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A magnificently stark book—within the smallness of one poor, muddled, provincial life, Natalia Ginzburg finds enormous pain and loss An almost unbearably intimate novella, The Road to the City concentrates on a young woman barely awake to life, who fumbles through her days: she is fickle yet kind, greedy yet abashed, stupidly ambitious yet loving too—she is a mass of confusion. She’s in a bleak space, lit with the hard clarity of a Pasolini film. Her family is no help: her father is largely absent; her mother is miserable; her sister’s unhappily promiscuous; her brothers are in a separate masculine world. Only her cousin Nini seems to see her. She falls into disgrace and then “marries up,” but without any joy, blind to what was beautiful right before her own eyes. The Road to the City was Ginzburg’s very first work, originally published under a pseudonym. “I think it might be her best book,” her translator Gini Alhadeff remarked: “And apparently she thought so, too, at the end of her life, when assembling a complete anthology of her work for Mondadori.
WINNER OF THE PULITZER PRIZE • NATIONAL BESTSELLER • A searing, post-apocalyptic novel about a father and son's fight to survive, this "tale of survival and the miracle of goodness only adds to McCarthy's stature as a living master. It's gripping, frightening and, ultimately, beautiful" (San Francisco Chronicle). • From the bestselling author of The Passenger A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is gray. The sky is dark. Their destination is the coast, although they don't know what, if anything, awaits them there. They have nothing; just a pistol to defend themselves against the lawless bands that stalk the road, the clothes they are wearing, a cart of scavenged food—and each other. The Road is the profoundly moving story of a journey. It boldly imagines a future in which no hope remains, but in which the father and his son, "each the other's world entire," are sustained by love. Awesome in the totality of its vision, it is an unflinching meditation on the worst and the best that we are capable of: ultimate destructiveness, desperate tenacity, and the tenderness that keeps two people alive in the face of total devastation. Look for Cormac McCarthy's latest bestselling novels, The Passenger and Stella Maris.
The fourth and final installment in this choose-your-own-trail series takes you all the way to Oregon Territory—if you make the right choices. The end of the Oregon Trail is near, young pioneer—the final leg of your journey starts here. But, do you have the grit to make it to Oregon City? The wild frontier is full of risks and unpredictable surprises! It's 1850 and you've been traveling for more than three months with your family, covered wagon, and oxen. There are holes in the bottoms of your shoes. You've faced grizzly bears, traded with merchants, and wild bandits. Oregon City is so close you can taste it, but there are still weeks of dangerous frontier travel ahead of you. So which path will you choose? With twenty-two possible endings, every decision counts!
The Road to Mobocracy is the first major study of public disorder in New York City from the Revolutionary period through the Jacksonian era. During that time, the mob lost its traditional, institutional role as corporate safety valve and social corrective, tolerated by public officials. It became autonomous, a violent menace to individual and public good expressing the discordant urges and fears of a pluralistic society. Indeed, it tested the premises of democratic government. Paul Gilje relates the practices of New York mobs to their American and European roots and uses both historical and anthropological methods to show how those mobs adapted to local conditions. He questions many of the traditional assumptions about the nature of the mob and scrutinizes explanations of its transformation: among them, the loss of a single-interest society, industrialization and changes in the workforce, increased immigration, and the rise of sub-classes in American society. Gilje's findings can be extended to other cities. The lucid narrative incorporates meticulous and exhaustive archival research that unearths hundreds of New York City disturbances -- about the Revolution, bawdy-houses, theaters, dogs and hogs, politics, elections, ethnic conflict, labor actions, religion. Illustrations recreate the turbulent atmosphere of the city; maps, graphs, and tables define the spacial and statistical dimensions of its ferment. The book is a major contribution to our understanding of social change in the early Republic as well as to the history of early New York, urban studies, and rioting.
