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This first of the four volumes in the Letters from the Rector series includes the initial 62 of then Fr. Williamson's letters, dating from between May 24, 1983, and June 1, 1988, while he led the seminary in Ridgefield. Includes a detailed index.
This first of the four volumes in the Letters from the Rector series includes the initial 62 of then Fr. Williamson's letters, dating from between May 24, 1983, and June 1, 1988, while he led the seminary in Ridgefield. Includes a detailed index.
A mysterious portrait ignites an antiquarian bookseller’s search through time and the works of Shakespeare for his lost love. Charlie Lovett’s new book, The Lost Book of the Grail, is now available. Guaranteed to capture the hearts of everyone who truly loves books, The Bookman’s Tale is a former bookseller’s sparkling novel and a delightful exploration of one of literature’s most tantalizing mysteries with echoes of Shadow of the Wind and A.S. Byatt's Possession. Nine months after the death of his beloved wife Amanda left him shattered, Peter Byerly, a young antiquarian bookseller, relocates from North Carolina to the English countryside, hoping to outrun his grief and rediscover the joy he once took in collecting and restoring rare books. But upon opening an eighteenth-century study of Shakespeare forgeries, he discovers a Victorian watercolor of a woman who bears an uncanny resemblance to Amanda. Peter becomes obsessed with learning the picture’s origins and braves a host of dangers to follow a trail of clues back across the centuries—all the way to Shakespeare’s time and a priceless literary artifact that could prove, once and for all, the truth about the Bard’s real identity.
Perhaps no army in history, prior to the American Civil War, left such a remarkable and voluminous collection of letters to home during the years 1861 to 1865. This collection is one of the best. Men from all walks of life and all ranks in the service are represented here over the span of the entire war. The famous and anonymous are included—personal stories of great battles and humorous stories of army life. You'll find pathos, sorrow, fear, and great courage detailed in these letters. Most soldiers were very humble and modest about their own accomplishments but spoke of their comrades with love and admiration. Common soldiers often made remarkable observations. Every memoir of the American Civil War provides us with another view of the catastrophe that changed the country forever. For the first time, this long out-of-print volume is available as an affordable, well-formatted book for e-readers, tablets, and smartphones. Be sure to LOOK INSIDE by clicking the cover above or download a sample.
The monograph consists of a set of correspondence with Miloš Šafránek, a Czech diplomat, music journalist, Martinů's biographer, and a promoter of his work. The volume contains the diplomatic transcriptions of 168 letters, six postcard, five postal cards, one telegram, and one lettercard from the period of 1928-1959. The vast majority of the correspondence is unilateral, addressed to Šafránek; only two of the items were sent by Šafránek. The method of diplomatic transcription, chosen by the authors of the edition, respects the peculiarities of Martinů's linguistic expression. Comprehensive annotations provide historical context and illustrate the political circumstances of the most tumultuous years of the twentieth century, but they also comment on the genesis of compositions.
(Limelight). "...essential to any understanding of...O'Neill if only because they demystify him." Arthur Miller, The New York Times Book Review
One month after her novel Gone With the Wind was published, Margaret Mitchell sold the movie rights for fifty thousand dollars. Fearful of what the studio might do to her story—“I wouldn’t put it beyond Hollywood to have . . . Scarlett seduce General Sherman,” she joked—the author washed her hands of involvement with the film. However, driven by a maternal interest in her literary firstborn and compelled by her Southern manners to answer every fan letter she received, Mitchell was unable to stay aloof for long. In this collection of her letters about the 1939 motion picture classic, readers have a front-row seat as the author watches the Dream Factory at work, learning the ins and outs of filmmaking and discovering the peculiarities of a movie-crazed public. Her ability to weave a story, so evident in Gone With the Wind,makes for delightful reading in her correspondence with a who’s who of Hollywood, from producer David O. Selznick, director George Cukor, and screenwriter Sidney Howard, to cast members Clark Gable, Vivien Leigh, Leslie Howard, Olivia de Havilland and Hattie McDaniel. Mitchell also wrote to thousands of others—aspiring actresses eager to play Scarlett O’Hara; fellow Southerners hopeful of seeing their homes or their grandmother’s dress used in the film; rabid movie fans determined that their favorite star be cast; and creators of songs, dolls and Scarlett panties who were convinced the author was their ticket to fame and fortune. During the film’s production, she corrected erring journalists and the producer’s over-the-top publicist who fed the gossip mills, accuracy be damned. Once the movie finished, she struggled to deal with friends and strangers alike who “fought and trampled little children and connived and broke the ties of lifelong friendship” to get tickets to the premiere. But through it all, she retained her sense of humor. Recounting an acquaintance’s denial of the rumor that the author herself was going to play Scarlett, Mitchell noted he “ungallantly stated that I was something like fifty years too old for the part.” After receiving numerous letters and phone calls from the studio about Belle Watling’s accent, the author related her father was “convulsed at the idea of someone telephoning from New York to discover how the madam of a Confederate bordello talked.” And in a chatty letter to Gable after the premiere, Mitchell coyly admitted being “feminine enough to be quite charmed” by his statement to the press that she was “fascinating,” but added: “Even my best friends look at me in a speculative way—probably wondering what they overlooked that your sharp eyes saw!” As Gone With the Wind marks its seventy-fifth anniversary on the silver screen, these letters, edited by Mitchell historian John Wiley, Jr., offer a fresh look at the most popular motion picture of all time through the eyes of the woman who gave birth to Scarlett.