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In this second volume in the Gilgamesh trilogy, Enkidu joins Gilgamesh in the quest to slay Humbaba, the monster who has attacked the city and caused great destruction, including the death of the beautiful singer, Shamat. Gilgamesh and Enkidu successfully slay the monster and in so doing, Gilgamesh attracts the attention of the goddess Ishtar. In rejecting her advances, he incurs her revenge and an attack by the Bull of Heaven. Enkidu manages to kill the bull, but is slain by Ishtar, striking at the bond between the two friends. Shattered, Gilgamesh vows he will destroy the last monster: death.
In his final quest, Gilgamesh, still mourning the death of his dear friend Enkidu, sets out to find the key to immortality. His journey is perilous. He must fight ferocious serpents and wild lions. He travels through bitterly cold caves, across scorching deserts, and over the fatal waters of the Sea of Death. Finally he arrives at the palace of Utnapishtim, the only human who knows the secret of immortality. Utnapishtim sets Gilgamesh a test to stay away for six days and seven nights, but Gilgamesh fails. His last hope, a flower of eternal youth, is eaten by the goddess Ishtar, who exacts her revenge. Finally, Enkidu comes from the underworld to show Gilgamesh true immortality: the king will be remembered for his good deeds, courage, and love for his people.
The names of the chief characters in the biblical Book of Esther are those of Mesopotamian deities. Stephanie Dalley argues that the narrative reflects real events in seventh-century Assyria which were `explained' soon after they occurred in a mythologizing cuneiform text and linked to religious festivals comparable to the Jewish rites of Purim.
A retelling of the Babylonian myth telling how the death of Ishtar's son Tammuz brings about the changing seasons on earth.
"With all the graphic adaptations of mythology flying around, it’s about time someone got to old Gilgamesh . . . Winegarner’s adaptation demonstrates the extensive debt mythology and religion owe this ancient tale." --Booklist Before the Bible and legendary figures like Hercules, King Arthur, and Beowulf, there was Gilgamesh. As the king of Uruk, a city in ancient Mesopotamia, Gilgamesh protected his people from harm, battling a multitude of fierce demons with the steadfast help of his brother, Enkidu. But Gilgamesh's reign faced the ultimate challenge from the power-hungry goddess Ishtar, who proposed marriage only to be unceremoniously spurned by Gilgamesh. Ishtar's rage led Gilgamesh to his greatest battle, a battle that shook Gilgamesh to his core and led him to travel further than any other man—to the land of the gods on a quest to find immortality. Written down on cuneiform tablets nearly five thousand years ago, Gilgamesh's story was originally recorded in the form of an epic poem. In this bold retelling of the ancient legend—presented for the first time in graphic novel form—graphic novelist Andrew Winegarner revitalizes the ultimate adventure story. His illustrations breathe new life into the story of humanity's first hero, and the result is a page-turning take on the world's oldest epic poem.
For use in schools and libraries only. Lonely and cruel, King Gilgamesh reigns terror over the people of Uruk. Crying out to the Sun God for help, the people are sent Enkidu, an "uncivilized" man who becomes friends to the king and teaches him how to be human.
The archaeologist hero, Kenton, receives a mysterious ancient Babylonian artifact, which he discovers contains an incredibly detailed model of a ship. A dizzy spell casts Kenton onto the deck of the ship, which becomes a full-sized vessel sailing an eternal sea. The appearance of Kenton is unexpected for the inhabitants of the ship and amazing adventures ensue…
A cultural history of the goddess of love, from a New York Times bestselling and award-winning historian. Aphrodite was said to have been born from the sea, rising out of a froth of white foam. But long before the Ancient Greeks conceived of this voluptuous blonde, she existed as an early spirit of fertility on the shores of Cyprus -- and thousands of years before that, as a ferocious warrior-goddess in the Middle East. Proving that this fabled figure is so much more than an avatar of commercialized romance, historian Bettany Hughes reveals the remarkable lifestory of one of antiquity's most potent myths. Venus and Aphrodite brings together ancient art, mythology, and archaeological revelations to tell the story of human desire. From Mesopotamia to modern-day London, from Botticelli to Beyoncé, Hughes explains why this immortal goddess continues to entrance us today -- and how we trivialize her power at our peril.
Vivid, enjoyable and comprehensible, the poet and pre-eminent translator Stephen Mitchell makes the oldest epic poem in the world accessible for the first time. Gilgamesh is a born leader, but in an attempt to control his growing arrogance, the Gods create Enkidu, a wild man, his equal in strength and courage. Enkidu is trapped by a temple prostitute, civilised through sexual experience and brought to Gilgamesh. They become best friends and battle evil together. After Enkidu's death the distraught Gilgamesh sets out on a journey to find Utnapishtim, the survivor of the Great Flood, made immortal by the Gods to ask him the secret of life and death. Gilgamesh is the first and remains one of the most important works of world literature. Written in ancient Mesopotamia in the second millennium B.C., it predates the Iliad by roughly 1,000 years. Gilgamesh is extraordinarily modern in its emotional power but also provides an insight into the values of an ancient culture and civilisation.
Interprets the poetic meaning of the Iliad in relation to the heroic literature of the Ancient Near East.