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Quince Melville has survived his introduction to the Revolutionary War, though a limb lighter. In this second book in the trilogy, he has become a hardened warrior capable of vicious soldiering under the harshest conditions; in his continued amorous soldiering, not quite so vicious. As the war nears its conclusion, to the delight of the colonists, a new enemy emerges, crueler than the redcoats and their allies. Things will not become appreciably better. Perhaps it will in the third novel of the trilogy!
In this first of the trilogy, Quince Melville, a plucky lad, holds the post of reader in the mills that produce the cloth along the rivers of this New England. His scurrilous adventures with the ladies of the mill and others bring both pleasure and pain and further adventures. A loyalist to King George, he encounters people, places, and points of view that start to test his loyalty to old England. An adroit opportunist, his affaires d’amour stimulate his sensual proclivity as well as his politics. In this first of three volumes, we follow Quince’s transformation from bon vivant adhering to the king’s wishes to a young man guided by the likes of Franklin, Adams, and others to a brave and integral part of the impending revolution.
Long regarded as a maudlin mental state, nostalgia is everywhere and has been reimagined as a signifier of good mental health. It is no longer the bailiwick of right-wing reactionaries but a crucible of critical thinking and revolutionary intent. This book explores the revolution in nostalgia and the nostalgia in revolution.
One last mission, but this time it’s personal... In the Spring of 1920 the Mexican revolution was almost over. Just across the border in Texas was Martin Falconer, barely out of his teens yet already a veteran airman. He had only just escaped from the Russian Civil War with his three friends, Slingsby, ‘Puddy’ Pudhovkin and ‘Tommy’ Tucker, and they were all looking forward to a little peace. Martin had cabled his girlfriend Charley, who was in Mexico with her father, to come and meet him. But his hopes are shattered when they arrive in the border town of Camarillo to collect Charley, and the four airmen are caught in the middle of a battle. When the dust settles, they discover that the retreating Mexican bandits had taken Charley as a hostage. Martin tries to enlist official aid, but without success. It was up to them – and all they had to use against a desperate band of rebels were two battered aeroplanes, a broken down Avro and a de Havilland with broken wings. This will be his most challenging flight. The absolutely thrilling finale to the Martin Falconer thrillers, a tour de force of wartime storytelling, perfect for fans of Alastair MacLean, Alexander Fullerton and David Black.
The French Revolution brings to mind violent mobs, the guillotine, and Madame Defarge, but it was also a publishing revolution. Douthwaite explores how the works within this corpus announced the new shapes of literature to come and reveals that vestiges of these stories can be found in novels by the likes of Mary Shelley.
Looking at the physical environments of cities as political catalysts, Carp contends that what began as interaction, negotiation, conflict, and compromise in churches, taverns, wharves, and city streets developed into a wider political awareness and collaborative political action.
In this episode our anti-anti-heroes are again messing with powers and circumstances that are out of their control. Neither of them and their minions are ever prepared for the intrigue and danger they encounter. But the oddity of their cases has begun to identify them. They can either run away and continue their careers with mundane assignments that neither pay the bills nor fulfill their thirsts for misadventure. Wait till you get a load of the ensuing episodes! The second adventure involving Denise Delgardo and her misanthropes defies the usual private-investigator tale. As all her assignments begin, she’s following a spouse suspected of infidelity. And as all her assignments soon morph, she’s up to her symbolic and literal neck in danger unimagined vis a vis time travel to a very scary time.
This book investigates how the sexual element in Shakespeare's works is complicated and compromised by the impact of print. Whether the issue is one of censorship and evasion or sexual redefinition, the fact that Shakespeare wrote in the first century of popular print is crucial. Out of the newly-accessible classical canon he creates a reconstituted idea of the sexual temptress; and out of the Counter-Reformation propaganda he fashions his own complex thinking about the prostitute. Shakespeare's theatrical scripts, meeting-ground fro the spoken and written word, contribute powerfully to those socio-sexual debates which had been re-energized by print.