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Filling an important gap in the literary world, The Richard Peabody Reader is a wide-ranging selection of this great writer's poetry and prose. As a publisher, Peabody's steadfast dedication to that which is new, challenging, innovative, and dynamic has won him a wide reputation among writers whose work he has championed. This volume demonstrates those same values, embodied in nearly four decades of fiercely smart, sophisticated, and often very funny writing. From his first collection of poems, I'm in Love with the Morton Salt Girl, to his most recent collection of short stories, Blue Suburban Skies, Peabody has established and developed a thoroughly unique voice, both warm and piercing, to deliver content that ranges from the hilarious, as in the short story "Flea Wars," to the bittersweet, as in the poem "The Other Man is Always French," to the elegiac, as in the poem in "Civil War Pieta," to the absurd, as in the rollicking farce of the short story, "Bad Day at Ikea." Peabody's aesthetic is all-embracing—strands of punk, beat, experimental, feminist, and political protest literary influences blend with the purely romantic to create a body of work that is both profound and pleasing.
Filling an important gap in the literary world, The Richard Peabody Reader is a wide-ranging selection of this great writer's poetry and prose. As a publisher, Peabody's steadfast dedication to that which is new, challenging, innovative, and dynamic has won him a wide reputation among writers whose work he has championed. This volume demonstrates those same values, embodied in nearly four decades of fiercely smart, sophisticated, and often very funny writing. From his first collection of poems, I'm in Love with the Morton Salt Girl, to his most recent collection of short stories, Blue Suburban Skies, Peabody has established and developed a thoroughly unique voice, both warm and piercing, to deliver content that ranges from the hilarious, as in the short story "Flea Wars," to the bittersweet, as in the poem "The Other Man is Always French," to the elegiac, as in the poem in "Civil War Pieta," to the absurd, as in the rollicking farce of the short story, "Bad Day at Ikea." Peabody's aesthetic is all-embracing—strands of punk, beat, experimental, feminist, and political protest literary influences blend with the purely romantic to create a body of work that is both profound and pleasing.
Amelia Peabody is Elizabeth Peters' most brilliant and best-loved creation, a thoroughly Victorian feminist who takes the stuffy world of archaeology by storm with her shocking men's pants and no-nonsense attitude! In this first adventure, our headstrong heroine decides to use her substantial inheritance to see the world. On her travels, she rescues a gentlewoman in distress - Evelyn Barton-Forbes - and the two become friends. The two companions continue to Egypt where they face mysteries, mummies and the redoubtable Radcliffe Emerson, an outspoken archaeologist, who doesn't need women to help him solve mysteries -- at least that's what he thinks!
Gore Vidal has been described as America's finest essayist. He is also one of America's finest sex writers. Here, 14 essays and three interviews on sex and gender, including a candid conversation with Larry Kramer.
An anthology of works by 27 women writers of the beat generation.
Sparks fly when the adult fantasy of Barbie collides with the child's fantasy in this collection of fiction and a few poems.
Insignificant Peace Corps man, sent to promote banana culture on a Caribbean island, rises to great heights of public favor despite being trapped between two conflicting factions.
Special detective Peabody and his assistant, Humbug the dog, cleverly follow the clues to solve a bank robbery.
A globetrotting, time-bending, wildly entertaining masterpiece hailed by the New York Times Book Review as "Audaciously well written...the book I was raving about to my friends before I'd even finished it." Publishers Weekly raved that "with near-universal appeal . . . Seay’s debut novel is a true delight, a big, beautiful cabinet of wonders that is by turns an ominous modern thriller, a supernatural mystery, and an enchanting historical adventure story." Set in three cities in three eras, The Mirror Thief calls to mind David Mitchell and Umberto Eco in its mix of entertainment and literary bravado. The core story is set in Venice in the sixteenth century, when the famed makers of Venetian glass were perfecting one of the old world's most wondrous inventions: the mirror. An object of glittering yet fearful fascination—was it reflecting simple reality, or something more spiritually revealing?—the Venetian mirrors were state of the art technology, and subject to industrial espionage by desirous sultans and royals world-wide. But for any of the development team to leave the island was a crime punishable by death. One man, however—a world-weary war hero with nothing to lose—has a scheme he thinks will allow him to outwit the city's terrifying enforcers of the edict, the ominous Council of Ten . . . Meanwhile, in two other Venices—Venice Beach, California, circa 1958, and the Venice casino in Las Vegas, circa today—two other schemers launch similarly dangerous plans to get away with a secret . . . All three stories will weave together into a spell-binding tour-de-force that is impossible to put down—an old-fashioned, stay-up-all-night novel that, in the end, returns the reader to a stunning conclusion in the original Venice . . . and the bedazzled sense of having read a truly original and thrilling work of art.