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A poignant novel about infatuation, class, and obligation.
Mia arrives at a small town by the river, carrying a secret. Her new neighbors, the Stonebrooks, immediately draw her interest. Soon, she meets brothers Alex and Jay. Mia is attracted to Alex, the older handsome brother. They begin dating, but Mia remains guarded, hiding behind an invisible barrier. She also befriends Jay, the gentle dreamer, who spends most of his time at the river, with his mysterious friend, Alina. As the three teens spend more and more time together, strange things start to happen. This brilliantly crafted story, told from the alternating perspectives of Mia, Alex, and Jay, creates a web of secrets. And secrets buried deep below the dark surface are the hardest to uncover.
All the Gears' previous titles in the First North American series have been national bestsellers. Now, People of the River is finally available in mass-market. This gripping saga tells of the Mound Builders of the Mississippi Valley. In a time of many troubles, a warchief and his people have lost all hope. But hope is revived with a young girl learning to Dream of Power.
In this history of the black peasants of Amazonia, Oscar de la Torre focuses on the experience of African-descended people navigating the transition from slavery to freedom. He draws on social and environmental history to connect them intimately to the natural landscape and to Indigenous peoples. Relying on this world as a repository for traditions, discourses, and strategies that they retrieved especially in moments of conflict, Afro-Brazilians fought for autonomous communities and developed a vibrant ethnic identity that supported their struggles over labor, land, and citizenship. Prior to abolition, enslaved and escaped blacks found in the tropical forest a source for tools, weapons, and trade--but it was also a cultural storehouse within which they shaped their stories and records of confrontations with slaveowners and state authorities. After abolition, the black peasants' knowledge of local environments continued to be key to their aspirations, allowing them to maintain relationships with powerful patrons and to participate in the protest cycle that led Getulio Vargas to the presidency of Brazil in 1930. In commonly referring to themselves by such names as "sons of the river," black Amazonians melded their agro-ecological traditions with their emergent identity as political stakeholders.
Named a Notable Fiction Book of 2013 by The Washington Post “An engrossing adventure, with mystery, romance, humor, and impeccable historical detail.” –The Boston Globe Devon, 1815. The charming Lord Nicholas Davenant and the beguiling Julia Percy should make a perfect match. But before their love has a chance to grow, Nicholas is presumed dead in the Napoleonic war. Nick, however, is lost in time. Somehow he escaped certain death by leaping two hundred years forward to the present day where he finds himself in the care of a mysterious society – the Guild. Questioning the limits of the impossible, Nick is desperate to find a way back to the life he left behind. Yet with the future of time itself hanging in the balance, could it be that the girl who first captured his heart has had the answers all along? Can Nick find a way to return to her?
On 21st September 2001 the mutilated torso of a small child was found floating beside London’s Tower Bridge, one tide away from being swept into the North Sea. Unable to identify the victim, the Murder Squad turned to Richard Hoskins, a young professor of theology with a profound understanding of African tribal religion, whose own past was scarred by a heartbreaking tragedy. Thus began a journey into the tangled undergrowth of one of the most notorious murder cases of recent years; a journey which would reveal not only the identity of the boy they called Adam but the horrific truth that a succession of innocent children have been ritually sacrificed in our capital city. Insightful and grippingly written, The Boy in the River is an inside account of a series of extraordinary criminal investigations and a compelling personal quest into the dark heart of humanity.
