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For decades, scientists and historians had been trying to solve the mystery of what had happened at Mayerling. An Austrian "Mayerling buff" felt compelled to reach an explanation in his own way: he secretly opened the grave of Baroness Vetsera at night, stole the coffin with her remains, and had them examined by forensic physicians and other specialists.
On a snowy January morning in 1889, a worried servant hacked open a locked door at the remote hunting lodge deep in the Vienna Woods. Inside, he found two bodies sprawled on an ornate bed, blood oozing from their mouths. Crown Prince Rudolf of Austria-Hungary appeared to have shot his seventeen-year-old mistress Baroness Mary Vetsera as she slept, sat with the corpse for hours and, when dawn broke, turned the pistol on himself. A century has transformed this bloody scene into romantic tragedy: star-crossed lovers who preferred death together than to be parted by a cold, unfeeling Viennese Court. But Mayerling is also the story of family secrets: incestuous relationships and mental instability; blackmail, venereal disease, and political treason; and a disillusioned, morphine-addicted Crown Prince and a naïve schoolgirl caught up in a dangerous and deadly waltz inside a decaying empire. What happened in that locked room remains one of history’s most evocative mysteries: What led Rudolf and mistress to this desperate act? Was it really a suicide pact? Or did something far more disturbing take place at that remote hunting lodge and result in murder? Drawing interviews with members of the Habsburg family and archival sources in Vienna, Greg King and Penny Wilson reconstruct this historical mystery, laying out evidence and information long ignored that conclusively refutes the romantic myth and the conspiracy stories.
"Rudolf (21 August 1858? 30 January 1889), Archduke of Austria and Crown Prince of Austria, Hungary and Bohemia, was the son and heir-apparent of Franz Joseph I, Emperor of Austria, King of Hungary and Bohemia, and his wife and Empress-Queen consort, Elisabeth. His death, apparently through suicide, along with that of his mistress, Baroness Mary Vetsera, at his Mayerling hunting lodge in 1889 made international headlines."--Wikipedia.
This is a translation of Brigitte Hamann's study of Rudolf von Habsburg, Crown Prince of Austria.
Slocum’s between four stone killers and a half-human wild man! Slocum crosses hell getting Caleb Castle to Silver City to close a rich land deal—and receives a mighty tempting offer from Castle’s daughter to settle down. But then he meets Mayerling, a former Quantrill raider and backstabbing stone killer. Now a Deputy Sheriff, Mayerling’s tracking a dangerous hermit roaming the Gila River’s cliffs and spying on people below. Slocum spotted the hermit along the way to Silver City, and he knows this “half human, half animal” mad man doesn’t have a prayer against Mayerling’s “deputies.” The hermit’s wealthy wife is surely concealing something, but her greenbacks convince Slocum to save her husband from Mayerling’s shooters. Still, the whole situation has Slocum wondering what the set-up is, even though the truth always comes out—often in a blaze of gunfire…
The novel that was the basis for the hit motion picture Vampire Hunter D: Bloodlustis available in English for the first time! The third volume of the popular Japanese series Vampire Hunter D comes to America in Vampire Hunter D: Demon Deathchase. The vampire hunter known only as D has been hired by a wealthy, dying man to find his daughter, who was kidnapped by the powerful vampire Lord Meierlink. Though humans speak well of Meierlink, the price on his head is too high for D to ignore and he sets out to save her before she can be turned into an undead creature of the night. In the nightmare world of 12090 A.D., finding Meierlink before he reaches the spaceport in the Clayborn States and gets off the planet will be hard enough, but D has more than just Meierlink to worry about. The dying man is taking no chances, and has also enlisted the Marcus family, a renegade clan of four brothers and a sister who don't care who they kill as long as they get paid. Beautiful illustrations by Yoshitaka Amano complement the post-apocalyptic plot, filled with chilling twists. FOR MATURE READERS
There's nothing worse than a rotten redheaded older brother who can do everything you can do better! Patricia's brother Richard could run the fastest, climb the highest, and spit the farthest and still smile his extra-rotten, greeny-toothed, weasel-eyed grin. But when little Patricia wishes on a shooting star that she could do something—anything—to show him up, she finds out just what wishes—and rotten redheaded older brothers—can really do. Patricia Polacco's boldly and exuberantly painted pictures tell a lively and warmhearted tale of comic one-upsmanship and brotherly love.
Charles Boyer: The French Lover is the first biography of Boyer to exist in English in almost forty years. Author John Baxter artfully presents the often-tragic life of this often overlooked, yet profoundly impactful French actor. Baxter relates how Boyer (1899–1978) established himself in the theater and cinema of France, confidently transitioning from silent film to sound and making a name for himself as a romantic leading man in Hollywood through the early 1940s. During World War II, Boyer put his career on hold to become politically active on behalf of his occupied home country. Upon returning to the stage and screen, Boyer adapted effortlessly to postwar character roles in both Europe and the United States. He entered television in the 1950s as both producer and performer, and then remade himself as a comedy performer in the 1960s. Nominated four times for Academy Awards, he was honored by the Academy only once—a special honorary award received for his activities on behalf of France during World War II. In an insightful analysis of Boyer's choice of roles during and after World War II, Baxter shows that the actor possessed a shrewd perception of his image. Baxter reveals how Boyer, realizing his accent would always mark him as an outsider, both embraced and subverted that identity. Far from clinging to the performances that made him famous, Boyer showed a readiness to break the mold. Yet above all, Baxter argues, Boyer's greatest achievement was becoming the embodiment of exiles everywhere.