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The Rites of Labor is the only full account of the brotherhoods of compagnonnage, secret associations of French journeymen formed in the late medieval era and surviving into the nineteenth century. In this major contribution to French social history and the anthropology of work culture, Truant re-creates the compagnons? economic activities, their often violent clashes with one another, and the myths and rituals that sustained their bonds.
Why do so many American women allow themselves to become enmeshed in the standardized routines of technocratic childbirth--routines that can be insensitive, unnecessary, and even unhealthy? Anthropologist Robbie Davis-Floyd first addressed these questions in the 1992 edition. Her new preface to this 2003 edition of a book that has been read, applauded, and loved by women all over the world, makes it clear that the issues surrounding childbirth remain as controversial as ever.
The Adelphon Kruptos is the secret ritual manual of the Noble and Holy Order of the Knights of Labor, a working class secret society which grew into the first mass trade union in North America. Founded in 1869, it grew to 800,000 members, 20% of all the workers in America, by its height in 1886. It was notable for including women and men, black, brown and white workers (although, to its lasting shame, not Asian-origin workers). Advancing a co-operative socialism, an ethical and cultural approach rather than a Marxist or class-conflict approach, it was unable to cope with the intensification of class conflict after the depression of the 1880s and collapsed. The ritual manual shows the crossover of the secret societies, which were a prominent feature of late, Victorian America, an alternative ethics, with the organizations of the working class. Its celebration of the nobility of labor and the power of solidarity continues to inspire. Samuel Wagar's Masters' thesis work on the intersection between the socialist movement and the Theosophical Society in the 1920s came from long standing interest in working class organization, the occult and metaphysical subcultures, and social change. He is a Wiccan priest and chaplain at the University of Alberta as well as a Doctor of Ministry student at St. Stephen's College in Edmonton. He has four other books out, and continues to be excited by scholarship. [email protected]
On a hot summer night in 1963, a teenager named Walt Crowley hopped off a bus in Seattle’s University District, and began his own personal journey through the 1960s. Four years later at age 19, he was installed as “rapidograph in residence” at the Helix, the region’s leading underground newspaper. His cartoons, cover art, and political essays helped define his generation’s experience during that tumultuous decade. Rites of Passage: A Memoir of the Sixties in Seattle weaves Crowley’s personal experience with the strands of international, intellectual, and political history that shaped the decade. As both a member and in-house critic of the New Left and counter-culture, the author offers a unique perspective in explaining why the experiments and excess of the period “made sense at the time.” Anti-war marches, human be-ins, rock festivals, psychedelic drugs, underground newspapers, free universities, light shows, inner-city riots, radical skirmishes, and hippie antics are chronicled with personal anecdotes, contemporary accounts, and historical insights. In the pages of Rites of Passage, the reader will encounter Black (and White) Panthers, the Seattle and Chicago Seven, Weathermen and Radical Women, and many more remarkable characters. As an engaging blend of history and personal reminiscence, Rites of Passage places the sixties in a context unavailable to its participants at the time. In addition to his text, Crowley has assembled a chronology of the decade beginning with its harbingers in the forties and fifties and continuing through its aftermath. This compilation covers political, social, and cultural events, and provides the most complete synopsis of sixties history now in print.
It's time for a childbirth revolution.The modern approach to maternity care fails women, families and care providers with outdated practices that centre the needs of institutions rather than individuals.In this book, Rachel Reed weaves history, science and research with the experiences of women and care providers to create a holistic, evidence-based framework for understanding birth.Reclaiming childbirth as a rite of passage requires us to recognise that mothers own the power and expertise when it comes to birthing their babies.Whether you are a parent, care provider or educator, this book will transform how you think and feel about childbirth.
This book examines the agrarian labor genre paintings based on the Pictures of Tilling and Weaving that were commissioned by successive Chinese emperors. Furthermore, this book analyzes the genre’s imagery as well as the poems in their historical context and explains how the paintings contributed to distinctively cosmopolitan Qing imagery that also drew upon European visual styles. Roslyn Lee Hammers contends that technologically-informed imagery was not merely didactic imagery to teach viewers how to grow rice or produce silk. The Qing emperors invested in paintings of labor to substantiate the permanence of the dynasty and to promote the well-being of the people under Manchu governance. The book includes English translations of the poems of the Pictures of Tilling and Weaving as well as other documents that have not been brought together in translation. The book will be of interest to scholars working in art history, Chinese history, Chinese studies, history of science and technology, book history, labor history, and Qing history.
A New York Times Notable BookAn ALA Notable Book "Original and illuminating." --The Washington Post What draws our species to war? What makes us see violence as a kind of sacred duty, or a ritual that boys must undergo to "become" men? Newly reissued in paperback, Blood Rites takes readers on an original journey from the elaborate human sacrifices of the ancient world to the carnage and holocaust of twentieth-century "total war." Ehrenreich sifts deftly through the fragile records of prehistory and discovers the wellspring of war in an unexpected place -- not in a "killer instinct" unique to the males of our species, but in the blood rites early humans performed to reenact their terrifying experiences of predation by stronger carnivores. Brilliant in conception and rich in scope, Blood Rites is a monumental work that continues to transform our understanding of the greatest single threat to human life.
In a changing South Africa, recovering the meaning and power of African tradition is a matter of crucial importance. This work participates in that recovery by providing a comprehensive guide to research on the indigenous religious heritage of this dynamic country. Detailed reviews of over 600 books, articles, and theses are offered along with introductory essays and detailed annotations that define the field of study. This work plus two forthcoming volumes, Christianity in South Africa: An Annotated Bibliography and Islam, Hinduism, and Judaism in South Africa: An Annotated Bibliography will become the standard reference work on South African religions. Scholars and students in Religious Studies, Social Anthropology, History, and African Studies will find this set particularly useful. This work organizes and annotates all the relevant literature on Khoisan, Xhosa, Zulu, Sotho-Tswana, Swazi, Tsonga, and Venda traditions. The annotations are concise yet detailed essays written in an engaging and accessible style and supported by an exhaustive index, which comprise a full and complex profile of African traditional religion in South Africa.
Performed Ethnography and Communication explores the relationships between these three key terms, addressing the impact of ethnography and communication on the cutting edge of performance studies. Ranging from digital performance, improvisation and the body, to fieldwork and staged collaboration, this volume is divided into two main sections: "Embodied technique and practice," which addresses improvisation, devised theatre-making, and body work to consider what makes bodies move, sound, behave, mean, or appear differently, and the effects of these differences on performance; "Oral history and personal narrative performance," which is concerned with the ways personal stories and histories might be transformed into public events, looking at questions of perspective, ownership, and reception. Including specific historical and theoretical case studies, exercises and activities, and practical applications for improvisation, ethnography, and devised and digital performance, Performed Ethnography and Communication represents an invaluable resource for today’s student of performance studies, communication studies or cultural studies.