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A journal dealing with financial, economic and shipping affairs.
Dr. Peterson's book is the first, in English or Spanish, to encompass the entire sweep of Argentine-American relations from the time of Argentina's revolt against Spain in 1810 to the close of its 150th year of independence. Through comprehensive analysis and narrative, this study illuminates one of the most enigmatic areas of Western Hemisphere relationships. From what would seem to be a bewildering array of incidents, Professor Peterson isolates the basic undercurrents which mold Argentine policies. Internally, Argentina's path to stability is shown to be marred by developing social stratification and conflict, economic mismanagement, and the deep uncertainty of shifts from dictatorship to democracy. Internationally, the germs of discord with the United States are found in nationalism, anticolonialism, desire for hemispheric leadership, and economic competition. Discussed, too, are the fascinating, crucial weaknesses and errors of human leadership in both countries. Argentina and the United States 1810-1960 makes an important contribution to an understanding of current, as well as historical, affairs: it greatly helps to explain why in the twentieth century the government and people of the United States frequently face an "Argentine problem."
With his stunning debut novel, She's Come Undone, Wally Lamb won the adulation of critics and readers with his mesmerizing tale of one woman's painful yet triumphant journey of self-discovery. Now, this brilliantly talented writer returns with I Know This Much Is True, a heartbreaking and poignant multigenerational saga of the reproductive bonds of destruction and the powerful force of forgiveness. A masterpiece that breathtakingly tells a story of alienation and connection, power and abuse, devastation and renewal--this novel is a contemporary retelling of an ancient Hindu myth. A proud king must confront his demons to achieve salvation. Change yourself, the myth instructs, and you will inhabit a renovated world. When you're the same brother of a schizophrenic identical twin, the tricky thing about saving yourself is the blood it leaves on your bands--the little inconvenience of the look-alike corpse at your feet. And if you're into both survival of the fittest and being your brother's keeper--if you've promised your dying mother--then say so long to sleep and hello to the middle of the night. Grab a book or a beer. Get used to Letterman's gap-toothed smile of the absurd, or the view of the bedroom ceiling, or the influence of random selection. Take it from a godless insomniac. Take it from the uncrazy twin--the guy who beat the biochemical rap. Dominick Birdsey's entire life has been compromised and constricted by anger and fear, by the paranoid schizophrenic twin brother he both deeply loves and resents, and by the past they shared with their adoptive father, Ray, a spit-and-polish ex-Navy man (the five-foot-six-inch sleeping giant who snoozed upstairs weekdays in the spare room and built submarines at night), and their long-suffering mother, Concettina, a timid woman with a harelip that made her shy and self-conscious: She holds a loose fist to her face to cover her defective mouth--her perpetual apology to the world for a birth defect over which she'd had no control. Born in the waning moments of 1949 and the opening minutes of 1950, the twins are physical mirror images who grow into separate yet connected entities: the seemingly strong and protective yet fearful Dominick, his mother's watchful "monkey"; and the seemingly weak and sweet yet noble Thomas, his mother's gentle "bunny." From childhood, Dominick fights for both separation and wholeness--and ultimately self-protection--in a house of fear dominated by Ray, a bully who abuses his power over these stepsons whose biological father is a mystery. I was still afraid of his anger but saw how he punished weakness--pounced on it. Out of self-preservation I hid my fear, Dominick confesses. As for Thomas, he just never knew how to play defense. He just didn't get it. But Dominick's talent for survival comes at an enormous cost, including the breakup of his marriage to the warm, beautiful Dessa, whom he still loves. And it will be put to the ultimate test when Thomas, a Bible-spouting zealot, commits an unthinkable act that threatens the tenuous balance of both his and Dominick's lives. To save himself, Dominick must confront not only the pain of his past but the dark secrets he has locked deep within himself, and the sins of his ancestors--a quest that will lead him beyond the confines of his blue-collar New England town to the volcanic foothills of Sicily 's Mount Etna, where his ambitious and vengefully proud grandfather and a namesake Domenico Tempesta, the sostegno del famiglia, was born. Each of the stories Ma told us about Papa reinforced the message that he was the boss, that he ruled the roost, that what he said went. Searching for answers, Dominick turns to the whispers of the dead, to the pages of his grandfather's handwritten memoir, The History of Domenico Onofrio Tempesta, a Great Man from Humble Beginnings. Rendered with touches of magic realism, Domenico's fablelike tale--in which monkeys enchant and religious statues weep--becomes the old man's confession--an unwitting legacy of contrition that reveals the truth's of Domenico's life, Dominick learns that power, wrongly used, defeats the oppressor as well as the oppressed, and now, picking through the humble shards of his deconstructed life, he will search for the courage and love to forgive, to expiate his and his ancestors' transgressions, and finally to rebuild himself beyond the haunted shadow of his twin. Set against the vivid panoply of twentieth-century America and filled with richly drawn, memorable characters, this deeply moving and thoroughly satisfying novel brings to light humanity's deepest needs and fears, our aloneness, our desire for love and acceptance, our struggle to survive at all costs. Joyous, mystical, and exquisitely written, I Know This Much Is True is an extraordinary reading experience that will leave no reader untouched.
In The Argentine Right: Its History and Intellectual Origins scholars of Argentine and Latin American history chart the growth of the Right from its roots in 19th-century European political theory through to the collapse of the conservative government in the 1980s. The contributors describe the Right's development, uneasy alliance with Peronists, years of triumph and subsequent retreat to opposition status.
Brazil's victory in the 1994 World Cup is the latest chapter in an extensive history of the world's most popular game in South America. In this engaging account, Tony Mason reviews the place of football in Argentina, Brazil and Uruguay. Mason opens with soccer's rise at the turn of the century amidst the exploding urbanization of Buenos Aires, Montevideo, Rio de Janeiro and Sao Paulo. He demonstrates that, from its beginnings, the game had wide popular appeal and examines the role of British commercial and military interests as well as that of newcomers from Italy, Spain and Portugal. From the moment when Uruguay won the Olyimpic football tournament in 1924 to Argentina's bizarre appearance in the World Cup final of 1990, international success on the pitch brought with it prestige and influence abroad. At home, Mason shows how dictators used football to ensure political passivity. He concludes by asking if the attention focused on football in Latin America today is exaggerated or whether the game truly is the 'passion of the people'.