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This lively, intricately plotted, laugh-out-loud funny, and surprisingly touching family drama combines the wit of Carl Hiaasen with the southern charm of Jill McCorkle. Seventy-seven-year-old Marylou Ahearn is going to kill Dr. Wilson Spriggs come hell or high water. In 1953, he gave her a radioactive cocktail without her consent as part of a secret government study that had horrible consequences. Marylou has been plotting her revenge for fifty years. When she accidentally discovers his whereabouts in Florida, her plans finally snap into action. She high tails it to hot and humid Tallahassee, moves in down the block from where a now senile Spriggs lives with his daughter’s family, and begins the tricky work of insinuating herself into their lives. But she has no idea what a nest of yellow jackets she is stum­bling into. Before the novel is through, someone will be kidnapped, an unlikely couple will get engaged, someone will nearly die from eating a pineapple upside-down cake laced with anti-freeze, and that’s not all . . . Told from the varied perspectives of an incredible cast of endearing oddball characters and written with the flair of a native Floridian, this dark comedy does not disappoint.
A Chicago Tribune Best Book of the Year Marylou Ahearn is going to kill Dr. Wilson Spriggs. In 1953, the good doctor gave her a radioactive cocktail without her consent, and Marylou has been plotting her revenge ever since. When she discovers his whereabouts in Florida, she hightails it to Tallahassee, moves in down the block from where he resides with his daughter, Caroline, and begins the tricky work of insinuating herself into his life. But she has no idea what a nest of yellow jackets she’s stumbled into. Spriggs is senile, his daughter’s on the verge of collapse, and his grandchildren are a mess of oddballs, leaving Marylou wondering whether she’s really meant to ruin their lives … or fix them.
When thirty-five-year-old France’s father calls to say that her mother, Grendy, has run off, France suspects foul play and heads south to investigate. Recently reunited with fellow former “mermaids” from Mermaid Springs, FL—one of the Sunshine State’s premier, pre-Disney attractions—Grendy had successfully revived her career in kitschy underwater pageants. But if she doesn’t find herself or let herself be found soon, she’ll miss the big Labor Day show. While the other fin-toting “merhags” regale France with stories of old—particularly the night Elvis came to town—they’re suspiciously tight-lipped about Grendy’s disappearance. Increasingly convinced that Grendy is in trouble—and that a psychic cat might hold the clue—she makes a series of unexpected, extraordinary discoveries about Mermaid Springs, her mother, and, in turn, herself.
With the stories in her first collection, Elizabeth Stuckey-French establishes herself as a smart new voice in American fiction and stakes her claim to a territory somewhere on the edge of stability, where normal is not just boring but nearly impossible, and where standing out in a crowd may just cause isolation. Her characters, mostly Midwesterners, are bizarre but endearing. A reform school graduate is placed in the care of her psychic aunt and in the servitude of a lucrative dog retrieval scheme. A mother who has accepted her son’s modest employment selling blue jeans bemoans the above-board lifestyle she discovers him leading as a wanted criminal. A rehab counselor lives vicariously through her already pregnant stepdaughter’s love affair with a drunk who spends his days in recovery and his nights in the bar. Full of wry wit, tender sympathy, and heartland attitude, The First Paper Girl in Red Oak, Iowa is as strange, funny, and poignant as the real world it resembles.
While reluctantly accompanying her husband and daughter to freshman orientation at Indiana University, Nora Quillen hears someone call her name, a name she has not heard in more than 25 years. Not even her husband knows that back in the ‘60s she was Jane Barth, a student deeply involved in the antiwar movement. An American Tune moves back and forth in time, telling the story of Jane, a girl from a working-class family who fled town after she was complicit in a deadly bombing, and Nora, the woman she became, a wife and mother living a quiet life in northern Michigan. An achingly poignant account of a family crushed under the weight of suppressed truths, An American Tune illuminates the irrevocability of our choices and how those choices come to compose the tune of our lives.
A rollicking debut book of essays that takes readers on a trip through the muck of American myths that have settled in the desert of our country’s underbelly Early on July 16, 1945, Joshua Wheeler’s great grandfather awoke to a flash, and then a long rumble: the world’s first atomic blast filled the horizon north of his ranch in Alamogordo, New Mexico. Out on the range, the cattle had been bleached white by the fallout. Acid West, Wheeler’s stunning debut collection of essays, is full of these mutated cows: vestiges of the Old West that have been transformed, suddenly and irrevocably, by innovation. Traversing the New Mexico landscape his family has called home for seven generations, Wheeler excavates and reexamines these oddities, assembling a cabinet of narrative curiosities: a man who steps from the stratosphere and free-falls to the desert; a treasure hunt for buried Atari video games; a village plagued by the legacy of atomic testing; a showdown between Billy the Kid and the author of Ben-Hur; a UFO festival during the paranoid Summer of Snowden. The radical evolution of American identity, from cowboys to drone warriors to space explorers, is a story rooted in southern New Mexico. Acid West illuminates this history, clawing at the bounds of genre to reveal a place that is, for better or worse, home. By turns intimate, absurd, and frightening, Acid West is an enlightening deep-dive into a prophetic desert at the bottom of America.
