old friends, Michael embarks on the ultimate adventure: a journey to a fantasy world to save a god. Determined to stop evil, fight for Neverland, and find Maponos, will Michael be able to save the magical and physical world? Or will his biggest fear come true? The clock is ticking, and in Neverland, that’s never a good sign.
WINNER OF THE PULITZER PRIZE • NATIONAL BESTSELLER • A searing, post-apocalyptic novel about a father and son's fight to survive, this "tale of survival and the miracle of goodness only adds to McCarthy's stature as a living master. It's gripping, frightening and, ultimately, beautiful" (San Francisco Chronicle). • From the bestselling author of The Passenger A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is gray. The sky is dark. Their destination is the coast, although they don't know what, if anything, awaits them there. They have nothing; just a pistol to defend themselves against the lawless bands that stalk the road, the clothes they are wearing, a cart of scavenged food—and each other. The Road is the profoundly moving story of a journey. It boldly imagines a future in which no hope remains, but in which the father and his son, "each the other's world entire," are sustained by love. Awesome in the totality of its vision, it is an unflinching meditation on the worst and the best that we are capable of: ultimate destructiveness, desperate tenacity, and the tenderness that keeps two people alive in the face of total devastation. Look for Cormac McCarthy's latest bestselling novels, The Passenger and Stella Maris.
The ten novels explored in Critical Children portray children so vividly that their names are instantly recognizable. Richard Locke traces the 130-year evolution of these iconic child characters, moving from Oliver Twist, David Copperfield, and Pip in Great Expectations to Tom Sawyer and Huckleberry Finn; from Miles and Flora in The Turn of the Screw to Peter Pan and his modern American descendant, Holden Caulfield; and finally to Lolita and Alexander Portnoy. "It's remarkable," writes Locke, "that so many classic (or, let's say, unforgotten) English and American novels should focus on children and adolescents not as colorful minor characters but as the intense center of attention." Despite many differences of style, setting, and structure, they all enlist a particular child's story in a larger cultural narrative. In Critical Children, Locke describes the ways the children in these novels have been used to explore and evade large social, psychological, and moral problems. Writing as an editor, teacher, critic, and essayist, Locke demonstrates the way these great novels work, how they spring to life from their details, and how they both invite and resist interpretation and provoke rereading. Locke conveys the variety and continued vitality of these books as they shift from Victorian moral allegory to New York comic psychoanalytic monologue, from a child who is an agent of redemption to one who is a narcissistic prisoner of guilt and proud rage.
Journey into the world of Peter Pan and its mysterious inhabitants. The book is a feature-length hex crawl campaign, filled with endless adventure, adapted from the tales of Peter Pan, and tailored for an older audience.
In this clear-eyed, candid, and ultimately reassuring
In addition to the ever-popular "Peter Pan", J.M. Barrie also wrote social comedy and political satire. "The Admirable Crichton and "What Every Woman Knows" are shrewd contributions to the politics of class and gender, while "Mary Rose" is one of the best ghost stories written for the stage.
The Football Factory centres on Tom Johnson, a reasoned 'Chelsea hooligan' who represents a disaffected society operating by brutal rules. We are shown the realities of life - social degradation, unemployment, racism, casual violence, excessive drink and bad sex - and, perhaps more importantly, how they fall into a political context of surveillance, media manipulation and division. Graphic and disturbing, sometimes very funny, and deeply affecting throughout, The Football Factory is a vertiginous rush of adrenaline - the most authentic book yet on the so-called English Disease.