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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Excerpt from The Rise of English Literary Prose This book covers the period of discovery in the history of English literary prose. It begins with the latter half of the fourteenth century, when the writing of prose first assumed importance in the life of the English people, and it ends with the first quarter of the seventeenth century, when practice and experiment had made of English prose, in the reigns of Elizabeth and James, a highly developed and efficient means of expression. The origins of English prose come relatively late in the development of English literary experience. This apparently is true of most prose literatures, and the explanation seems to lie in the nature of prose. Even in its beginnings the art of prose is never an unconscious, never a genuinely primitive art. The origins of prose literature can consequently be examined without venturing far into those misty regions of theory and speculation, where the student of poetry must wander in the attempt to explain beginnings which certainly precede the age of historical documents, and perhaps of human record of any kind. Poetry may be the more ancient, the more divine art, but prose lies nearer to us and is more practical and human. Being human. prose bears upon it, and early prose especially, some of the marks of human imperfection. Poetry of primitive origins, for example the ballad, often attains a finality of form which art cannot better, but not so with prose. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Steve Mentz provides a comprehensive historicist and formalist account of prose romance, the most important genre of Elizabethan fiction. He explores how authors and publishers of prose fiction in late sixteenth-century England produced books that combined traditional narrative forms with a dynamic new understanding of the relationship between text and audience. Though prose fiction would not dominate English literary culture until the eighteenth century, Mentz demonstrates that the form began to invent itself as a distinct literary kind in England nearly two centuries earlier.
First published in 2012. This work of introduction is designed to escort the reader through some six centuries of English literature. It begins in the fourteenth century at the point at which the language written in our country is recognizably our own, and ends in the 1950s. It is a compact survey, summing up the substance and quality of the individual achievements that make up our literature. The aim is to leave the reader informed about each writer’s main output, sensitive to the special character of his gifts, and aware of his place in the story of our literature as a whole.