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The inspiration for the film starring Anthony Hopkins, journalist Matt Baglio uses the astonishing story of one American priest's training as an exorcist to reveal that the phenomena of possession, demons, the Devil, and exorcism are not merely a remnant of the archaic past, but remain a fearsome power in many people's lives even today. Father Gary Thomas was working as a parish priest in California when he was asked by his bishop to travel to Rome for training in the rite of exorcism. Though initially surprised, and slightly reluctant, he accepted this call, and enrolled in a new exorcism course at a Vatican-affiliated university, which taught him, among other things, how to distinguish between a genuine possession and mental illness. Eventually he would go on to participate in more than eighty exorcisms as an apprentice to a veteran Italian exorcist. His experiences profoundly changed the way he viewed the spiritual world, and as he moved from rational skeptic to practicing exorcist he came to understand the battle between good and evil in a whole new light. Journalist Matt Baglio had full access to Father Gary over the course of his training, and much of what he learned defies explanation. The Rite provides fascinating vignettes from the lives of exorcists and people possessed by demons, including firsthand accounts of exorcists at work casting out demons, culminating in Father Gary's own confrontations with the Devil. Baglio also traces the history of exorcism, revealing its rites and rituals, explaining what the Catholic Church really teaches about demonic possession, and delving into such related topics as the hierarchy of angels and demons, satanic cults, black masses, curses, and the various theories used by modern scientists and anthropologists who seek to quantify such phenomena. Written with an investigative eye that will captivate both skeptics and believers alike, The Rite shows that the truth about demonic possession is not only stranger than fiction, but also far more chilling.
The horde of mad dragons continues to terrorize the realms—bringing all of Faerûn to the edge of cataclysm—in this second adventure starring dragonslayer Dorn Graybrook Rampaging dragons appear in more and more places every day. And if the soulless lich Sammaster gets his way—and there’s every reason to suspect he will—the disaster has only just begun. To defeat him and his curse of madness, the dragons must pay a steep price: their immortal souls in exchange for an eternity of undeath. The knowledge of that unavoidable truth may cause more madness among the dragons of Faerûn than the curse itself. For the dragonslayer Dorn Graybrook, a dragon is a dragon—whether or not it has skin. But what if it wears the skin of a woman he may just be falling in love with?
The Iranian city experienced a major transformation when the Pahlavi Dynasty initiated a project of modernization in the 1920s. The Rite of Urban Passage investigates this process by focusing on the spatial dynamics of Muharram processions, a ritual that commemorates the tragic massacre of Hussein and his companions in 680 CE. In doing so, this volume offers not only an alternative approach to understanding the process of urban transformation, but also a spatial genealogy of Muharram rituals that provides a platform for developing a fresh spatial approach to ritual studies.
The story behind the scandalous first performance of one of the most influential works in the history of music, as part of the stunning Landmark Library series. On 29 May 1913, at the Théâtre des Champs-Elysées in Paris, a new ballet by Diaghilev's Ballets Russes, choreographed by Vaslav Nijinsky, received its premiere. Many of the cultural big names of Paris were there, or were rumoured to have been there: Debussy, Ravel, Proust, Gertrude Stein, Picasso. When the curtain rose on a cast of frenziedly stamping dancers, a near-riot ensued, ensuring the evening would enter the folklore of modernism. While it was the dancing that triggered the mayhem, Stravinsky's score contained shocks enough, with its innovations in form, rhythm, dissonance and its sheer sonic power. The Rite of Spring would achieve recognition in its own right as a concert piece, and is now seen as one of the most influential works of the 20th century. Gillian Moore explores the cultural climate that created The Rite, tells the story of the creation of the music and the ballet and provides a guide to the music itself, showing how a scandalous novelty of 1913 became a 21st-century concert staple. As well as considering its influence on 20th-century classical composers, she probes The Rite's impact on film music (including scores for Star Wars and Jaws); its extensive influence on jazz musicians (including Charlie Parker) and by artists as diverse as Weather Report, Joni Mitchell, Frank Zappa and The Pet Shop Boys.
