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Noted Lovecraftian scholar Joshi details the works of classic Mythos authors and reviews some of the more modern authors who have taken up the Lovecraftian mantle.
All original stories about the return of Cthulhu and the Old Ones to Earth. Some of the darkest hints in all of H.P. Lovecraft's Cthulhu Mythos relate to what will happen after the Old Ones return and take over the earth. What happens when Cthulhu is unleashed upon the world? What happens when the other Old Ones, long since banished from our universe, break through and descend from the stars? What would the reign of Cthulhu be like on a totally transformed planet where mankind is no longer the master? Find out in these exciting, brand-new stories.
• Marketing focus on combination of gift production and high content values, delivering a curated read to genre enthusiasts. • Spotlight on submission process for the new stories, promoted online through blogs and social media • Monthly newsletter to increase mailing list of genre special interest readers. • Major interest pushed through Instagram, with Youtube reviewers and influencers. Featuring new stories specially commissioned for the collection this offering of H.P. Lovecraft's shared universe is a thrilling immersion into the world of Old Ones and the Elder Gods, an ancient race of terrifying beings. In Lovecraft's vision we live in a deep, but fragile illusion, unable to comprehend the ancient beings, such as the Cthulhu who lies dead but dreaming in the submerged city of R'lyeh, waiting to rise then wreak havoc on our realm of existence. Lovecraft used the mythos to create a background to his fiction, and challenged many writer companions to add their own stories. Clark Ashton Smith, Robert E. Howard, Robert Bloch, Frank Belknap Long, Henry Kuttner were amongst the first but over the years many others such as Ramsey Campbell, Lin Carter and August Derleth added their voices to the many mythic cycles, developing themes and new fictional pathways for the town of Arkham, and the creatures Azathoth and Nyarlathotep. The Lovecraft Mythos is fertile ground for any writer of supernatural, horror, fantasy and science fiction, so for this edition we opened our submissions for brand new stories, many published here for the first time, to continue expanding the shared universe.
"In this pioneering study, Bobby Derie has presented an objective and scholarly analysis of the signficant uses of love, sex and gender in the work of H.P. Lovecraft and some of his leading disciples"--P. [4] of cover.
"Trust me, this book makes a mind-blowing addition to your weird fiction criticism collection." --- Ross E. Lockhart, editor of The Book of Cthulhu "As a writer in this tradition, I devour books about the Mythos. . . [A Look Behind the Derleth Mythos] is the finest such book that I have ever read." --- Wilum H. Pugmire, author of Some Unknown Gulf of Night and Uncommon Places An instant classic when first released, John D. Haefele's critically acclaimed account of the birth of the Cthulhu Mythos is now back in a completely revised trade paperback edition overflowing with fascinating new insights and discoveries. In 1939, the prolific Wisconsin writer August Derleth launched Arkham House, one of the most influential small presses in the history of publishing. Its mission: to preserve in the permanence of hardcovers the writings of Derleth's late friend, the legendary horror fantasist Howard Phillips Lovecraft (1890-1937). During three decades of editing and storytelling, Derleth became the major player in the explosive growth of the "Cthulhu Mythos" into a worldwide cultural phenomenon. Does the Cthulhu Mythos owe its existence to the Lovecraft Mythos -- or is the parallel fictional world of the Derleth Mythos even more influential? Comparatively shallow works such as S. T. Joshi's The Rise and Fall of the Cthulhu Mythos are filled with misconceptions and tell only a small part of this hotly controversial story. Now join Haefele as he digs far deeper, unearthing important layers of the saga neglected by past scholars. A Look Behind the Derleth Mythos answers numerous questions with fresh evidence and thunderous revelations, covering in unprecedented detail everything from the notorious Black Magic Quote to Derleth's infamous "posthumous collaborations" with Lovecraft. One of the most striking books of criticism ever written on the works of H. P. Lovecraft, A Look Behind the Derleth Mythos is a riveting chronicle no fan of Cthulhu, Yog-Sothoth and Nyarlathotep should miss!
"Throughout history, the religious imagination has attempted to control nothing so much as our bodies: what they are and what they mean; what we do with them, with whom, and under what circumstances; how they may be displayed-or, more commonly, how they must be hidden. Religious belief and mandate affect how our bodies are used in ritual practice, as well as how we use them to identify and marginalize threatening religious Others. This book examines how horror culture treats religious bodies that have stepped (or been pushed) out of their 'proper' place. Unlike most books on religion and horror, This book explores the dark spaces where sex, sexual representation, and the sexual body come together with religious belief and scary stories. Because these intersections of sex, horror, and the religious imagination force us to question the nature of consensus reality, supernatural horror, especially as it concerns the body, often shows us the religious imagination at work in real time. It is important to note that the discussion in this book is not limited either to horror cinema or to popular fiction, but considers a wide range of material, including literary horror, weird fiction, graphic storytelling, visual arts, participative culture, and aspects of real-world religious fear. It is less concerned with horror as a genre (which is mainly a function of marketing) and more with the horror mode, a way of storytelling that finds expression across a number of genres, a variety of media, and even blurs the boundary between fiction and non-fiction. This expanded focus not only deepens the pool of potential examples, but invites a much broader readership in for a swim"--
"The Call of Cthulhu" by H.P. Lovecraft is a seminal work of cosmic horror that explores the existence of an ancient, malevolent entity named Cthulhu. Through a series of disturbing discoveries and strange occurrences, the story unveils a hidden, incomprehensible reality where humanity's significance is dwarfed by forces beyond its understanding. The narrative, told through fragmented accounts, delves into themes of fear, madness, and the unknown.
Dread Trident examines the rise of imaginary worlds in tabletop role-playing games (TRPGs), such as Dungeons and Dragons. With the combination of analog and digital mechanisms, from traditional books to the internet, new ways of engaging the fantastic have become increasingly realized in recent years, and this book seeks an understanding of this phenomenon within the discourses of trans- and posthumanism, as well as within a gameist mode. The book explores a number of case studies of foundational TRPGs. Dungeons and Dragons provides an illustration of pulp-driven fantasy, particularly in the way it harmonizes its many campaign settings into a functional multiverse. It also acts as a supreme example of depth within its archive of official and unofficial published material, stretching back four decades. Warhammer 40k and the Worlds of Darkness present an interesting dialogue between Gothic and science-fantasy elements. The Mythos of HP Lovecraft also features prominently in the book as an example of a realized world that spans the literary and gameist modes. Realized fantasy worlds are becoming ever more popular as a way of experiencing a touch of the magical within modern life. Reworking Northrop Frye's definition of irony, Dread Trident theorizes an ironic understanding of this process and in particular of its embodied forms.
 By examining important aspects of science fiction in the twentieth century, this book explains how the genre evolved to its current state. Close critical attention is given to topics including the art that has accompanied science fiction, the subgenres of space opera and hard science fiction, the rise of SF anthologies, and the burgeoning impact of the marketplace on authors. Included are in-depth studies of key texts that contributed to science fiction's growth, including Philip Francis Nowlan's first Buck Rogers story, the first published stories of A. E. van Vogt, and the early juveniles of Isaac Asimov, Arthur C. Clarke and Robert Heinlein.