Download Free The Road To Meikle Seggie Book in PDF and EPUB Free Download. You can read online The Road To Meikle Seggie and write the review.

To travel the road to Meikle Seggie is to undertake any journey which offers unexpected opportunities for intellectual growth and self-discovery. In the 1970s, Richard Demarco embarked on a series of journeys, starting in Edinburgh, to recover a sense of our living culture in the environments around us. These radiated out across Europe, underpinning the internationalism of this unique Scottish-Italian artist's own extraordinary journey. Forty years later, the journey is renewed with this reproduction of Demarco's original artwork and his first Meikle Seggie essay, along with a new translation into Italian and a new introduction.
Scotland's greatest gift to the world has been itself, its culture, its creativity, the extraordinary ability of its people to integrate and celebrate what truly matters in global terms, friendship and decency. Add in our greatest export, Scotch whisky; our iconic clan and family tartans; our golf courses and musical traditions, and you have an identity that is instantly recognisable and internationally respected and loved. Wear a kilt in Manhattan or Paris and you make friends for life. Art, culture and history circulate the lives of Richard Demarco and Roddy Martine. This compelling sequel to Demarco's Edinburgh battles for the soul of Scotland, tracing its roots from ancient pilgrimage routes to modern-day artistic endeavours. Richard Demarco's personal odyssey, from his encounter with Terry Newman and Southampton College of Art to his profound connections with the Polish art world, forms the cornerstone of this narrative. As he reflects on the essence of the Edinburgh Festival, he unveils a vision where Scotland's cultural legacy transcends geographical boundaries, embracing the world. Martine's meticulously crafted essays encapsulate Scotland's artistic landscape. through insightful reflections on Demarco's journey, you are invited to ponder profound questions about identity, heritage and the transformative power of art. A testament to the enduring spirit of creativity and the timeless quest for meaning that defines Scotland's cultural heritage, this book serves as a poignant reminder of the country's evolution into a global beacon of culture and enlightenment.
The Edinburgh Festival of those days was a much more accessible village... The ground rules were well enough understood. Everything about it was containable. The Fringe was the seed bed for talent and ran happily in step with its established elders and betters. They both knew their place. But then something equally remarkable was about to take place in the New Town of the city I knew and loved... The same year, Roddy Martine is born. In 1963 when, at the age of sixteen, he interviewed Sir Yehudi Menuhin and David Frost for an Edinburgh Festival magazine he edited and the following year, met Marlene Dietrich. Both Richard and Roddy have unique perspectives on the most remarkable international festival of the arts the world has ever known. They have witnessed its evolution over the years and are passionate believers in the power of creativity within everyone. In this fascinating book, Richard – the 2013 UK recipient of the Citizen of Europe medal – explores the original world vision of Sir John Falconer and Rudolph Bing and, with Roddy, recalls the highs and lows of The Edinburgh International Festival, The Fringe, Art, Book, Jazz and Television Festivals, and The Royal Edinburgh Military Tattoo. Now in its eighth decade, can the Edinburgh Festival survive? Where do we go from here?
What is our understanding of Scotland’s spiritual identity? Does religion belong only to the past – or does it also lie squarely in front of us in the future? Challenging and absorbing, this book sets out to help us to unravel the fundamental spiritual dimension of Scottish identity and enables us to confront our national potential.
Presents a collection of Scottish autobiographical essays of George Davie, David Daiches, Robin Jenkins, Muriel Spark, Tom Nairn, Edwin Morgan, Derick Thomson, Alastair Reid, Agnes Owens, Ronald Stevenson, Richard Demarco, Elizabeth Blackadder, Alasdair Gray, Stewart Conn, Hugh Pennington, Allan Massie, Duncan Macmillan, John Byrne, and others.
To travel the road to Meikle Seggie is to undertake any journey which offers unexpected opportunities for intellectual growth and self-discovery. In the 1970s, Richard Demarco embarked on a series of journeys, starting in Edinburgh, to recover a sense of our living culture in the environments around us.
The story of the experimental zeitgeist in Eastern European art, seen through personal encounters, pioneering dialogues, collaborative projects, and cultural exchanges. Throughout the 1970s, a network of artists emerged to bridge the East-West divide, and the no less rigid divides between the countries of the Eastern bloc. Originating with a series of creative initiatives by artists, art historians, and critics and centered in places like Budapest, Poznań, and Prague, this experimental dialogue involved Western participation but is today largely forgotten in the West. In Networking the Bloc, Klara Kemp-Welch vividly recaptures this lost chapter of art history, documenting an elaborate web of artistic connectivity that came about through a series of personal encounters, pioneering dialogues, collaborative projects, and cultural exchanges. Countering the conventional Cold War narrative of Eastern bloc isolation, Kemp-Welch shows how artistic ideas were relayed among like-minded artists across ideological boundaries and national frontiers. Much of the work created was collaborative, and personal encounters were at its heart. Drawing on archival documents and interviews with participants, Kemp-Welch focuses on the exchanges and projects themselves rather than the personalities involved. Each of the projects she examines relied for its realization on a network of contributors. She looks first at the mobilization of the network, from 1964 to 1972, exploring five pioneering cases: a friendship between a Slovak artist and a French critic, an artistic credo, an exhibition, a conceptual proposition, and a book. She then charts a series of way stations for experimental art from the Soviet bloc between 1972 and 1976—points of distribution between studios, private homes, galleries, and certain cities. Finally, she investigates convergences—a succession of shared exhibitions and events in the second half of the 1970s in locations ranging from Prague to Milan to Moscow. Networking the Bloc, Kemp-Welch invites us to rethink the art of the late Cold War period from Eastern European perspectives.
Arts of Resistance is an original exploration that extends beyond the arts into the context of politics and political change. In three wide-ranging exchanges prompted by American blues singer Linda MacDonald-Lewis, artist Alexander Moffat and poet Alan Riach discuss cultural, political and artistic movements, the role of the artist in society and the effect of environment on artists from all disciplines. Arts of Resistance examines the lives and work of leading figures from Scotland's arts world in the twentieth century, concentrating on poets and artists but also including writers, musicians and architectural visionaries such as Charles Rennie Mackintosh and Patrick Geddes. Poets studied include Hugh MacDiarmid, Sorley MacLean, Iain Crichton Smith, Edwin Morgan and Liz Lochhead; artists include William McTaggart, William Johnstone and the Scottish Colourists. The investigation into the connection between the arts and political culture includes historical issues, from British imperialism to a devolved Scotland. Finally, the contribution to poetry and art of each major Scottish city is discussed: Edinburgh, Glasgow, Aberdeen, Dundee. Highly illustrated with paintings and poems, Arts of Resistance is a beautifully produced book providing facts and controversial opinions.