Emmy Pérez’s poetry collection With the River on Our Face flows through the Southwest and the Texas borderlands to the river’s mouth in the Rio Grande Valley/El Valle. The poems celebrate the land, communities, and ecology of the borderlands through lyric and narrative utterances, auditory and visual texture, chant, and litany that merge and diverge like the iconic river in this long-awaited collection. Pérez reveals the strengths and nuances of a universe where no word is “foreign.” Her fast-moving, evocative words illuminate the prayers, gasps, touches, and gritos born of everyday discoveries and events. Multiple forms of reference enrich the poems in the form of mantra: ecologist’s field notes, geopolitical and ecofeminist observations, wildlife catalogs, trivia, and vigil chants. “What is it to love / within viewing distance of night / vision goggles and guns?” is a question central to many of these poems. The collection creates a poetic confluence of the personal, political, and global forces affecting border lives. Whether alluding to El Valle as a place where toxins now cross borders more easily than people or wildlife, or to increased militarization, immigrant seizures, and twenty-first-century wall-building, Pérez’s voice is intimate and urgent. She laments, “We cannot tattoo roses / On the wall / Can’t tattoo Gloria Anzaldúa’s roses / On the wall”; yet, she also reaffirms Anzaldúa’s notions of hope through resilience and conocimiento. With the River on Our Face drips deep like water, turning into amistad—an inquisition into human relationships with planet and self.
A NATIONAL BESTSELLER "A fiery tour de force... I could not put this book down. It truly was terrifying and unutterably beautiful." -Alison Borden, The Denver Post From the best-selling author of The Dog Stars, the story of two college students on a wilderness canoe trip--a gripping tale of a friendship tested by fire, white water, and violence Wynn and Jack have been best friends since freshman orientation, bonded by their shared love of mountains, books, and fishing. Wynn is a gentle giant, a Vermont kid never happier than when his feet are in the water. Jack is more rugged, raised on a ranch in Colorado where sleeping under the stars and cooking on a fire came as naturally to him as breathing. When they decide to canoe the Maskwa River in northern Canada, they anticipate long days of leisurely paddling and picking blueberries, and nights of stargazing and reading paperback Westerns. But a wildfire making its way across the forest adds unexpected urgency to the journey. When they hear a man and woman arguing on the fog-shrouded riverbank and decide to warn them about the fire, their search for the pair turns up nothing and no one. But: The next day a man appears on the river, paddling alone. Is this the man they heard? And, if he is, where is the woman? From this charged beginning, master storyteller Peter Heller unspools a headlong, heart-pounding story of desperate wilderness survival.
"I don't realize I'm crying until he glances at me. For a moment, I see the look of anguish in his eyes, then he blinks it away and slips off into the water. I immediately think of the gator. It's still down there somewhere. . . ." A science-class field trip to the Everglades is supposed to be fun, but Sarah's new at Glades Academy, and her fellow freshmen aren’t exactly making her feel welcome. When an opportunity for an unauthorized side trip on an air boat presents itself, it seems like a perfect escape—an afternoon without feeling like a sore thumb. But one simple oversight turns a joyride into a race for survival across the river of grass. Sarah will have to count on her instincts—and a guy she barely knows—if they have any hope of making it back alive.
We are a weird species. Like other species, we have a culture. But by comparison with other species, we are strangely unstable: human cultures self-transform, diverge, and multiply with bewildering speed. They vary, radically and rapidly, from time to time and place to place. And the way we live--our manners, morals, habits, experiences, relationships, technology, values--seems to be changing at an ever accelerating pace. The effects can be dislocating, baffling, sometimes terrifying. Why is this? In A Foot in the River, best-selling historian Felipe Fernandez-Armesto sifts through the evidence and offers some radical answers to these very big questions about the human species and its history--and speculates on what these answers might mean for our future. Combining insights from a huge range of disciplines, including history, biology, anthropology, archaeology, philosophy, sociology, ethology, zoology, primatology, psychology, linguistics, the cognitive sciences, and even business studies, he argues that culture is exempt from evolution. Ultimately, no environmental conditions, no genetic legacy, no predictable patterns, no scientific laws determine our behaviour. We can consequently make and remake our world in the freedom of unconstrained imaginations. A revolutionary book which challenges scientistic assumptions about culture and how and why cultural change happens, A Foot in the River comes to conclusions which readers may well find by turns both daunting and also potentially hugely liberating.