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本书为国学系列图书的一部分，主要内容为古代孝道故事"二十四孝"。 它成书于元代，包含了从传说舜时代到宋代的二十四个孝道故事，在中国广为流传，影响巨大，成为教育儿童孝道的著名古典读物。本书将这些古代孝道故事翻译成英文，以英汉双语形式，向广大读者推荐，是弘扬国学文化的重要举措。 孝爱文化是中国社会独有的子女对待父母行为的道德文化现象。千百年来，孝爱文化对维系家庭和睦、经济发展和社会安定始终发挥着重要的作用。而古代二十四孝故事是中国孝爱文化的重要内容，虽孝道内容、形式各异，但每一则故事均感人至深，令人折服。用双语形式呈现二十四孝故事，既能弘扬我国传统文化，又能实现向世界宣传中国优秀文化之目的。对于青少年来说，弘扬孝爱文化意义尤为深远，在增强学生学习的趣味性、积极性的同时，又能传承中国的传统文化。 This book is a part of the Chinese studies series and its main contents are the ancient filial piety stories, twenty-four filial piety. It was written in the Yuan Dynasty, containing 24 stories of filial piety from the legends of Shun era to the Song Dynasty. It was widely spread in our country and influenced greatly. It became a famous classical reading material for educating children filial piety. We translated these ancient stories of filial piety into English and recommended them to the readers in both English and Chinese, which is an important initiative to carry forward the culture of sinology. Filial piety and love culture is a unique moral and cultural phenomenon in China. For thousands of years, the culture of filial piety and love culture has always played an important role in maintaining family harmony, economic development and socialstability. The twenty-four stories of filial piety in ancient China is an important part of the culture of filial piety and love. Although the content and forms of filial piety are different, each story is deeply moving and convincing. Presenting the twenty-four filial piety stories in bilingual form can not only carry forward traditional culture, but also realize the purpose of promoting the excellent Chinese culture to the world. For young people, carrying forward the culture of filial piety and love culture is of profound significance. It can not only enhance students' interest and enthusiasm in learning, but also inherit the traditional Chinese culture.
The phenomenon of filial piety is fundamental to our understanding of Chinese culture. An international team of contributors provides an excellent collection of essays that explore its role in various areas of life throughout history.
The Xiao Jing or Classic of Filial Piety is a Confucian classic treatise giving advice on filial piety. It teaches how one should behave towards a senior such as parents, elder brother or ruler. The text consists of a dialogue between Confucius and his disciple Zeng Zi, and whose students probably compiled the treatise around 400 BC. It has become associated with the Confucian school of philosophy which became the ideology of imperial China and its neighbours such as Korea, Vietnam and Japan. It is unique in being probably the world's first text devoted to filial piety. The family unit has long been regarded as the foundation of society in China and filial piety is seen as being especially important to social order and national stability. To make the text relevant to readers of today, this book includes representative stories from not only China, the traditional bastion of filial piety, but also other cultures around the world. In this way, readers will appreciate filial behaviour as a universal value.
The subject is a 15.5-foot handscroll painted by Li Kung-lin, the preeminent figure painter of 11th-century China, illustrating a work that dates to between 350 and 200 B.C.--a dialog between Confucius and a disciple on the meaning and application of filial piety in the affairs of the individual and of the state. Barnhart's (art history, Yale) elucidation is accompanied by contributed chapters on the calligraphy of the work and on the conservation and remounting of the scroll. Generously illustrated. 9.25x12.25" Annotation copyright by Book News, Inc., Portland, OR
Of the many ballads, tales, and plays extolling filial piety (xiao) the foundational virtue of imperial China none was more popular in that era than the legend of Dong Yong and his heavenly helpmate, Weaving Maiden. Continually revised and embellished over a millennium, the tale's popularity remains, finding new expression in Chinese film and opera in the twentieth century. The five versions of the legend presented here, alongside a selection of related texts, illustrate changing perceptions of xiao from the tenth century through the first part of the twentieth in a variety of genres. An appendix traces the development of the related legend of Weaving Maiden and Buffalo Boy from myth to folktale. Wilt L Idema's Introduction traces the evolution of the central legend and its significance in the history of Chinese popular culture. Annotations explaining terms and references that may be unfamiliar to Western readers, a glossary, and a comprehensive bibliography further enhance the value of this book for both scholars and students.
Both Western and Chinese intellectuals have long derided filial piety tales as an absurd and grotesque variety of children’s literature. Selfless Offspring offers a fresh perspective on the genre, revealing the rich historical worth of these stories by examining them in their original context: the tumultuous and politically fragmented early medieval era (A.D. 100–600). At a time when no Confucian virtue was more prized than filial piety, adults were moved and inspired by tales of filial children. The emotional impact of even the most outlandish actions portrayed in the stories was profound, a measure of the directness with which they spoke to major concerns of the early medieval Chinese elite. In a period of weak central government and powerful local clans, the key to preserving a household’s privileged status was maintaining a cohesive extended family. Keith Knapp begins this far-ranging and persuasive study by describing two related historical trends that account for the narrative’s popularity: the growth of extended families and the rapid incursion of Confucianism among China’s learned elite. Extended families were better at maintaining their status and power, so patriarchs found it expedient to embrace Confucianism to keep their large, fragile households intact. Knapp then focuses on the filial piety stories themselves—their structure, historicity, origin, function, and transmission—and argues that most stem from the oral culture of these elite extended families. After examining collections of filial piety tales, known as Accounts of Filial Children, he shifts from text to motif, exploring the most common theme: the "reverent care" and mourning of parents. In the final chapter, Knapp looks at the relative burden that filiality placed on men and women and concludes that, although women largely performed the same filial acts as men, they had to go to greater extremes to prove their sincerity.
Educated men in Song-dynasty China (960–1279) traveled frequently in search of scholarly and bureaucratic success. These extensive periods of physical mobility took them away from their families, homes, and native places for long periods of time, preventing them from fulfilling their most sacred domestic duty: filial piety to their parents. In this deeply grounded work, Cong Ellen Zhang locates the tension between worldly ambition and family duty at the heart of elite social and cultural life. Drawing on more than two thousand funerary biographies and other official and private writing, Zhang argues that the predicament in which Song literati found themselves diminished neither the importance of filial piety nor the appeal of participating in examinations and government service. On the contrary, the Northern Song witnessed unprecedented literati activity and state involvement in the bolstering of ancient forms of filial performances and the promotion of new ones. The result was the triumph of a new filial ideal: luyang. By labeling highly coveted honors and privileges attainable solely through scholarly and official accomplishments as the most celebrated filial acts, the luyang rhetoric elevated office-holding men to be the most filial of sons. Consequently, the proper performance of filiality became essential to scholar-official identity and self-representation. Zhang convincingly demonstrates that this reconfiguration of elite male filiality transformed filial piety into a status- and gender-based virtue, a change that had wide implications for elite family life and relationships in the Northern Song. The separation of elite men from their parents and homes also made the idea of “native place” increasingly fluid. This development in turn generated an interest in family preservation as filial performance. Individually initiated, kinship- and native place-based projects flourished and coalesced with the moral and cultural visions of leading scholar-intellectuals, providing the social and familial foundations for the ascendancy of Neo-Confucianism as well as new cultural norms that transformed Chinese society in the Song and beyond.