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The compiled messages of Bryn Jones taken from the restorer website. This book has been approved by Bryns brother Keri and the family. The minimum amount of revenue is made on this book.
Large-Scale Ecosystem Restoration presents case studies of five of the most noteworthy large-scale restoration projects in the United States: Chesapeake Bay, the Everglades, California Bay Delta, the Platte River Basin, and the Upper Mississippi River System. These projects embody current efforts to address ecosystem restoration in an integrative and dynamic manner, at large spatial scale, involving whole (or even multiple) watersheds, and with complex stakeholder and public roles. Representing a variety of geographic regions and project structures, the cases shed light on the central controversies that have marked each project, outlining • the history of the project • the environmental challenges that generated it • the difficulties of approaching the project on an ecosystem-wide basis • techniques for conflict resolution and consensus building • the ongoing role of science in decision making • the means of dealing with uncertainties A concluding chapter offers a guide to assessing the progress of largescale restoration projects. Large-Scale Ecosystem Restoration examines some of the most difficult and important issues involved in restoring and protecting natural systems. It is a landmark publication for scientists, policymakers, and anyone working to protect or restore landscapes or watersheds.
Expert advice for turning old cameras into valuable collectibles, these step-by-step instructions show how to restore a vintage camera. Learn to work on antique leather, brass, and wooden components to achieve a complete camera restoration.
A cemetery restorer with a haunting secret must break her own rules when she meets a detective on the hunt for a killer in this romantic urban fantasy. Never acknowledge the dead. Never stray far from hallowed ground. Never get close to the haunted. Never, ever tempt fate. My name is Amelia Gray. I’m a cemetery restorer who sees ghosts. In order to protect myself from the parasitic nature of the dead, I’ve always held fast to these rules passed down from my father . . . until now. Detective John Devlin needs my help to find a killer, but he is haunted by ghosts who shadow his every move. To warn him would be to invite them into my life. I’ve vowed to keep my distance, but the pull of his magnetism grows ever stronger even as the headstone symbols lead me closer to truth and to the gossamer veil that separates this world from the next.
The decades following the 1973 publication of Alessandro Conti’s Storia del Restauro have seen considerable scholarly interest in the development of restoration in France in the second half of the eighteenth century. A number of technical treatises and biographies of restorers have offered insight into restoration practice. The Restoration of Paintings in Paris, 1750–1815, however, is the first book to situate this work within the broader historical and philosophical contexts of the time. Drawing on previously unpublished primary material from archives in Paris, Berlin, Rome, and Venice, Noémie Étienne combines art history with anthropology and sociology to survey the waning decades of the Ancien Régime and early post– Revolution France. Initial chapters present the diversity of restoration practice, encompassing not only royal institutions and the Louvre museum but also private art dealers, artists, and craftsmen, and examine questions of trade secrecy and the changing role of the restorer. Following chapters address the influence of restoration and exhibition on the aesthetic understanding of paintings as material objects. The book closes with a discussion of the institutional and political uses of restoration, along with an art historical consideration of such key concepts as authenticity, originality, and stability of artworks, emphasizing the multilayered dimension of paintings by such important artists as Titian and Raphael. There is also a useful dictionary of the main restorers active in France between 1750 and 1815.
Some 30 different models of Ducati twin-cylinder motorcycles are covered in this comprehensive restoration guide. Combining his own expertise and experiences with those of Ducati enthusiasts the world over, Mick Walker clearly explains all you need to know to restore Ducati's bevel-driven V-twins, belt-driven V-twins, and parallel twins. It is illustrated with clear diagrams and rare photographs gathered from various sources.Previous edition (1993) ISBN 1-85532-304-4
A history of film preservation and restoration, telling the story from the earliest days of the cinema to the modern days of digital restorations. The cinema was invented in the Victorian era, but for the first four decades of its existence almost no effort was made to preserve the millions of feet of celluloid which rolled through the cameras and projectors of the world. As a result, thousands of movies were lost forever. In the 1930s, the first concerted attempts at film preservation were begun by pioneering individuals such as Iris Barry at New York's Museum of Modern Art; Ernest Lindgren at the British Film Institute, and the indomitable Henri Langlois at the Cinémathèque française, a man who performed heroics in occupied France to save the world's cinematic heritage from destruction by the Nazis. The 1980s video boom encouraged the studios finally to instigate asset protection programmes and in the digital age new methods of producing, exhibiting and restoring motion pictures emerged.
In this long-awaited sequel to The Antiquarian, the discovery of an enigma concealed in the paintings of the Spanish artist Sert proves the restoration of the past to be a fascinating but deadly business Enrique Alonso travels from his new home in Manhattan to San Sebastián, Spain, to attend the reopening of the San Telmo museum, where his ex-wife, Bety, works in public relations. There he meets American Craig Bruckner, a retired art restorer studying the museum’s collection of works by Sert—a contemporary of Picasso and Dalí who worked for the most famous billionaires of his time and whose mural American Progress graces the walls of Rockefeller Center. When Bruckner is found drowned in La Concha bay, Bety suspects foul play and Enrique agrees to help her look into the man’s death. Their investigation reveals a mystery connected with Sert’s checkered past, which provides fertile ground for the new thriller Enrique is writing, and the plot develops in parallel to his research. Enrique and Bety’s reconstruction of the artist’s clandestine activities during World War II leads them to Paris, Barcelona, and New York, and in the process forces them to face their own past. But they are not the only ones interested in Sert’s work, and it appears there is more to his paintings than meets the eye.
Ever since its original publication in Germany in 1938, Max Schweidler's Die Instandetzung von Kupferstichen, Zeichnungen, Buchern usw has been recognized as a seminal modern text on the conservation and restoration of works on paper. To address what he saw as a woeful dearth of relevant literature and in order to assist those who have 'set themselves the goal of preserving cultural treasures, ' the noted German restorer composed a thorough technical manual covering a wide range of specific techniques, including detailed instructions on how to execute structural repairs and alterations that, if skilfully done, can be virtually undetectable. By the mid-twentieth century, curators and conservators of graphic arts, discovering a nearly invisible repair in an old master print or drawing, might comment that the object had been 'Schweidlerized.' This volume, based on the authoritative revised German edition of 1949, makes Schweidler's work available in English for the first time, in a meticulously edited and annotated critical edition. The editor's introduction places the work in its historical context and probes the philosophical issues the book raises, while some two hundred annotati