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"This celebrated book is a classic on the fine art and craft of restoring leather bookbinding. Middleton is one of Britain's pre-eminent practitioners and scholars on the subject. He writes with the rare insight of long practice and hard-won authority. Nowhere else can a student of this craft find clearer or more detailed explanations of the restorer's lore and science." "This is Middleton's fourth revised and expanded edition. This edition features a new, full-colour, identifying guide for leather and papers most likely found in bookbinding. The section on suppliers has been completely updated along with a comprehensive index." "This definitive work belongs on the shelf of every bibliophile, librarian, conservator, book restorer, and binder interested in this unique art form."--Rabat de la jaquette.
"This celebrated book is a classic on the fine art and craft of restoring leather bookbinding. Middleton is one of Britain's pre-eminent practitioners and scholars on the subject. He writes with the rare insight of long practice and hard-won authority. Nowhere else can a student of this craft find clearer or more detailed explanations of the restorer's lore and science." "This is Middleton's fourth revised and expanded edition. This edition features a new, full-colour, identifying guide for leather and papers most likely found in bookbinding. The section on suppliers has been completely updated along with a comprehensive index." "This definitive work belongs on the shelf of every bibliophile, librarian, conservator, book restorer, and binder interested in this unique art form."--BOOK JACKET.
Here at last is a short, simple, inexpensive guide to the tricks of the trade regarding how to take care of your beloved books. Written by a pair of booksellers, this little gem emphasizes household products and simple methods.
Teaches book repair and cleaning techniques, and discusses chemical treatments and archive preservation.
The conservation of skin, leather and related materials is an area that, until now, has had little representation by the written word in book form. Marion Kite and Roy Thomson, of the Leather Conservation Centre, have prepared a text which is both authoritative and comprehensive, including contributions from the leading specialists in their fields, such as Betty Haines, Mary Lou Florian, Ester Cameron and Jim Spriggs. The book covers all aspects of Skin and Leather preservation, from Cuir Bouillie to Bookbindings. There is significant discussion of the technical and chemical elements necessary in conservation, meaning that professional conservators will find the book a vital part of their collection. As part of the Butterworth-Heinemann Black series, the book carries the stamp of approval of the leading figures in the world of Conservation and Museology, and as such it is the only publication available on the topic carrying this immediate mark of authority.
A guide to hand book-binding.
Fourth edition, revised and expanded from the 1998 edition. A welcome new addition in this book is a full color section for the indentification of leather and marbled papers. From the author of "History of English Craft Bookbinding Technique" (also published by Oak Knoll & The British Library), this classic in the field of bookbinding is a practical guide to the restoration of leather bindings. Revised and expanded, this work reflects advances in techniques and materials, and contains current information of suppliers and related publications. The book has chapters concerning definition of terms, tools and materials, cleaning, removing the spine, resewing and alternatives; gluing, rounding and backing; headbanding, back lining, preparation of boards, rebacking, replacing the spine, repairing caps and outer joints, repairing caoutchoue bindings, repairing corners, blending new endpapers, straightening warped boards, rebinding pasteboards, salvaging old sides; staining, aging, tooling and refurbishing, recording repairs and a section of selected reading. Alternative approaches are included for rebinding when the original covers have been lost or are beyond restoration, modern rebinding, and replication of original bindings by combining elements of both modern and historical binding techniques. Middletown's work is designed to be a comprehensive handbook for practitioner and student alike when formal training in restorative techniques are unavailable. Also included is an updated listing of binders' suppliers.