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Damon Wildeve, a local innkeeper known for his fickleness is preoccupied with Eustacia Vye, an exotically beautiful young woman who broke up with him when Clym, a successful diamond merchant, returned from Paris to his native Egdon Heath. Eustacia sees him as a way to escape the hated heath and begin a grander, richer existence in a glamorous new location. When he sees that Eustacia is lost to him, Wildeve marries Thomasin Yeobright, who gives birth to a daughter. After realizing that Clym won't fulfill her dreams, Eustacia becomes desperate, but another opportunity shows up. Wildeve has unexpectedly inherited a large sum of money, and is now in a better position to fulfill Eustacia's hopes, but he now has a wife and a child.
This is a historical romance novel written by an anonymous author who published a series of books about Elizabethan era England. Excerpt: "I denounce thee, in the presence of this menial, as a traitor and a spy!" A flash of anger mounted to Hildebrand's cheeks at these words, and his rapier, on which his grasp had already been fastened, leaped from its scabbard on the instant. "Such terms would provoke an angel! Stand on thy guard!" he said and jumped."
The central figure of this novel is the returning "native", Clym Yeobright, and his love for the beautiful but capricious Eustacia Vye.
The Return of The Native
Story of Egdon Heath and Eustacia Vye in late nineteenth century Wessex, England. Set in the vast, brooding heathlands of England, it lays bare the frailties of human love.
Virginia Woolf’s daring essay on how illness transforms our perception, plus an essay by Woolf’s mother from the caregiver’s perspective: “Revelatory.” —Booklist This new publication of “On Being Ill” with “Notes from Sick Rooms” presents Virginia Woolf and her mother, Julia Stephen, in textual conversation for the first time in literary history. In the poignant and humorous essay “On Being Ill,” Woolf observes that though illness is part of every human being’s experience, it is not celebrated as a subject of great literature in the way that love and war are embraced by writers and readers. We must, Woolf says, invent a new language to describe pain. Illness, she observes, enhances our perceptions and reduces self-consciousness; it is “the great confessional.” Woolf discusses the taboos associated with illness, and she explores how it changes our relationship to the world around us. “Notes from Sick Rooms,” meanwhile, addresses illness from the caregiver’s perspective. With clarity, humor, and pathos, Julia Stephen offers concrete information that remains useful to nurses and caregivers today. This edition also includes an introduction to “Notes from Sick Rooms” by Mark Hussey, founding editor of Woolf Studies Annual, and a poignant afterword by Rita Charon, MD, founder of the field of Narrative Medicine. In addition, Hermione Lee’s brilliant introduction to “On Being Ill” offers a superb overview of Woolf’s life and writing. “Woolf’s inquiry into illness and its impact on the mind is paired with her mother’s observations about caring for the body. Julia Stephen . . . had no professional training but took to heart Florence Nightingale’s precept that every woman is a nurse and emulated Nightingale’s best-selling Notes on Nursing with her own “Notes from Sick Rooms.” In this long-overlooked, precise, and piquant little manual, Stephen is compassionate and ironic, observing that everyone deserves to be tenderly nursed while addressing the small evil of crumbs in bed. This unprecedented literary reunion of mother and daughter is stunning on many fronts, but physician and literary scholar Rita Charon focuses on the essentials in her astute afterword, writing that Woolf’s perspective as a patient and Stephen’s as a nurse together illuminate the goal of care—to listen, to recognize, to imagine, to honor.” —Booklist “Woolf and Stephen will certainly change the way readers think of illness.” —Publishers Weekly
This Element brings together the history of emotions and temporalities, offering a new perspective on both. Time was often imagined as a movement from the past to the future: the past is gone and the future not yet here. Only present-day subjects could establish relations to other times, recovering history as well as imagining and anticipating the future. In a movement paralleling the emphasis on the porous self, constituted by emotions situated not inside but between subjects, this Element argues for a porous present, which is open to the intervention of ghosts coming from the past and from the future. What needs investigating is the flow between times as much as the creation of boundaries between them, which first banishes the ghosts and then denies their existence. Emotions are the most important way through which subjects situate and understand themselves in time.
Damon Wildeve, a local innkeeper known for his fickleness is preoccupied with Eustacia Vye, an exotically beautiful young woman who broke up with him when Clym, a successful diamond merchant, returned from Paris to his native Egdon Heath. Eustacia sees him as a way to escape the hated heath and begin a grander, richer existence in a glamorous new location. When he sees that Eustacia is lost to him, Wildeve marries Thomasin Yeobright, who gives birth to a daughter. After realizing that Clym won't fulfill her dreams, Eustacia becomes desperate, but another opportunity shows up. Wildeve has unexpectedly inherited a large sum of money, and is now in a better position to fulfill Eustacia's hopes, but he now has a wife and a child.
Irresistible photographs by one of the Cape's well-known locals, for those who love dogs and love Cape Cod, wherever you are now! DOGS ON CAPE COD will bring back the blissful feeling of those long walks on the Cape with your loving, furry companion, wherever you are right now. Anyone who has ever met Kim Roderiques, even on one occasion, knows of her pure affection, and, quite frankly, her obsession with dogs. Having had dogs throughout her life, it wasn't until Kim reached adulthood that she began to comprehend the incredible gift they give to us. This book began when Kim's dear friend arrived on the Cape with her new puppy, a Cavalier King Charles, named Murphy. From the first moment Kim photographed the puppy, she began to see the Cape in a very different light; she saw it through Murphy's eyes. His wonderment of seeing everything for the very first time, made it evident how much he loved his home. And, with that, the idea was born to publish a book capturing the love that dogs have for this unique environment. DOGS ON CAPE COD conveys the special happiness the Cape has to offer every kind of dog. "It's the sand, it's the water, it's the light, it's the freedom, it's each other," says Kim about dogs and Cape Cod. DOGS ON CAPE COD takes you on a photographic journey through the Cape, witnessing a wide variety of dogs enjoying their very favorite activities in this special place. It features humorous, poignant, and endearing photos of dogs of every age, from puppies to elderly dogs. Whether pure bred or mixed, their importance in our lives always proves to be extraordinary. This book captures the heart and soul of dogs on Cape Cod. You may leave the Cape, but you never leave it behind. Book has 251 color photographs printed on 100# paper