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The history of Renaissance France is rich and varied. The Renaissance in France, as elsewhere in Europe, saw glory crowned amidst conflict and squalor. At the beginning of the sixteenth century, France seemed set to become the most powerful nation of Europe, but as the century ebbed so did her fortunes. In between, during a century of more or less permanent combat which murdered the dreams, comforts and relatives of many Frenchmen and saw a soaring economy shot down, some of the greatest building, painting and thinking to come out of the whole European Renaissance was being done. Sixteenth-century France was a colourful, confusing and often downright fatal habitat, and we moderns might profitably look on the complexity of its successes and failures, to which Prefessor Knect is a matchlessly illuminating and genial guide.
Drawing on more than 40 years of research and combining narrative with analysis, R. J. Knecht describes the rise and fall of France in the sixteenth century clearly and authoritatively.
This is an exploration of how one of Europe's most vibrant cultures experienced such growth and decline between 1483 and 1610.
Available for the first time in English, these thirteen selections from André Thevet’s Les vrais pourtraits et vies des hommes illustres offer a glimpse of France during a time of great upheaval. Originally published in 1584, Thevet’s collection contains over two hundred biographical sketches, detailing the lives of important persons from antiquity to the sixteenth century. Edward Benson and Roger Schlesinger have translated and annotated Thevet’s portraits of his contemporaries, and divided them into three categories: monarchs, aristocrats, and scholars. Additionally, an extensive introduction places the work in context and describes the critical attention that Thevet and his writings have received. Together these portraits provide a history of sixteenth-century France as the country underwent tremendous change: from an intellectual renaissance and its first encounter with the New World to the Protestant Reformation and the Wars of Religion that followed. France was irrevocably altered by these events and Thevet’s account of the lives of individuals who struggled with them is indispensable.
Tells the history of the French Renaissance through the lives of its most prominent queens and mistresses.
Real Lives in the Sixteenth Century presents a global history using four sets of biographies to illustrate similar situations in different geographical regions. The vibrant narratives span four continents and include the following pairs: Henry IV of France and Hideyoshi of Japan, Hürrem Sultan (Roxelana) of the Ottoman Empire and Lady Zheng of the Ming Dynasty, Afonso I of Kongo and Elizabeth I of England, and Pope Clement VII and Moctezuma II of Mexico. Through exploring the lives of eight individuals from a variety of cultural settings, this book encourages students to think about the ‘big questions’ surrounding human interactions and the dynamics of power. It introduces them to a number of key historical concepts such as feudalism, dynasticism, religious syncretism and slavery, and is a springboard into the history of the wider world, blending together aspects of political, cultural, intellectual and material history. Accessibly written and containing timelines, genealogical tables and a number of illustrations for each biography, Real Lives in the Sixteenth Century is the ideal introductory text for undergraduates of pre-modern World History and of the sixteenth century in particular.
This book provides a clear and up-to-date guide to French history from the early middle ages to the present--from Charlemagne to Chirac. Among the book's central themes are the relationship between state and society, the impact of war and the use of political power. This second edition, substantially re-written to take account of recent research, includes a new chapter on contemporary France; a society and political system in crisis as a result of globalisation, international terrorism, racial tension and a loss of confidence in political leaders.
The role of architecture within the French Reformed tradition has been of recent scholarly interest, seen in the work of Helene Guicharnaud, Catharine Randall, Andrew Spicer, and others. Few, however, have investigated in depth the relationship between Reformed theology and architectural forms. In The Visual Theology of the Huguenots, Randal Carter Working explores the roots of Reformed aesthetics, set against the background of late medieval church architecture. Indicating how demonstrably important the work of Serlio is in the spreading of the ideas of Vitruvius, Working explains the influence of classical Roman building on French Reformed architecture. He follows this with an examination of five important Huguenot architects: Philibert de l'Orme, Bernard Palissy, Jacques-Androuet du Cerceau, Salomon de Brosse, and Jacques Perret. The distinct language of Huguenot architecture is revealed by his comparative analysis of three churches: St Pierre in Geneva, a medieval church overhauledby the Reformers; St Gervais-St Protais, a Parisian Catholic church whose facade was completed by the French Reformed architect Salomon de Brosse; and the temple at Charenton, a structure also designed and built by de Brosse. These three buildings demonstrate how the contribution of Huguenot architecture gave expression to Reformed theological ideas and helped bring about the renewal of classicism in France.
A study of the actions and responsibilities of those taking temporary power during the minority of a monarch.
How writers respond to a cosmology in evolution in the sixteenth century and how literature and space implicate each other are the guiding issues of this volume in which sixteen authors explore the topic of space in its multiform incarnations and representations. The volume's first section features the early modern exploration and codification of urban and rural spaces as well as maritime and industrial expanses: "Space and Territory: Geographies in Texts" thus contributes to a history of spatial consciousness. The construction of local, national, political, public, and private places is highlighted in "Space and Politics: Literary Geographies"; the contributors in this segment show how built forms as architectural or literary constructions and spatial orientation are intertwined. "Space and Gender: Geopoetical Approaches" traces the experience of gender as political, territorial, and communicative exploration; the essays in this division deal with social organization and its symbolic analysis, resulting in literary texts featuring what could be called psychological production theories. The development of ethical approaches adapted to or critical of colonial expansion is analyzed in "Space and Ethics: Geocritical Ventures"; here we encounter early modern globalization where locals, explorers, immigrants, adventurers, and intellectuals remake themselves in new places, engage in or meet with resistance, or attempt to rework local sociopolitical systems while reassessing those they are familiar with. "The Space of the Book, the Book as Space: Printing, Reading, Publishing" analyzes the tactile object of the book as an arena for commerce, politics, and authorial experimentation.