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"A dynamic and clarifying volume chock-full of fresh and informative commentary...and an exciting array of knock-out poems." —Booklist Starred Review "Accompanied by a terrific CD that showcases the great variety of styles performance poetry embraces, from the purest of recitations to seductive musical presentations, this dynamic anthology embodies the thrilling and mutually beneficial rapprochement between the traditionalists and the slammers, something that seemed about as likely 10 years ago as that proverbial cold day in hell." —Chicago Tribune The Spoken Word Revolution brings to life the written and performed works of more than 40 of the most influential slam, hip hop, performance art and contemporary poets in the world today. This defining collection of spoken word poetry captures today's electrifying words and voices, in text and immediately live on one audio CD.
This book is a social and political history of the struggle for literacy in rural China from 1949 until 1994. It aims to show how China's revolutionary leaders conceived and promoted literacy in the countryside and how villagers made use of the literacy education and schools they were offered. Rather than focusing narrowly on educational issues alone, Peterson examines the larger significance of P.R.C. literacy efforts by situating the literacy movement within the broad context of major themes and issues in the social and political history of post-1949 China. Following the recent trend toward regional and local history, this book focuses on the linguistically diverse, socially complex, and politically awkward southeastern coastal province of Guangdong. As well, Peterson conducted interviews with local officials and teachers in several Guangdong counties in 1988 and 1989.
Why you need a writing revolution in your classroom and how to lead it The Writing Revolution (TWR) provides a clear method of instruction that you can use no matter what subject or grade level you teach. The model, also known as The Hochman Method, has demonstrated, over and over, that it can turn weak writers into strong communicators by focusing on specific techniques that match their needs and by providing them with targeted feedback. Insurmountable as the challenges faced by many students may seem, The Writing Revolution can make a dramatic difference. And the method does more than improve writing skills. It also helps: Boost reading comprehension Improve organizational and study skills Enhance speaking abilities Develop analytical capabilities The Writing Revolution is as much a method of teaching content as it is a method of teaching writing. There's no separate writing block and no separate writing curriculum. Instead, teachers of all subjects adapt the TWR strategies and activities to their current curriculum and weave them into their content instruction. But perhaps what's most revolutionary about the TWR method is that it takes the mystery out of learning to write well. It breaks the writing process down into manageable chunks and then has students practice the chunks they need, repeatedly, while also learning content.
From the author of the Inspector Montalbano series comes the remarkable account of an exceptional woman who rises to power in 17th century Sicily and brings about sweeping changes that threaten the iron-fisted patriarchy, before being cast out in a coup after only 27 days. Sicily, April 16 1677. From his deathbed, Charles III's viceroy, Anielo de Guzm n y Carafa, marquis of Castle Rodrigo, names his wife, Do a Eleonora, as his successor. Eleonora de Moura is a highly intelligent and capable woman who immediately applies her political acumen to heal the scarred soul of Palermo, a city afflicted by poverty, misery, and the frequent uprisings they entail. The Marquise implements measures that include lowering the price of bread, reducing taxes for large families, re-opening women's care facilities, and establishing stipends for young couples wishing to marry--all measures that were considered seditious by the conservative city fathers and by the Church. The machinations of powerful men soon result in Do a Eleonora, whom the Church sees as a dangerous revolutionary, being recalled to Spain. Her rule lasted 27 days--one cycle of the moon. Based on a true story, Camilleri's gripping and richly imagined novel tells the story of a woman whose courage and political vision is tested at every step by misogyny and reactionary conservatism.
