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The Newsletter of the Redwood Gun Club in Humboldt County California. A newsletter dedicated to sharing the activities, interests, and knowledge of the membership of the club with our community. This is every issue of the "Redwood Stumper" from 2009
An Episode of Red Cloud's War
Skyhorse Publishing is proud to publish a broad range of books for hunters and firearms enthusiasts. We publish books about shotguns, rifles, handguns, target shooting, gun collecting, self-defense, archery, ammunition, knives, gunsmithing, gun repair, and wilderness survival. We publish books on deer hunting, big game hunting, small game hunting, wing shooting, turkey hunting, deer stands, duck blinds, bowhunting, wing shooting, hunting dogs, and more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to publishing books on subjects that are sometimes overlooked by other publishers and to authors whose work might not otherwise find a home.
The 1864 Sand Creek Massacre is one of the most disturbing and controversial events in American history. While its historical significance is undisputed, the exact location of the massacre has been less clear. Because the site is sacred ground for Cheyenne and Arapaho Indians, the question of its location is more than academic; it is intensely personal and spiritual. In 1998 the National Park Service, under congressional direction, began a research program to verify the location of the Sand Creek site. The team consisted of tribal members, Park Service staff and volunteers, and local landowners. In Finding Sand Creek, the project’s leading historian, Jerome A. Greene, and its leading archeologist, Douglas D. Scott, tell the story of how this dedicated group of people used a variety of methods to pinpoint the site. Drawing on oral histories, written records, and archeological fieldwork, Greene and Scott present a wealth of evidence to verify their conclusions. Greene and Scott’s team study led to legislation in the year 2000 that established the Sand Creek Massacre National Historic Site.
The many roles played by guns in the old West with personal accounts by many early settlers and hundreds of photos.
The first history of the deaccession of objects from museum collections that defends deaccession as an essential component of museum practice. Museums often stir controversy when they deaccession works—formally remove objects from permanent collections—with some critics accusing them of betraying civic virtue and the public trust. In fact, Martin Gammon argues in Deaccessioning and Its Discontents, deaccession has been an essential component of the museum experiment for centuries. Gammon offers the first critical history of deaccessioning by museums from the seventeenth to the twenty-first century, and exposes the hyperbolic extremes of “deaccession denial”—the assumption that deaccession is always wrong—and “deaccession apology”—when museums justify deaccession by finding some fault in the object—as symptoms of the same misunderstanding of the role of deaccessions in proper museum practice. He chronicles a series of deaccession events in Britain and the United States that range from the disastrous to the beneficial, and proposes a typology of principles to guide future deaccessions. Gammon describes the liquidation of the British Royal Collections after Charles I's execution—when masterworks were used as barter to pay the king's unpaid bills—as establishing a precedent for future deaccessions. He recounts, among other episodes, U.S. Civil War veterans who tried to reclaim their severed limbs from museum displays; the 1972 “Hoving affair,” when the Metropolitan Museum of Art sold a number of works to pay for a Velázquez portrait; and Brandeis University's decision (later reversed) to close its Rose Art Museum and sell its entire collection of contemporary art. An appendix provides the first extensive listing of notable deaccessions since the seventeenth century. Gammon ultimately argues that vibrant museums must evolve, embracing change, loss, and reinvention.
Bill Calfee has been working with guns since the 1970s and decided to focus on the 22 rimfire beginning in the 1980s. Since the 1980s Bill has had many ideas on how to improve the accuracy of the 22 rimfire, some ideas have increased the accuracy potential tremendously and some ideas proved out to be learning experiences for future ideas. Since about 2001 Bill has tried to capture his ideas, experiments, testing, and conclusions by writing about them. He has written about the successes that increased accuracy as well as the ideas that didnt improve accuracy. Although Bill is not a writer, he felt compelled to pass along the knowledge that he has obtained in the spirit of improving the accuracy of the 22 rimfire benchrest guns for everyone that has like goals. He has shared his writings previously with the benchrest community through different avenues. In this book, all of Bills writings are assembled in a chronological order to show the evolution of the accuracy of the 22rf as he has experienced it. He goes into detail about each aspect of rimfire accuracy discussing all of the components and their contribution to the improved accuracy. This book is a must have for everyone that is serious about increasing the accuracy in their 22 rimfire guns.
If you love old .22 rifles (and who doesnt?), and would like to know more about them, this book is a must-have. It is the only book of its kind, covering 20 classic and vintage rifles from five different manufacturers. The rifles covered are among the most-used and best-loved rifles of all time. In these pages you will find a wealth of information about each rifle and each manufacturer including: history and development, physical measurements and handling characteristics, accuracy testing, and current value. Plus, there are chapters on finding your own classic rifle, hunting with the .22, improving accuracy, and proper care and maintenance, and much more. So, if youd like to know more about that old .22 that youve inherited or you need some good information to help you find your own, this is the book for you.