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The Review's aesthetic focus has been called many things--postmodern, experimental, avant-garde, metafictional, subversive--but in bringing this aesthetic to a wider audience it also seeks to expose the artificial barriers that exist between and within cultures. To this end, The Review has a special affinity for the works of foreign writers who may otherwise go unread in the United States, as well as American writers whose work has gone unchampioned in their own country. An extensive book review section also covers recent works of innovative writing. Above all, The Review of Contemporary Fiction attempts to expand readers' notions of what fiction is and what it can do.
The Review of Contemporary Fiction is a tri-quarterly journal that features critical essays on fiction writers whose work resists convention and easy categorization.
A compressed, visceral novel about exile, dislocation, and the emotional minefields between mothers and daughters.
Nathan Arkwright is a famous science fiction writer who is convinced that humanity cannot survive on Earth. His Arkwright Foundation dedicates itself to creating a colony in deep space. Fueled by Nathan's legacy, generations of Arkwrights are drawn together, and pulled apart, by the enormity of the task and weight of their name.
SHORTLISTED FOR THE BOLLINGER EVERYMAN WODEHOUSE PRIZE A wry, provocative and very funny debut novel about identity, authenticity and the self in the age of the internet ‘I loved it’ Zadie Smith ‘Brilliant, very funny’ Guardian ‘Prepare to feel very seen’ I-D
ONE OF THE YEAR'S BEST BOOKS The Wall Street Journal • Slate • Kansas City Star • Flavorwire • Policy Mic • Buzzfeed “Necessary Errors is a very good novel, an enviably good one, and to read it is to relive all the anxieties and illusions and grand projects of one’s own youth.”—James Wood, The New Yorker The exquisite debut novel by the author of Overthrow that brilliantly captures the lives and romances of young expatriates in newly democratic Prague It’s October 1990. Jacob Putnam is young and full of ideas. He’s arrived a year too late to witness Czechoslovakia’s revolution, but he still hopes to find its spirit, somehow. He discovers a country at a crossroads between communism and capitalism, and a picturesque city overflowing with a vibrant, searching sense of possibility. As the men and women Jacob meets begin to fall in love with one another, no one turns out to be quite the same as the idea Jacob has of them—including Jacob himself. Necessary Errors is the long-awaited first novel from literary critic and journalist Caleb Crain. Shimmering and expansive, Crain’s prose richly captures the turbulent feelings and discoveries of youth as it stretches toward adulthood—the chance encounters that grow into lasting, unforgettable experiences and the surprises of our first ventures into a foreign world—and the treasure of living in Prague during an era of historic change.
Why do Americans read contemporary fiction? This question seems simple, but is it? Do Americans read for the purpose of aesthetic appreciation? To satisfy their own insatiable intellectual curiosities? While other forms of media have come to monopolize consumers’ leisure time, in the past two decades book clubs have proliferated, Amazon has sponsored thriving online discussions, Oprah Winfrey has inspired millions of viewers to read both contemporary works and classics, and novels have retained their devoted following within middlebrow communities. In Reading as Therapy, Timothy Aubry argues that contemporary fiction serves primarily as a therapeutic tool for lonely, dissatisfied middle-class American readers, one that validates their own private dysfunctions while supporting elusive communities of strangers unified by shared feelings. Aubry persuasively makes the case that contemporary literature’s persistent appeal depends upon its capacity to perform a therapeutic function. Aubry traces the growth and proliferation of psychological concepts focused on the subjective interior within mainstream, middle-class society and the impact this has had on contemporary fiction. The prevailing tendency among academic critics has been to decry the personal emphasis of contemporary fiction as complicit with the rise of a narcissistic culture, the ascendency of liberal individualism, and the breakdown of public life. Reading as Therapy, by contrast, underscores the varied ideological effects that therapeutic culture can foster. To uncover the many unpredictable ways in which contemporary literature answers the psychological needs of its readers, Aubry considers several different venues of reader-response—including Oprah’s Book Club and Amazon customer reviews—the promotional strategies of publishing houses, and a variety of contemporary texts, ranging from Khaled Hosseini’s The Kite Runner to Anita Shreve’s The Pilot’s Wife to David Foster Wallace’s Infinite Jest. He concludes that, in the face of an atomistic social landscape, contemporary fiction gives readers a therapeutic vocabulary that both reinforces the private sphere and creates surprising forms of sympathy and solidarity among strangers.
Contemporary British and American fiction is defined by financial markets' power over the global publishing industry and the global economy.
"A compelling, well-voiced look at how teenagers deal with tragedy." -- School Library Journal "Powerfully crafted and captivating." --Midwest Book Review From the author of We Speak in Storms comes a compelling mystery about three friends searching for the truth in the aftermath of a plane crash. The morning after their senior year beach party, Izzy, Cass, and Janie are woken by a thundering overhead. Then they and their classmates watch in shock as a plane crashes into the water. When the passengers are finally recovered, they are identified as Izzy's twin brother, Israel, Cass's ex-boyfriend, Shane, and Janie's best friend, Nate. But Izzy can feel when her brother is in pain, and she knows he's not really dead. So she, Cass, and Janie set out to discover what actually happened that day--and why the boys were on the plane. Told in alternating timelines and points of view, this powerful and captivating novel follows the three boys in the weeks leading up to that fateful flight, and the girls they left behind as they try to piece together the truth about the boys they loved and thought they knew. A spellbinding story about the ripple effects of tragedy, the questions we leave unanswered, and the enduring power of friendship. Praise for The Sky Above Us: "Achingly human with hints of magic, this tale of loss in its many forms builds a compelling mystery." --Booklist "Lund proves adept at smoothly navigating a complicated plot, building and holding suspense, and creating easily relatable, multidimensional characters." --Publishers Weekly "A bruising look at loss from many angles." --BCCB "A deftly written and simply spellbinding story about the ripple effects of tragedy, the questions we leave unanswered, and the enduring power of friendship." --Midwest Book Review
TV series starring Ella Purnell now on Sky Atlantic! The last person who called me ‘Sweetpea’ ended up dead...