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The year is 1689. Situated on the northern boundary of the Massachusetts Bay colony, the town of Cold Marsh is a place of secrets, a village characterized by repression and guilt. Fourteen years have passed since the outbreak of King Philip's War and darkness has come to the Cold Marsh. Two of the town's young women have vanished under mysterious circumstances, and the country seethes with rumors of witchcraft and devilry. Even their God has abandoned them. When a third young woman disappears, the men of the village determine to leave the safety of the village and enter the other world of the woods in search of her. Revenants is a lyrical evocation of the colonial landscape, a poetic meditation on the hills and wilds of that vanished country. It also brings back to life, with breathing intimacy, the inner landscape of sombre repression known to the settlers of New England.
For millennia, a war has been waged for the dominion of man by forces born from the very beginning of creation. Its corruption spreads throughout and influences mankind’s steps to its eventual extinction. For their power is limitless, and their hatred all consuming. All that stands against these forces is a shadowy organization comprised of reformed immortals who were rejected by the daemons themselves. Their souls touched by the divine and purified by their strength and regret. What comes next will forever shape mankind’s path. The year is 1066. This eBook includes 13 hand drawn images from the author.
When Willie arrives in Indian Territory, she knows only one thing: no one can find out who she really is. To escape a home she doesn't belong in, she assumes the name of a former classmate and accepts a teaching position at the Cherokee Female Seminary. Nothing prepares her for what she finds. Her pupils are the daughters of the Cherokee elite--educated and more wealthy than she--and the school is cloaked in mystery. A student drowned in the river last year, and the girls whisper that she was killed by a jealous lover. Willie's room is the very room the dead girl slept in. The students say her spirit haunts it. Willie doesn't believe in ghosts, but when strange things start happening at the school, she isn't sure anymore. She's also not sure what to make of a boy from the nearby boys' school who has taken an interest in her--and whose past is cloaked in secrets. Soon, even Willie has to admit that the revenant may be trying to tell her something. . . .
Winner of 3 OSCARS including BEST DIRECTOR and BEST ACTOR Winner of 5 BAFTAS including Best Actor, Best Director and Best Film Winner of the 2016 Golden Globes for Best Motion Picture – Drama, Best Actor – Drama, and Best Director
A welcome return in a revised edition of Geoffrey Farrington's masterpiece of classic Gothic horror. A family curse reaches through time to damn a young man in Victorian Cornwall.
The title of this collection, Revenants, suggests spirits and ghosts who return to the human world through dream and art, not to haunt it, but to remind the living that the present and the past are intertwined. At the heart of the collection is a series of poems about the poet's father, a Melbournian who travelled and worked in Asia as a young man, who married the poet's mother in Bangkok, and whose life and death are commemorated here. The poems have settings in Asia, Australia, Hawai'i, and France, which has become the author's second home. They reflect on the legacy of colonialism, not as theory, but as inherited experience. In them the poet himself may be thought of as a revenant, sharing his awareness of secret histories and local knowledge, stories of migration, the vestiges of forgotten people and places. 'The reader is drawn into the palimpsests of hybrid lives and texts by Aitken's weaving of droll sentiment, unsentimental political awareness, and tender observations of passing humanity and nature.' -- Shirley Geok-lin Lim
There is growing interest in the internationality of the literary Gothic, which is well established in English Studies. Gothic fiction is seen as transgressive, especially in the way it crosses borders, often illicitly. In the 1790s, when the English Gothic novel was emerging, the real or ostensible source of many of these uncanny texts was Germany. This first book in English dedicated to the German Gothic in over thirty years redresses deficiencies in existing English-language sources, which are outdated, piecemeal, or not sufficiently grounded in German Studies.
In 1919 the Treaty of Versailles stripped Germany of its overseas colonies. This sudden transition to a post-colonial nation left the men and women invested in German imperialism to rebuild their status on the international stage. Remnants of an earlier era, these Kolonialdeutsche (Colonial Germans) exploited any opportunities they could to recover, renovate, and market their understandings of German and European colonial aims in order to reestablish themselves as "experts" and "fellow civilizers" in discourses on nationalism and imperialism. Revenants of the German Empire: Colonial Germans, Imperialism, and the League of Nations tracks the difficulties this diverse group of Colonial Germans encountered while they adjusted to their new circumstances, as repatriates to Weimar Germany or as subjects of the War's victors in the new African Mandates. Faced with novel systems of international law, Colonial Germans re-situated their notions of imperial power and group identity to fit in a world of colonial empires that were not their own. The book examines how former colonial officials, settlers, and colonial lobbies made use of the League of Nations framework to influence diplomatic flashpoints including the Naturalization Controversy in Southwest Africa, the Locarno Conference, and the Permanent Mandates Commission from 1927-1933. Sean Wempe revises standard historical portrayals of the League of Nations' form of international governance, German participation in the League, the role of interest groups in international organizations and diplomacy, and liberal imperialism. In analyzing Colonial German investment and participation in interwar liberal internationalism, the project challenges the idea of a direct continuity between Germany's colonial period and the Nazi era.
For a limited time, Amy Plum's star-crossed paranormal romance Die for Me is available with a special sneak peek of Until I Die, the second book in this lush trilogy. Bonus content is also included: tips for "Living La Belle Vie" from main character Kate—including her favorite books, movies, and paintings.
An international bestseller! From the New York Times bestselling author of Sorcery of Thorns and An Enchantment of Ravens comes a thrilling, “dark coming-of-age adventure” (Culturess) about a teen girl with mythic abilities who must defend her world against restless spirits of the dead. The spirits of the dead do not rest. Artemisia is training to be a Gray Sister, a nun who cleanses the bodies of the deceased so that their souls can pass on; otherwise, they will rise as ravenous, hungry spirits. She would rather deal with the dead than the living, who whisper about her scarred hands and troubled past. When her convent is attacked by possessed soldiers, Artemisia defends it by awakening an ancient spirit bound to a saint’s relic. It is a revenant, a malevolent being whose extraordinary power almost consumes her—but death has come, and only a vespertine, a priestess trained to wield a high relic, has any chance of stopping it. With all knowledge of vespertines lost to time, Artemisia turns to the last remaining expert for help: the revenant itself. As she unravels a sinister mystery of saints, secrets, and dark magic, Artemisia discovers that facing this hidden evil might require her to betray everything she believes—if the revenant doesn’t betray her first.