The Forum Essays series is a cooperative effort of The North American Forum on the Catechumenate and Liturgy Training Publications. The purpose of the series is to provide a forum for exploring issues emerging from the implementation of the order of Christian initiation. They are a great resource for anyone involved in initiation ministry, and especially for pastors and RCIA directors.
In the wake of recent papal legislation, the various liturgies of the Roman Rite may today be celebrated in either their post-Tridentine or post-Vatican II forms. Whilst much discussion of this new situation focuses on purely liturgical issues, this book breaks new ground by arguing that the coexistence of the two forms raises questions of a profoundly ecclesiological character. Peter McGrail explores the relationship between ritual form, ecclesial self- understanding and constructs of the world that are at play as adults become members of the Church. Analysing the rites by which adults were taken into the Church for three and a half centuries, this book goes on to explore attempts to find a new ritual expression for the journey to Christian Initiation, set against the divergent and even conflicting ecclesiologies which were at play before and during the Council.
When Igor Stravinsky's ballet Le Sacre du printemps (The Rite of Spring) premiered during the 1913 Paris season of Sergei Diaghilev's Ballets Russes, its avant-garde music and jarring choreography scandalized audiences. Today it is considered one of the most influential musical works of the twentieth century. In this volume, the ballet finally receives the full critical attention it deserves, as distinguished music and dance scholars discuss the meaning of the work and its far-reaching influence on world music, performance, and culture. Essays explore four key facets of the ballet: its choreography and movement; the cultural and historical contexts of its performance and reception in France; its structure and use of innovative rhythmic and tonal features; and the reception of the work in Russian music history and theory.
Celebrating the Rites of Initiation continues the standard of scholarship set by Patrick Malloy’s Celebrating the Eucharist, and offers similar aids around issues of baptism and confirmation. It is an ideal book for students and practicing clergy who seek to strengthen their knowledge—and parochial practice—of baptismal theology.
Originally published in 1999, The Rites of Christian Initiation was haled for its clarity and comprehensiveness. Kalian McDonnell, OSB, called it the best overall treatment of Christian initiation available, and Paul Bradshaw predicted it would be the standard textbook on the subject for very many years to come." The current edition draws on new translations of early texts on baptism as well as recent scholarship on the early traditions in the East and West. It is sure to replace itself as the new standard reference on the rites of Christian initiation. Maxwell E. Johnson's expanded and revised text provides a more complete view of the history and interpretation of the rites in the Eastern Church, including two chapters that explore the pre-Nicene Eastern and Western traditions in detail. Revisiting the theology of baptism, this edition also provides more nuanced positions on the Eastern and Western traditions. Finally, recent liturgical developments in American Protestant churches, particularly Lutheran, as well as the ongoing development of the RCIA and confirmation practices of Catholics, made it necessary to revisit the place and meaning of these rites in the church today. Maxwell E. Johnson, PhD, is professor of liturgy at the University of Notre Dame and an ordained minister of the Evangelical Lutheran Church in America. He has published in Worship and is the editor of and contributor to Living Water, Sealing Spirit: Readings on Christian Initiation (Liturgical Press, 1995) and the revised and expanded edition of E.C. Whitaker, Documents of the Baptismal Liturgy (Liturgical Press and S.P.C.K., 2003), to which this study serves as a companion volume. "
The 1928 Book of Common Prayer is a treasured resource for traditional Anglicans and others who appreciate the majesty of King James-style language. This classic edition features a Presentation section containing certificates for the rites of Baptism, Confirmation, and Marriage. The elegant burgundy hardcover binding is embossed with a simple gold cross, making it an ideal choice for both personal study and gift-giving. The 1928 Book of Common Prayer combines Oxford's reputation for quality construction and scholarship with a modest price - a beautiful prayer book and an excellent value.