As the tricolor rose over revolutionary France, language, with its ability to define ideals and allegiances, was both a threat to authority and weapon to be wielded. In the early years of the Republic, the Académie Française, the royal body responsible for the French language, was suppressed by the National Convention at the urging of the Abbé Grégoire and the artist Jacques-Louis David. However, by 1795, the National Convention recognized that language could be used to its advantage, leading it to commission a fifth edition of the Dictionnaire de l'Académie française, which would unquestionably become the most controversial edition in the Académie's history. The National Convention expected this dictionary to champion the ideals of Revolution and Republic, but when it appeared three years later it did quite the opposite. Instead, the fifth edition virtually ignored the Revolution and the linguistic innovations that had transformed the French language, even omitting two of the most famous and enduring neologisms spawned by the Revolution--ancien régime and Terror. Present-tense definitions of abolished institutions and anachronistic values dominated the work and the Revolution was consigned to a brief and hastily-prepared supplement at the end of the second volume. Because of its failure to capture the current state of the French language, most contemporaries judged it harshly, and its deficiencies led the Parisian publisher Nicolas Moutardier to publish a competing dictionary in 1802. The dictionary became the focus of protracted litigation that Napoleon Bonaparte's government increasingly used to assert its control over language. Indeed, Bonaparte met personally with the commission of the Institut National (the republican successor to the Académie) and made clear his desire that the new edition not contain revolutionary neologisms. Eager to see the new edition appear, the Bonapartist regime committed financial resources and established a timetable for its completion within five years. However, it was only in 1835, after the fall of Bonaparte and the Bourbons, that the sixth edition would appear. Although the Académie was one of the most prominent institutions under the Old Regime, scholarship on the Académie remains largely neglected. Drawing on previously untapped sources in the Archives de l'Institut and Archives Nationales, The Place of Words is the first book-length study of the controversial fifth edition of the Dictionnaire de l'Académie française. Spanning more than half a century of changing regimes, this study provides unique insight into the ways in which each government, from the publication of the fourth edition in 1762 to the sixth in 1835, viewed the role of language as an instrument of control.
In the 1789 Declaration of the Rights of Man and of the Citizen, French revolutionaries proclaimed the freedom of speech, religion, and opinion. Censorship was abolished, and France appeared to be on a path towards tolerance, pluralism, and civil liberties. A mere four years later, the country descended into a period of political terror, as thousands were arrested, tried, and executed for crimes of expression and opinion. In Policing Public Opinion in the French Revolution, Charles Walton traces the origins of this reversal back to the Old Regime. He shows that while early advocates of press freedom sought to abolish pre-publication censorship, the majority still firmly believed injurious speech--or calumny--constituted a crime, even treason if it undermined the honor of sovereign authority or sacred collective values, such as religion and civic spirit. With the collapse of institutions responsible for regulating honor and morality in 1789, calumny proliferated, as did obsessions with it. Drawing on wide-ranging sources, from National Assembly debates to local police archives, Walton shows how struggles to set legal and moral limits on free speech led to the radicalization of politics, and eventually to the brutal liquidation of "calumniators" and fanatical efforts to rebuild society's moral foundation during the Terror of 1793-1794. With its emphasis on how revolutionaries drew upon cultural and political legacies of the Old Regime, this study sheds new light on the origins of the Terror and the French Revolution, as well as the history of free expression.
What is the relationship between the ideas of the Enlightenment and the culture and ideology of the French Revolution? This book takes up that classic question by concentrating on changing conceptions of language and, especially, signs during the second half of the eighteenth century. The author traces, first, the emergence of a new interest in the possibility of gestural communication within the philosophy, theater, and pedagogy of the last decades of the Old Regime. She then explores the varied uses and significance of a variety of semiotic experiments, including the development of a sign language for the deaf, within the language politics of the Revolution. A Revolution in Language shows not only that many key revolutionary thinkers were unusually preoccupied by questions of language, but also that prevailing assumptions about words and other signs profoundly shaped revolutionaries' efforts to imagine and to institute an ideal polity between 1789 and the start of the new century. This book reveals the links between Enlightenment epistemology and the development of modern French political culture.
The French Revolution, in less than four years, irrevocably changed the world. And noted historian and biographer Oliver Bernier gives us detailed portraits of the personalities involved, including Marat, Robespierre, Talleyrand, Mirabeau and France's once proud monarchs Louis XVI and Marie Antoinette.