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Welcome to a world of intrigue of the most intriguing kind, where emperors and popes desperately vie for power, even as their subjects and servants engage in behind-the-scenes machinations of their own. The Holy Roman Empire circa 1200 A.D. Impoverished young knight Willem of Dole believed he would spend his life in rural Burgundy, struggling to provide for his widowed mother and younger sister, Lienor. And so it's with surprise—and apprehension—that he obeys a summons to the magnificent court of Konrad, Holy Roman Emperor, whose realm spans half of Europe. Willem's mischievous friend Jouglet, Konrad's favorite minstrel, is no doubt behind it somehow . . . but what's in it for Jouglet? Court life is overwhelming to the idealistic young Willem, who is shocked by the behavior of his fellow knights, for whom chivalry is a mere game. Yet under Jouglet's witty, relentless tutelage, the naïve knight quickly rises in Emperor Konrad's esteem—until suddenly his sister, Lienor, becomes a prospect for the role of Empress. This unexpected elevation of the sibling "nobodies" delights Jouglet, but threatens three powerful—and dangerous—men at the court: the Emperor's brother, Cardinal Paul, who has in mind a different bride for Konrad; the Emperor's uncle, Alphonse, Count of Burgundy, who would keep secret certain things that only Willem can reveal; and most especially the Emperor's own steward Marcus, who is hopelessly in love with Konrad's cousin Imogen. For if Willem's star keeps rising, Imogen will be betrothed to the knight by royal decree—and Willem's star will surely continue to rise, unless Marcus figures out a way to stop it. But that would entail outscheming clever Jouglet, ablest of schemers. Gossip, secrets, and lies are the fuel of daily life in Konrad's court. As Konrad edges closer to proclaiming Lienor his bride, those around Willem play a perilous game of cat-and-mouse as they attempt to secure their own fortunes, knowing that even the slightest move can shift the playing field entirely. And through it all, Jouglet remains Willem's most maddening yet staunchest ally. But what, really, does Jouglet stand to gain . . . or lose? Transporting the reader to the brilliant, conniving heart of the largest empire of medieval Europe, Revenge of the Rose is a novel rich in irony and tongue-in-cheek wit, and reveals all the grit and color, politics and passion, of court life in the Holy Roman Empire.
Prolific, popular and critically acclaimed, Michael Moorcock is the most important British fantasy author of his generation. His Elric of Melnibone is an iconic figure for millions of fans but Moorcock has also been a pioneer in science fiction and historical fiction. He was hailed as the central figure of the "New Wave" in science fiction, and has won numerous awards for his fantasy and SF, as well as his "mainstream" writing. This first full-length critical look at Moorcock's career, from the early 1960s to the present, explores the author's fictional multiverse: his fantasy tales of the "Eternal Champion"; his experimental Jerry Cornelius novels; the hilarious science-fiction satire of his "End of Time" books; and his complex meditations on 20th century history in Mother London and the Colonel Pyat tetralogy.
Foreword by Tad Williams Feared by enemies and friends alike, Elric of Melniboné walks a lonely path among the worlds of the Multiverse. The destroyer of his cruel and ancient race, as well as its final ruler, Elric is the bearer of a destiny as dark and cursed as the vampiric sword he carries—the sentient black blade known as Stormbringer. Del Rey is proud to present the sixth and concluding installment of its definitive omnibus editions featuring fantasy Grand Master Michael Moorcock’s most famous—or infamous—creation. Here is the full text of the novel The Revenge of the Rose, a screenplay for the novel Stormbringer, the novella Black Petals, the conclusion to Moorcock’s influential “Aspects of Fantasy” essay series and other nonfiction, and an indispensable reader’s guide by John Davey. Sumptuously illustrated by John Picacio, with a Foreword by Tad Williams, Elric: Swords and Roses is a fitting tribute to the most unique fantasy hero of all time.
Emily is the newest recruit to an elite, highly secret, unit formed to target enemies of the realm. It started with Ray Quinn, ex SAS and now retired and now Frank holds the reins. His daughter Emily, already a proven operative, has to investigate multiple murder, arms smuggling and other mysteries. She has a gift; a special gift. She doesn't think in straight lines. But she's not a team player and that causes problems. She also has a terrible illness and has to cope with its effects. To cap it all, she falls in love with Books. He has become a member of the team and their relationship blossoms in the face of adversity.
Readers, prepare to be captivated! (Dr. Nelson Price, Pastor Emeritus, Roswell Street Baptist Church, Marietta, Georgia) You cant put this book down. (Corbin Wyant, Retired Publisher, Naples Daily News) After a painful five-year separation, Jude and Cory joyfully reconcile but, as in earlier years, are pitted against the brilliant and evil Abe Badoane. More intelligent than Hannibal Lecter and even more scheming, Badoane plots again to destroy the lovers. Beleaguered by their own psychic devastation and past traumas, they battle both Abes chicanery and the carnal stoogeslike macho strongman Duke Manninghamwhom Abe manipulates to do his bidding. Though intelligent and spiritual, Jude and Cory face impossible odds, which they learn, through their fire-tested faith, can only be defeated sovereignly. Two sub-plots inform the fast-paced storyline: the events in Jude and Corys lives mirror the uncanny and recurring rose vision which wise Old Mary dreams across decades; and the characters and even the plotline events correlate to the great Shakespearean tragedy, Hamlet. That correspondence, hinted at in The Rose and the Serpent, becomes a full blown, point-by-point, remarkably intricate intermeshing by the novels sequel, The Pittsburgh Hamlet. No one stands a chance against Hannibal Lecter, but never has his equal, Abe Badoane, faced Spirit-filled lovers who, despite miserable failings and horror-filled adversity, wage epic battle in this highly dramatic, suspense-filled, gripping story of love. Who will win this titanic clash of good vs. evil?