“A thoughtful and joyous literary experience that celebrates its characters and liberally rewards its readers.”—New York Times Book Review, Editors' Choice "I tore through this novel like an orphaned reader seeking a home in its ragtag yet shimmering world." — Carrie Brownstein “Our ’90s nostalgia is hella high these days, and this tender, funny story made our aging hipster hearts sing.”— Marie Claire A warm, funny, and whip-smart debut novel about rebellious youth, inconceivable motherhood, and the complications of belonging—to a city, a culture, and a family—when none of them can quite contain who you really are. All of us were refugees of the nuclear family. . . Twenty-three-year-old artist Andrea Morales escaped her Midwestern Catholic childhood—and the closet—to create a home and life for herself within the thriving but insular lesbian underground of Portland, Oregon. But one drunken night, reeling from a bad breakup and a friend’s betrayal, she recklessly crosses enemy lines and hooks up with a man. To her utter shock, Andrea soon discovers she’s pregnant—and despite the concerns of her astonished circle of gay friends, she decides to have the baby. A decade later, when her precocious daughter Lucia starts asking questions about the father she’s never known, Andrea is forced to reconcile the past she hoped to leave behind with the life she’s worked so hard to build. A thoroughly modern and original anti-romantic comedy, Stray City is an unabashedly entertaining literary debut about the families we’re born into and the families we choose, about finding yourself by breaking the rules, and making bad decisions for all the right reasons.
From filmmaker Macon Blair (Blue Ruin, I Don't Feel at Home in This World Anymore) and artist Joe Flood (Science Comics) comes a Great Depression-era adventure comedy about love, friendship, and the pursuit of happiness. As jaunty hobos Jed and Thanny crisscross the country in search of the fabled Liquor City, they are pursued relentlessly by fearsome rail yard sergeant Ronan O’Feathers, who wrongly blames them for his wife’s death. With the law on their tail and a succession of colorful characters along the way, the only constant is the absurdity and mayhem they leave in their wake on the Long Road to Liquor City.
#1 NEW YORK TIMES BESTSELLER • From the author of Killers of the Flower Moon comes a masterpiece of narrative nonfiction that unravels the greatest exploration mystery of the twentieth century—the story of the legendary British explorer who ventured into the Amazon jungle in search of a fabled civilization and never returned. “Suspenseful…rollicking.” —The New York Times In 1925, Percy Fawcett went into the Amazon jungle, in search of a fabled civilization. He never returned. Over the years countless perished trying to find evidence of his party and the place he called “The Lost City of Z.” In this masterpiece, journalist David Grann interweaves the spellbinding stories of Fawcett’s quest for “Z” and his own journey into the deadly jungle. Look for David Grann’s new book, The Wager, coming in April 2023!
"Tracy Kidder tells the story surrounding one of the strangest, most notorious crimes of the century -- the murder of twenty-five migrant workers outside the town of Yuba City, California. In covering the Juan Corona mass murder case, Kidder traveled widely: to towns on either coast, in order to talk to the families of vicitms; to Guadalajara, Mexico, where he found Corona's mysterious half brother, a man some people accused of being the killer; and many times to California, where he observed Corona's four-month-long trial."--Book jacket
The story of a once vibrant, now vanished off-reservation Ojibwe village—and a vital chapter of the history of the North Shore “We do this because telling where you are from is just as important as your name. It helps tie us together and gives us a strong and solid place to speak from. It is my hope that the stories of Chippewa City will be heard, shared, and remembered, and that the story of Chippewa City and the Grand Marais Chippewa will continue to grow. By being a part of the living narrative, Bimaadizi Aadizookaan, together we can create a new story about what was, what is, and, ultimately, what will be.” —from the Prologue At the turn of the nineteenth century, one mile east of Grand Marais, Minnesota, you would have found Chippewa City, a village that as many as 200 Anishinaabe families called home. Today you will find only Highway 61, private lakeshore property, and the one remaining village building: St. Francis Xavier Church. In Walking the Old Road, Staci Lola Drouillard guides readers through the story of that lost community, reclaiming for history the Ojibwe voices that have for so long, and so unceremoniously, been silenced. Blending memoir, oral history, and narrative, Walking the Old Road reaches back to a time when Chippewa City, then called Nishkwakwansing (at the edge of the forest), was home to generations of Ojibwe ancestors. Drouillard, whose own family once lived in Chippewa City, draws on memories, family history, historical analysis, and testimony passed from one generation to the next to conduct us through the ages of early European contact, government land allotment, family relocation, and assimilation. Documenting a story too often told by non-Natives, whether historians or travelers, archaeologists or settlers, Walking the Old Road gives an authentic voice to the Native American history of the North Shore. This history, infused with a powerful sense of place, connects the Ojibwe of today with the traditions of their ancestors and their descendants, recreating the narrative of Chippewa City as it was—and is and forever will be—lived.