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Lovely West Lake, near scenic Hangzhou on China’s east coast, has been celebrated as a major tourist site since the twelfth century. Now as then, visitors boat to its islands, stroll through its gardens, worship in its temples, and immortalize it in poetry and painting. Hangzhou and West Lake have long served as icons of Chinese landscape appreciation, literary and artistic expression, and tourism. In the first in-depth English-language study of this picturesque locale, Xiaolin Duan examines the interplay between human enterprise and the natural environment during the Song dynasty (960–1279). After the Song lost north China to the Jurchens and the imperial court fled south, a new capital was established at Hangzhou, making the area the national political and cultural center. West Lake became a model for idealized nature, fashioned by the diverse activities of its visitors. Duan shows how engagements in, on, and around West Lake influenced visitors’ conceptualization of nature and sparked the emergence of the lake as a tourist destination, highlighting how the natural landscape played a role in shaping social and cultural constructs. Incorporating evidence from miscellanies, local and temple gazetteers, paintings, maps, poems, and anecdotes, The Rise of West Lake explores the complexity of the lake as an interactive site where ecological and economic concerns contended and where spiritual pursuits overlapped with aesthetic ones.
"West Lake, near scenic Hangzhou on China's east coast, has been a major tourist site since the twelfth century and a model for idealized nature. Visitors boat to its islands, stroll through its gardens, worship in its temples, and celebrate it in poetry and painting. Xiaolin Duan examines the interplay between cultural norms and the natural environment around West Lake during the Song dynasty (960-1279). After the Song lost north China to the Jurchens and the imperial court fled south, a new capital was established at Hangzhou in 1127, making the area the national political and cultural center. Duan shows how leisure activities in, on, and around West Lake influenced visitors' conceptualization of nature and sparked the emergence of the lake as a tourist destination, and how the natural landscape played an active role in shaping social pursuits and cultural constructs. Incorporating evidence from miscellanies, local and temple gazetteers, paintings, maps, poems, and anecdotes, she explores the complexity of the lake as an interactive site where ecological and economic concerns contended and where spiritual pursuits overlapped with aesthetic ones. The book will appeal to readers interested in urban and environmental history, cultural geography, and the sociology of tourism"--
"West Lake, near scenic Hangzhou on China's east coast, has been a major tourist site since the twelfth century and a model for idealized nature. Visitors boat to its islands, stroll through its gardens, worship in its temples, and celebrate it in poetry and painting. Xiaolin Duan examines the interplay between cultural norms and the natural environment around West Lake during the Song dynasty (960-1279). After the Song lost north China to the Jurchens and the imperial court fled south, a new capital was established at Hangzhou in 1127, making the area the national political and cultural center. Duan shows how leisure activities in, on, and around West Lake influenced visitors' conceptualization of nature and sparked the emergence of the lake as a tourist destination, and how the natural landscape played an active role in shaping social pursuits and cultural constructs. Incorporating evidence from miscellanies, local and temple gazetteers, paintings, maps, poems, and anecdotes, she explores the complexity of the lake as an interactive site where ecological and economic concerns contended and where spiritual pursuits overlapped with aesthetic ones. The book will appeal to readers interested in urban and environmental history, cultural geography, and the sociology of tourism"--
A hapless thief is drafted by a gang of nuns in need, in a novel by an Edgar Award winner who “has no peer in the realm of comic mystery novelists” (San Francisco Chronicle). It was supposed to be a simple caviar heist. Dortmunder is almost in the building when the alarm sounds, forcing him up the fire escape and onto the roof. He leaps onto the next building, smashing his ankle and landing in the den of the worst kind of creature he can imagine: nuns. Although decades removed from his Catholic orphanage, Dortmunder still trembles before the sisters’ habits. But these nuns are kinder than the ones he grew up with. They bandage his wound, let him rest, and don’t call the cops—for a price. The father of the youngest member of their order, disgusted by their vow of silence, has kidnapped his daughter, locked her in a tightly guarded penthouse apartment, and is attempting to convince her to renounce her faith. The nuns ask Dortmunder to rescue the girl. It’s an impossible assignment—but one he cannot refuse.
China’s nouveau riche are purchasing billions of dollars of furniture built from endangered African rosewood. Responding to Western powers’ attempts to stop the trade, Annah Zhu uncovers Chinese initiatives to plant rosewood responsibly and shows how these efforts offer a new path forward for environmentalism in a world no longer ruled by the West.
The Great Lakes are the largest collection of fresh surface water on earth, and more than 40 million Americans and Canadians live in their basin. Will we divert water from the Great Lakes, causing them to end up like Central Asia's Aral Sea, which has lost 90 percent of its surface area and 75 percent of its volume since 1960? Or will we come to see that unregulated water withdrawals are ultimately catastrophic? Peter Annin writes a fast-paced account of the people and stories behind these upcoming battles. Destined to be the definitive story for the general public as well as policymakers, The Great Lakes Water Wars is a balanced, comprehensive look behind the scenes at the conflicts and compromises that are the past-and future-of this unique resource.
Why does the West rule? In this magnum opus, eminent Stanford polymath Ian Morris answers this provocative question, drawing on 50,000 years of history, archeology, and the methods of social science, to make sense of when, how, and why the paths of development differed in the East and West — and what this portends for the 21st century. There are two broad schools of thought on why the West rules. Proponents of "Long-Term Lock-In" theories such as Jared Diamond suggest that from time immemorial, some critical factor — geography, climate, or culture perhaps — made East and West unalterably different, and determined that the industrial revolution would happen in the West and push it further ahead of the East. But the East led the West between 500 and 1600, so this development can't have been inevitable; and so proponents of "Short-Term Accident" theories argue that Western rule was a temporary aberration that is now coming to an end, with Japan, China, and India resuming their rightful places on the world stage. However, as the West led for 9,000 of the previous 10,000 years, it wasn't just a temporary aberration. So, if we want to know why the West rules, we need a whole new theory. Ian Morris, boldly entering the turf of Jared Diamond and Niall Ferguson, provides the broader approach that is necessary, combining the textual historian's focus on context, the anthropological archaeologist's awareness of the deep past, and the social scientist's comparative methods to make sense of the past, present, and future — in a way no one has ever done before.
A Finalist for the Pulitzer Prize and Winner of the Bancroft Prize. "No one has written a better book about a city…Nature's Metropolis is elegant testimony to the proposition that economic, urban, environmental, and business history can be as graceful, powerful, and fascinating as a novel." —Kenneth T. Jackson, Boston Globe