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This volume presents an array of studies on many aspects of the eighteenth century: on the novel, history, the history of ideas, drama, poetry and sentimentality. The essays are as diverse as ‘Pope’s Essays on Man and the French Enlightenment’ and ‘Of Silk-worms and Farthingales and the Will of God.’ One group is concerned with the works and ideas of Bayle, Alexander Gerard, Diderot, Fuseli, Hawkesworth and Swift among others. The essays are the work of leading scholars for many disciplines and were presented at the Second David Nichol Smith Seminar; together they reflect some of the liveliest and most up-to-date trends in the present reexamination of the period. The book will be invaluable to all students of the literature, thought, and civilisation of the eighteenth century.
The mistake of interpreting 18th-century theatrical portraits too literally has been made since the 19th-century when a different set of artistic codes prevailed. The image of the 18th-century actor which we can obtain from prints, paintings and pamphlets of the time, is not a collection of visual truths, but a construction based on critical canons, aesthetic prejudices, and commercial motivations prevalent during the period. Through an analysis of the importance of theatre among all the pleasures and pastimes enjoyed by 18th-century Londoners the author presents a detailed picture of the cultural climate inhabited by the actor and his audience. The overwhelming fascination they had with the actor provides the background to an analysis of the function of the theatrical portrait, the burgeoning economy of the engraver, and the illustrator. Concepts of classicism and realism are explored in terms of how Garrick and Kemble will have been viewed in their work. The author also draws an interesting analogy between the aesthetics of action and sculptural representation through the work of Siddons, and goes on to consider the representation of the comic actor and how it was informed by art and art theory.
Nicoll's History, which tells the story of English drama from the reopening of the theatres at the time of the Restoration right through to the end of the Victorian period, was viewed by Notes and Queries (1952) as 'a great work of exploration, a detailed guide to the untrodden acres of our dramatic history, hitherto largely ignored as barren and devoid of interest'.
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Vols. for 1921-1969 include annual bibliography, called 1921-1955, American bibliography; 1956-1963, Annual bibliography; 1964-1968, MLA international bibliography.