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The name 'Jack the Ripper' is instantly recognised throughout the world, yet many people probably don't know that the famous nickname first appeared in a letter or that this was where the whole legend of Jack the Ripper really began. This title poses a controversial question: was 'Jack the Ripper' merely a press invention?
Stewart Evans is a policeman whose hobby is collecting true crime ephemera. When a second hand bookseller rang to ask him if he would be interested in a collection of letters from the Special Branch, he had no idea of the sensational revelation they would contain. One of these letters supplied an astonishing piece of infomation not contained in the decimated Scotland Yard files. The police had actually arrested and charged an American with the Ripper murders, but he escaped and disappeared in America. The Ripper murders ceased. The book reveals for the first time the identity of Jack the Ripper.
After 125 years of theorizing and speculation regarding the identity of Jack the Ripper, Russell Edwards is in the unique position of owning the first physical evidence relating to the crimes to have emerged since 1888. This evidence is from one of the crime scenes, and has now been rigorously examined by some of the most highly-qualified forensic scientists in the country who have ascertained its true provenance. With the help of modern forensic techniques, Russell's ground-breaking discoveries provide conclusive answers to many of the most challenging mysterious surrounding the case.
In 1888 the dreaded figure of Jack the Ripper stalked London's East End murdering prostitutes. His crimes set in motion a huge police operation and have held a dark fascination over the public's imagination for over a century, yet his identity has never been proved. Now, for the first time, two leading Ripper experts have joined forces to treat the case like a police investigation. Drawing on their unparalleled knowledge of the Jack the Ripper murders and their professional experience as police officers, they uncover clues that have remained undetected for over a hundred years. There are five 'canonical' Ripper victims, yet Scotland Yard's 'Whitechapel Murders' files include another six suspected victims. Drawing the reader into the world of police investigation in Victorian London, Evans and Rumbelow reveal the conflict between the City and Metropolitan forces and the ridicule heaped on the police by the press. Investigating each murder, they conclude that only four of the eleven victims were actually killed by the Ripper. Perhaps most tellingly, they question the motives behind the destruction of evidence – particularly the message 'The Juwes are the men that will not be blamed for nothing', which was chalked on the wall near one murder site and rubbed out on order of the Chief Commissioner – and ask whether the enigmatic Dr Robert Anderson, officer in charge of the investigation, knew the Ripper's true identity. Jack the Ripper: Scotland Yard Investigates strips away much of the nonsense that has accumulated since 1888 and reopens files on a case that will perhaps never be fully solved but will always fascinate.
"In the Wake of the Butcher is based on police reports, autopsy protocols, personal interviews with the descendants of victims and investigators, and unpublished manuscripts and is illustrated with maps, rare crime scene and morgue photographs, and newspaper photos. The author dispels some long-held rumors about the crimes and confirms others. In the Wake of the Butcher presents its compelling case and leaves readers to come to their own conclusions about the notorious Cleveland murders."--BOOK JACKET.
Explains how to use handwriting analysis to interpret people's character traits, personalities, and backgrounds, and examines the handwriting of such dangerous individuals as Ted Bundy, Jack the Ripper, and Osama bin Laden.
Examines the century-old series of murders that terrorized London in the 1880s, drawing on research, state-of-the-art forensic science, and insights into the criminal mind to reveal the true identity of the infamous Jack the Ripper.
Panic grips the city! There is a killer loose in New York City, and Carver Young is the only one who sees the startling connection between the recent string of murders and the most famous serial killer in history: Jack the Ripper. Time is winding down until the killer claims another victim, but Carver soon sees that, to The Ripper, this is all a game that he may be destined to lose. “Petrucha’s story hits the ground running and doesn’t let up…”—Publisher’s Weekly “A rollicking story full of cannot-put-it-down twists an turns.” —VOYA “A well-crafted romp through yesteryear’s New York.” —Kirkus Reviews
Now updated with new material that brings the killer's picture into clearer focus. In the fall of 1888, all of London was held in the grip of unspeakable terror. An elusive madman calling himself Jack the Ripper was brutally butchering women in the slums of London’s East End. Police seemed powerless to stop the killer, who delighted in taunting them and whose crimes were clearly escalating in violence from victim to victim. And then the Ripper’s violent spree seemingly ended as abruptly as it had begun. He had struck out of nowhere and then vanished from the scene. Decades passed, then fifty years, then a hundred, and the Ripper’s bloody sexual crimes became anemic and impotent fodder for puzzles, mystery weekends, crime conventions, and so-called “Ripper Walks” that end with pints of ale in the pubs of Whitechapel. But to number-one New York Times bestselling novelist Patricia Cornwell, the Ripper murders are not cute little mysteries to be transformed into parlor games or movies but rather a series of terrible crimes that no one should get away with, even after death. Now Cornwell applies her trademark skills for meticulous research and scientific expertise to dig deeper into the Ripper case than any detective before her—and reveal the true identity of this fabled Victorian killer. In Portrait of a Killer: Jack the Ripper, Case Closed, Cornwell combines the rigorous discipline of twenty-first century police investigation with forensic techniques undreamed of during the late Victorian era to solve one of the most infamous and difficult serial murder cases in history. Drawing on unparalleled access to original Ripper evidence, documents, and records, as well as archival, academic, and law-enforcement resources, FBI profilers, and top forensic scientists, Cornwell reveals that Jack the Ripper was none other than a respected painter of his day, an artist now collected by some of the world’s finest museums: Walter Richard Sickert. It has been said of Cornwell that no one depicts the human capability for evil better than she. Adding layer after layer of circumstantial evidence to the physical evidence discovered by modern forensic science and expert minds, Cornwell shows that Sickert, who died peacefully in his bed in 1942, at the age of 81, was not only one of Great Britain’s greatest painters but also a serial killer, a damaged diabolical man driven by megalomania and hate. She exposes Sickert as the author of the infamous Ripper letters that were written to the Metropolitan Police and the press. Her detailed analysis of his paintings shows that his art continually depicted his horrific mutilation of his victims, and her examination of this man’s birth defects, the consequent genital surgical interventions, and their effects on his upbringing present a casebook example of how a psychopathic killer is created. New information and startling revelations detailed in Portrait of a Killer include: - How a year-long battery of more than 100 DNA tests—on samples drawn by Cornwell’s forensics team in September 2001 from original Ripper letters and Sickert documents—yielded the first shadows of the 75- to 114 year-old genetic evid...
This true crime history examines the media frenzy surrounding Jack the Ripper—and what the so-called Ripper Letters reveal about Victorian society. In the autumn of 1888, a series of grisly murders took place in Whitechapel in London’s East End. The Whitechapel murderer, arguably the first of his kind, was never caught, though the police and local press received hundreds of letters claiming to be from the killer. Though most if not all of these letters were hoaxes, they gave rise to the best known pen-name in criminal history: Jack the Ripper. Some letters were taken more seriously than others, while a few—such as the infamous “Dear Boss” letter—sent thousands on a hunt to follow its clues. This book is not about the world’s first serial killer but about the twisted souls who played the part on paper, implicated innocent men, or suggested ever more lurid ways in which he could be caught. For true crime historian M.J. Trow, these letters offer a window into the disturbing shadows of the Victorian mind.