An NAACP Image Award Finalist An ALA/YALSA Alex Award Nominee AnnMarie is growing up fast. After years of living in foster homes and homeless shelters, the twelve-year-old girl can take care of herself and her ailing mother. At thirteen, she's competing with other girls for the attention of older boys in the hip hop and rap scene of Far Rockaway. At fourteen, she is in love and pregnant, but dreaming big. Taking a chance, she auditions for an independent film and—astonishingly—lands a lead role. As she tries to raise her baby girl and make sense of her relationship with her baby's father, her work on the movie offers AnnMarie a doorway to a wider world—Brooklyn, Manhattan, and the Sundance Film Festival. With cinematic pacing and a vibrant voice, filmmaker Hannah Weyer’s unforgettable debut novel is a portrait of a tough, determined teenage girl striving to find the life she wants and the love she deserves.
The Invention of Hugo Cabret meets True Grit in this heartfelt novel of resilience, hope, and discovering a family where you least expect it, from award-winning author Robert Sharenow. At the dawn of the twentieth century, thousands of immigrants are arriving in the promised land of New York City. Twelve-year-old Sarah has always dreamed of America, a land of freedom and possibility. In her small village she stares at a postcard of the Statue of Liberty and imagines the Lady beckoning to her. When Sarah and her mother finally journey across the Atlantic, though, tragedy strikes—and Sarah finds herself being sent back before she even sets foot in the country. Yet just as Sarah is ushered onto the boat that will send her away from the land of her dreams, she makes a life-or-death decision. She daringly jumps off the back of the boat and swims as hard as she can toward the Lady's island and a new life. Her leap of faith leads her to an unbelievable hiding place: the Statue of Liberty itself. Now Sarah must find a way to Manhattan while avoiding the night watchman and scavenging enough food to survive. When a surprising ally helps bring her to the city, Sarah finds herself facing new dangers and a life on her own. Will she ever find a true home in America?
"In Naked Summer, Andrew Scott brilliantly conjures up my home state of Indiana, that in-between, mixed-up blend of farmland, suburbia, isolated towns and would be cities stuck in the flyover, but he accomplishes much more than this. His stunning collection of stories also deftly captures those in-between states that everyone finds themselves in at some point-those times of limbo when we're between jobs or relationships, or, most memorably, that last "naked summer" when childhood lingers and adulthood has not yet arrived. This is a heart-wrenching collection, at once hilarious and wise. I couldn't put it down." -Elizabeth Stuckey-French, author of The Revenge of the Radioactive Lady
Portrayed by Leonardo DiCaprio in the Martin Scorsese movie The Aviator, Howard Hughes is legendary as a playboy and pilot—but he is notorious for what he became: the ultimate mystery man. Citizen Hughes is the New York Times bestselling exposé of Hughes’s hidden life, and a stunning revelation of his “megalomaniac empire in the emperor’s own words” (Newsweek). At the height of his wealth, power, and invisibility, the world’s richest and most secretive man kept what amounted to a diary. The billionaire commanded his empire by correspondence, scrawling thousands of handwritten memos to unseen henchmen. It was the only time Howard Hughes risked writing down his orders, plans, thoughts, fears, and desires. Hughes claimed the papers were so sensitive—“the very most confidential, almost sacred information as to my innermost activities”—that not even his most trusted aides or executives were allowed to keep the messages he sent them. But in the early-morning hours of June 5, 1974, unknown burglars staged a daring break-in at Hughes’s supposedly impregnable headquarters and escaped with all the confidential files. Despite a top-secret FBI investigation and a million-dollar CIA buyback bid, none of the stolen secret papers were ever found—until investigative reporter Michael Drosnin cracked the case. In Citizen Hughes, Drosnin reveals the true story of the great Hughes heist—and of the real Howard Hughes. Based on nearly ten thousand never-before-published documents, more than three thousand in Hughes’s own handwriting, Citizen Hughes is far more than a biography, or even an unwilling autobiography. It is a startling record of the secret history of our times.