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Between the years of 1447 (Nicholas V) and 1572 (Pius V), the Vatican became the official home of the Church, and a succession of Renaissance Popes — who were statesmen, warriors, and patrons of the arts as well as churchmen — turned Rome into an unparalleled center for culture, and turned the Church into the world's largest bureaucracy. These mercurial popes, such as Alexander VI, the infamous Borgia patriarch, and Julius 'Il Terrible' II, contributed to cultural achievements — the Basilica of St. Peters and Michaelangelo's Sistine Chapel — through the sale of indulgences, and targeted heretics with Inquisitions and witchhunts. In the midst of this explosion of great culture and violent debasement, Alexander VI, father of the ruthless Cesare and jezebel Lucrezia, came to be seen as the embodiment of this iniquity. But Gerard Noel shows that Alexander's legacy was tainted by false confessions and historical myth. In fact, Alexander created the blueprint for reform — the first of its kind — that would eventually lead to the Counter-Reformation. In his survey of the colorful reigns of the seventeen Renaissance Popes and his examination of the great Borgia myth, Noel brings to light the true legacy — political, artistic, religious — of an extraordinary time.
An exciting interdisciplinary study based on new literary, historical, and bibliographical evidence, this book will appeal to students and scholars of the Italian Renaissance, the Reformation, and the history of the book.
The first full study of the most remarkable history of the early popes and their relationship with Rome, the Liber pontificalis.
The Catholic Church is among the oldest, most secretive, institutions in the world, but in the sixteenth century a friar, Onofrio Panvinio, undertook ground-breaking investigations into the Church's history from Christ to the Renaissance. This study shows how his writings impacted on church and society, but also how he changed historical writing.
This work is concerned with the activities of the Florentine merchants active in Rome during the mid-sixteenth century, and their connections and relations with the Apostolic Chamber, particularly during the pontificate of Pope Paul III.
Probes the basic attitudes, the underlying values and the core convictions that Rome's intellectuals and artists experienced, lived for, and believed in from Pope Eugenius IV's reign to the Eternal City in 1443 to the sacking of 1527.
The stories of seven popes who ruled at seven different critical periods in the 600 years leading into the Reformation.
In 1420, after more than one hundred years of the Avignon Exile and the Western Schism, the papal court returned to Rome, which had become depopulated, dangerous, and impoverished in the papacy's absence. Reviving the Eternal City examines the culture of Rome and the papal court during the first half of the fifteenth century. As Elizabeth McCahill explains, during these decades Rome and the Curia were caught between conflicting realities--between the Middle Ages and the Renaissance, between conciliarism and papalism, between an image of Rome as a restored republic and a dream of the city as a papal capital. Through the testimony of humanists' rhetorical texts and surviving archival materials, McCahill reconstructs the niche that scholars carved for themselves as they penned vivid descriptions of Rome and offered remedies for contemporary social, economic, religious, and political problems. In addition to analyzing the humanists' intellectual and professional program, McCahill investigates the different agendas that popes Martin V (1417-1431) and Eugenius IV (1431-1447) and their cardinals had for the post-Schism pontificate. Reviving the Eternal City illuminates an urban environment in transition and explores the ways in which curialists collaborated and competed to develop Rome's ancient legacy into a potent cultural myth.
"Can Christian clergy - supposedly men of peace - also be warriors? In this lively and compelling history D.S. Chambers examines the popes and cardinals over several centuries who not only preached war but also put it into practice as military leaders. Satirised by Erasmus, the most notorious - Julius II - was even refused entrance to heaven because he was 'bristling and clanking with bloodstained armour'. Popes, Cardinals and War investigates the unexpected commitment of the Roman Church, at its highest level of authority, to military force and war as well as - or rather than - peace-making and the avoidance of bloodshed. Although the book focuses particularly on the fifteenth and sixteenth centuries, a notoriously belligerent period in the history of the papacy, Chambers also demonstrates an extraordinary continuity in papal use of force, showing how it was of vital importance to papal policy from the early Middle Ages to the nineteenth century. Popes, Cardinals and War looks at the papacy's stimulus and support of war against Muslim powers and Christian heretics but lays more emphasis on wars waged in defence of the Church's political and territorial interests in Italy. It includes many vivid portraits of the warlike clergy, placing the exceptional commitment to warfare of Julius II in the context of the warlike activities and interests of other popes and cardinals both earlier and later. Engaging and stimulating, and using references to scripture and canon law as well as a large range of historical sources, Chambers throws light on these extraordinary and paradoxical figures - men who were peaceful by vocation but contributed to the process of war with surprising directness and brutality - at the same time as he illuminates many aspects of the political history of the Church."--Bloomsbury publishing.