“You want to be free,” Theo told her. “But you don’t even allow yourself to dream of it, even with small things, like singing a song.” A new wave of anger, both at him and at herself, washed over her. “If I am free, I am free to refuse,” she muttered. “It’s not a matter of freedom, but fear.” “I am not afraid!” “Aren’t you?” Theo asked quietly. “No.” Rose waited to hear Theo argue with her. But he said nothing. In order to defeat the sorceress Magdalina, and free herself from her curse, Rose, the Princess of Rhone, has set out to find dragon’s blood. As she travels toward the Romani territory, where the Serpent’s Garden resides, she is accompanied by her faithful group of friends, including their newest member, Prince Philip of Einish. But when the group ends up shipwrecked on the small island of Maltia, they find themselves trapped without supplies and a way off the island. With time, money, and new enemies working against them, Rose remains determined despite her despair to rise to each challenge. But can she face the growing fear—and longing—inside herself? Sweet, suspenseful, and full of surprises, Beauty’s Quest is the second book in the Once Upon a Princess saga from C. S. Johnson. Enjoy Part II of this historical fantasy retelling of the Sleeping Beauty fairy tale!
Invest your time in reading the true masterpieces of world literature, the greatest works by the masters of their craft, the revolutionary works, the timeless classics and the eternally moving storylines every person should experience in their lifetime: Leaves of Grass (Walt Whitman) Siddhartha (Herman Hesse) Middlemarch (George Eliot) The Madman: His Parables and Poems (Kahlil Gibran) Ward No. 6 (Anton Chekhov) Moby-Dick (Herman Melville) The Picture of Dorian Gray (Oscar Wilde) Crime and Punishment (Fyodor Dostoevsky) The Overcoat (Gogol) Ulysses (James Joyce) Walden (Henry David Thoreau) Hamlet (Shakespeare) Romeo and Juliet (Shakespeare) Macbeth (Shakespeare) The Waste Land (T. S. Eliot) Odes (John Keats) The Flowers of Evil (Charles Baudelaire) Ivanhoe (Sir Walter Scott) Robinson Crusoe (Daniel Defoe) Little Women (Louisa May Alcott) Pride and Prejudice (Jane Austen) Emma (Jane Austen) Jane Eyre (Charlotte Brontë) Wuthering Heights (Emily Brontë) Lorna Doone (R.D. Blackmore) The Lady of the Camellias (Alexandre Dumas) Anna Karenina (Leo Tolstoy) Vanity Fair (Thackeray) Dangerous Liaisons (De Laclos) The Mill on the Floss (George Eliot) Dona Perfecta (Benito Pérez Galdós) Swann's Way (Marcel Proust) Sons and Lovers (D. H. Lawrence) David Copperfield (Charles Dickens) Great Expectations (Charles Dickens) Jude the Obscure (Thomas Hardy) The Wings of the Dove (Henry James) The History of a Scoundrel or Bel-Ami (Guy de Maupassant) Two Years in the Forbidden City (Princess Der Ling) Les Misérables (Victor Hugo) The Count of Monte Cristo (Alexandre Dumas) Pepita Jimenez (Juan Valera) The Way We Live Now (Anthony Trollope) The Red Badge of Courage (Stephen Crane) A Room with a View (E. M. Forster) Sister Carrie (Theodore Dreiser) The Blazing World (Margaret Cavendish) The Jungle (Upton Sinclair) The Republic (Plato) The Golden Ass (Apuleius) Meditations (Marcus Aurelius) Art of War (Sun Tzu) Candide (Voltaire) Don Quixote (Miguel de Cervantes) Decameron (Giovanni Boccaccio) Narrative of the Life of Frederick Douglass (Frederick Douglass) Dream Psychology (Sigmund Freud) The Einstein Theory of Relativity by H. A. Lorentz The Science of Being Well (Wallace D. Wattles) As a Man Thinketh (James Allen) The Mysterious Affair at Styles (Agatha Christie) A Study in Scarlet (Arthur Conan Doyle) The Sign of Four (Arthur Conan Doyle) Heart of Darkness (Joseph Conrad) The Call of Cthulhu (H. P. Lovecraft) The Legend of Sleepy Hollow (Washington Irving) Frankenstein (Mary Shelley) The War of the Worlds (H. G. Wells) The Raven (Edgar Allan Poe) The Black Cat (Edgar Allan Poe) The Sun Also Rises (Ernest Hemingway) The Wonderful Wizard of Oz (L. Frank Baum) Treasure Island (Robert Louis Stevenson) The Wonderful Adventures of Nils Holgersson (Selma Lagerlöf) The Adventures of Tom Sawyer & Huckleberry Finn (Mark Twain) The Call of the Wild (Jack London) White Fang (Jack London) Journey to the Centre of the Earth (Jules Verne) Alice in Wonderland (Lewis Carroll) The Secret Garden (Frances Hodgson Burnett) A Little Princess (Frances Hodgson Burnett) The Jungle Book (Rudyard Kipling) Tarzan of the Apes (Edgar Rice Burroughs) The Complete Fairytales of Brothers Grimm The Complete Fairytales of Hans Christian Andersen Pygmalion (George Bernard Shaw) Botchan (Soseki Natsume) The Sorrows of Young Werther (Johann Wolfgang von Goethe)