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HE was ten. But his clothes were forty. And it was this difference in the matter of age, and, consequently, in the matter of size, that explained why, at first sight, he did not show how thin-bodied he was, but seemed, instead, to be rather a stout little boy.
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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Excerpt from The Rich Little Poor Boy But his head was all that a boy's head should be, show ing plenty of brain room above his ears. While it was still actually - and naturally - large for his body, it looked much too large; not only because the body that did its bidding was undersized, but because his hair, bright and abundant, added to his head a striking circumference. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Eleanor Gates (26 September 1874 - 7 March 1951) was an American playwright who created seven plays that were staged on Broadway. Her best-known work was the play The Poor Little Rich Girl, which was produced by her husband in 1913 and went on to be made as films for Mary Pickford in 1917 and for Shirley Temple in 1936. Gates had worked initially as a writer for a newspaper in San Francisco, as well as writing novels. In 1907, one of her novels was illustrated by Arthur Rackham. Her best known work was the play The Poor Little Rich Girl, which was produced by her husband in 1913. At the beginning of 1915, Gates founded the Liberty Feature Film Company, which was said by Motion Picture News to be the only film company to be owned and managed by women.
When a poor orphan is found by his rich uncle, the boy's life changes dramatically.