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Starry Night is a fully illustrated account of Van Gogh's time at the asylum in Saint-Remy. Despite the challenges of ill health and asylum life, Van Gogh continued to produce a series of masterpieces – cypresses, wheatfields, olive groves and sunsets. He wrote very little about the asylum in letters to his brother Theo, so this book sets out to give an impression of daily life behind the walls of the asylum of Saint-Paul-de-Mausole and looks at Van Gogh through fresh eyes, with newly discovered material.
"Hugely prolific, Vincent Van Gogh produced over 2000 works (nearly 900 paintings and more than 1,100 drawings and sketches) in a ten-year period. His story and (largely) self-taught skills are an inspiration to budding artists everywhere. Fantastic Forgeries is a simple course in the artist's legendary skills, so readers can learn his innovative techniques and then adapt and apply those techniques to their own renditions and drawings. You'll begin just as Van Gogh did, first mastering black and white drawings, including figures and landscapes Then move on to color works, including watercolor, and then finally move on to oil painting. Within each chapter, the reader will come across a specific technique employed by Van Gogh in an artwork or artworks, and then--accompanied by step-by-step lessons--he or she can learn how to use that technique in their own drawings or paintings. Featuring a dazzling collection of Van Gogh's works, step-by-step lessons for learning his techniques in 10 key pieces, as well as fascinating sidebars about Van Gogh's life, critical reception to his work, and his own thoughts about his art, this is an ideal course for any artist looking to be inspired by one of the great masters"--
The prints and drawings of Vincent van Gogh (1853-90) include some of the world's best-known, most popular, and most valuable pieces. This volume is a catalog of van Gogh drawings and prints that are currently under the care of the Kröller-Müller Museum, located near the village of Otterlo in the Netherlands. Catalogued for the first time in 1917, these works have undergone four different editions of the cataloguing process by four different members of the museum staff since World War II alone, and always in the company of van Gogh's more famous paintings. Now, for the first time, the drawings have been studied independently, and the information gathered here presents a remarkably clear overview of the present scholarship and art historical research on the authenticity, dating, provenance, and exhibitions of the work. Differing in many ways from the last collection catalog of van Gogh's drawings and paintings (which was published nearly thirty years ago), this volume not only produces new information on the provenance of certain works, but frequently comes up with a sharper analysis of the techniques and materials used by the artist, as well as new dates for individual drawings. Doubts that have arisen about the authenticity of certain juvenilia by van Gogh are here provided with a well-reasoned foundation, and with the publication of this edition--which complements a 2003 catalog of van Gogh's paintings--a period of intensive research on van Gogh's works in the collection has been brought to a close, culminating in this impeccably researched catalog and its accompanying wealth of full-color images.
The original Getty Museum, housed in a replica of a Roman Villa on a site overlooking the Pacific Ocean, is one of Los Angeles's most treasured landmarks. Closed for almost ten years while renovations were made to the building and the site itself was transformed into a center for the study of antiquities and conservation, the Getty Villa is now set to open late in 2005. The Getty Villa is a lively history of the Getty Museum, its renowned antiquities collections, and its growth from a small museum in a ranch house in Malibu to its first home in a building designed to replicate what we know of the Villa dei Papiri, an ancient Roman villa partially uncovered in Herculaneum. Most engagingly, this book records the ten-year adventure in reconfiguring a beautiful, but topographically challenging, site into one that could continue to accommodate the splendid Museum building and also provide for an outdoor theater, laboratories for conservation work and research, offices for staff and visiting scholars, and an education program for adults and children. This is a story of architectural imagination, geographical challenges, and legal hurdles, all of which have resulted in a truly unique and beautiful site. The story is an enlightening and rewarding one for anyone interested in architecture and in the difficulties posed by building on a grand scale in the twenty-first century. Beautifully illustrated throughout, the book includes 250 reproductions of works of art, photographs of both the old and the new Getty Museum, site plans, and architectural elevations.
Catalogus van de gehele collectie Japanse prenten van het Van Gogh Museum.
In the winter of 1886-87, during his stay in Paris, Vincent van Gogh bought 660 Japanese prints at the art gallery of Siegfried Bing. His aim was to start dealing in them, but the exhibition he organized in the café-restaurant Le Tambourin was a total failure. However, he was now able to study his collection at ease and in close-up, and he gradually became captivated by their colourful, cheerful and unusual imagery. When he left for Arles, he took some prints with him, but the core remained in Paris with his brother Theo. Although some prints were later given away, the collection did not disperse. This book reveals new analyses of the collection, now held in the Van Gogh Museum, given as a long-term loan from the Vincent van Gogh Foundation. The authors delve into its history, and the role the prints played in Van Gogh's creative output. The book is illustrated with over 100 striking highlights from the collection.
This biography of Vincent van Gogh’s sisters tells the fascinating story of the lives of these women whose history has largely been neglected. Many people are familiar with the life and art of Vincent van Gogh, and his extensive correspondence with his brother Theo. But their sisters—Ana, Lies, and Wil van Gogh—have gone overlooked until now. In this compelling group biography based on extensive primary resources, art historian Willem-Jan Verlinden brings Vincent’s three sisters into the spotlight. At a time when the feminist movement was beginning to take root and idealists were clamoring for revolution, the Van Gogh sisters recorded their aspirations and dreams, their disappointments and grief. Based on little-known correspondence between the sisters, this fascinating account of these remarkable women captures a moment of profound social, economic, and artistic change. With great clarity and empathy, The Van Gogh Sisters relates the sisters’ intimate discussions of art, poetry, books, personal ambitions, and employment. Their story will resonate with readers and broaden understandings of Vincent van Gogh’s childhood. Set against the backdrop of a turbulent period in nineteenth-century history this story sheds new light on these impressive women, deepening our understanding of this unique and often troubled family.
Catalogus bij de tentoonstelling van schilderijen die Van Gogh maakte van de slaapkamers in de 37 huizen waar hij gedurende zijn leven woonde.